{"title":"TAG Stationery: Colorizing the Ancient Capital from Shimogyo-ku, Kyoto","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery: Colorizing the Ancient Capital from Shimogyo-ku, Kyoto\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSome ink brands chase novelty. TAG Stationery chases something older. Founded in Shimogyo-ku, Kyoto — the historic southern ward of Japan's ancient imperial capital — Takeda Jimuki Co., Ltd. began with a quietly radical premise: that the colours of a civilization stretching back over a thousand years could live again in a bottle of fountain pen ink.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTheir mission says it simply: \u003cem\u003eExpanding the joy of handwriting.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe Concept Behind the Colour\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEvery TAG Stationery release is rooted in a tradition rather than a trend. Their inks were developed in collaboration with the Kyoto Kusakubi Laboratory, a specialist institute dedicated to the study and preservation of traditional Japanese natural dyes — the same dyeing knowledge that once defined the dress, ceremony, and poetry of the Heian court.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eKyo-no-Oto\u003c\/strong\u003e (京の音, \"Sounds of Kyoto\") draws from the classical Japanese colour vocabulary of the Heian period (794–1185 AD), an era when colour carried social rank, seasonal meaning, and poetic weight. Each ink takes its name from a traditional hue: \u003cem\u003eImayouiro\u003c\/em\u003e (a vivid fuchsia-red worn by courtiers), \u003cem\u003eAonibi\u003c\/em\u003e (a deep, restrained indigo-blue), \u003cem\u003eYamabukiiro\u003c\/em\u003e (the warm amber of a Japanese rose), \u003cem\u003eAdzukiiro\u003c\/em\u003e (the deep burgundy of red beans). These are not decorative names applied after the fact — the colours themselves are formulated to reflect their historical dye references.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eKyo-iro\u003c\/strong\u003e (京彩, \"Colours of Kyoto\") turns from history to place, with colour names drawn from the living geography of the city: the stone-paved lanes of Gion, the cherry blossoms along the Keage incline, the blue-grey light that settles over old Kyoto in early morning. Where Kyo-no-Oto is a study in classical colour philosophy, Kyo-iro is a love letter to Kyoto as it exists today.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEach colour in the TAG Stationery catalogue carries a name, a reference, and a lineage. Collecting them is less like stocking a supply and more like assembling a record of one city's relationship with colour across twelve centuries.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Worth Writing With\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe heritage would mean little if the ink itself fell short. TAG Stationery takes formulation seriously. Their inks are water-based and pH-balanced, flowing smoothly across a broad range of nibs without staining feeds or drying in the pen between uses. Plant-derived dye references shape the colour development process, and every release is safe for use in all makes and models of fountain pen.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMost colours exhibit meaningful shading — the gradation of tone that rewards broader nibs and quality paper — and select releases carry a subtle sheen under raking light. The Kyo-no-Oto Shimmering sub-line introduces carefully restrained shimmer particles to select hues, paired always with genuine colour depth rather than using sparkle as a substitute for substance. Bottles are 40 ml, presented in heavyweight textured card packaging that reflects the attention given to every aspect of the line.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA Palette Built on Restraint\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery's colour philosophy is rooted in the Japanese aesthetic of \u003cem\u003ema\u003c\/em\u003e — the expressive power of what is withheld. These inks do not announce themselves. Their palette skews dusty, muted, and historically grounded: colours that deepen on the page and reveal more the longer you look. Collecting them slowly is part of the experience.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAt Shosai\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai carries a curated selection of TAG Stationery fountain pen inks, available for shipping across Canada and for free local pickup in Ottawa–Gatineau. Whether you are discovering the brand for the first time or searching for a specific Kyo-no-Oto colour by name, we are happy to help. Browse the full TAG Stationery collection, or reach out — we are here for exactly these conversations.\u003c\/p\u003e","products":[{"product_id":"tag-stationery-kasane-serenity-wave-dip-pen-ink","title":"TAG Stationery Kasane Series Serenity Wave — Aqua-Seafoam Blue with Blue Shimmer and Expressive Shading Dip Pen \u0026 Brush Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kasane Series Serenity Wave — Aqua-Seafoam Blue with Blue Shimmer and Expressive Shading Dip Pen \u0026amp; Brush Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kasane Series Serenity Wave is a dip pen and brush ink released in late October 2024 as part of TAG Stationery's Kasane (重ね) collection — a series built around the layered colour traditions of Japanese kimono, where the art of kasane-no-irome (重ねの色目) defines beauty through the relationship between colours placed one upon another. Serenity Wave takes that tradition as its creative point of departure: an ink that embodies the quiet energy of water in motion, the calm of breaking seafoam, the depth beneath a still surface. The Kasane series is designed for writers and artists who want an ink that does more than mark a page — an ink that moves on the paper, separates, layers, and reveals something different depending on how it is applied, how much water is introduced, and where the light falls.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店) is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. Their inks are produced with an artist's attention to colour complexity and a craftsperson's care for formulation — and the Kasane series, in particular, represents their most technically sophisticated work: inks designed to separate and interact on the page, producing results that vary meaningfully with nib type, paper surface, water application, and the artist's own hand.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSerenity Wave is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e⚠️ \u003cstrong\u003eFor dip pen and brush use only. Not compatible with fountain pens, rollerball pens, or any inhalation-type writing instrument.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Serenity Wave Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMost inks are formulated for consistency: a single dye, a predictable colour, repeatable results across tools and papers. Serenity Wave is formulated for expression. Its mixed dye-and-pigment base — blue dye, yellow-green pigment, and fine blue shimmer particles — is designed to behave differently depending on how it is used. Applied with a dry dip pen nib, it writes clean and controlled, the aqua-seafoam base expressing itself directly. With a brush loaded with water, or with a generous dip pen load on slow-absorbing paper, the dye and pigment components begin to separate on the page, producing distinct halos, colour shifts, and layered patches where the yellow-green pigment pulls toward one edge and the blue dye pools in another, creating a spontaneous chromatic landscape that cannot be fully predicted or controlled — only guided.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThat separation behaviour is the defining characteristic of the Kasane series and the quality that most clearly links it to the kimono colour-layering tradition that inspired it. Just as a craftsperson who works with kasane-no-irome cannot fully control how the layered silks will interact with each other in specific light conditions, the artist who works with Serenity Wave cannot fully predict where the dye and pigment will separate — only prepare the conditions and allow the result to emerge. The blue shimmer adds a third dimension: a fine pearlescent luminosity that persists once the ink has dried, catching light at changing angles and adding the visual depth of still water beneath a winter sky.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSerenity Wave's base is a light aqua blue that carries both water-blue and seafoam green in its register — a colour that sits between sky and ocean, between open water and breaking foam. In the bottle, it presents as a translucent, luminous blue-green with visible depth from the shimmer particles. On the page, it dries to a lighter, quieter version of the wet colour — the drying-down is part of the ink's expressive character, as the shift from wet to dry produces the first layer of colour change. Applied with a dry nib on absorbent paper, the base reads as a clean, cool aqua; applied generously with a brush or broad dip pen nib on slow-absorbing paper, the green undertone from the yellow-green pigment becomes more visible, and the colour acquires a more complex, layered quality.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe overall impression is consistently described as calming and therapeutic — a blue-green that does not demand attention but rewards it, a colour associated with clear water, coastal light, and the edge of movement where wave meets shore.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading (Nuançage)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePronounced and among the Kasane series' most distinctive qualities. Serenity Wave shades through multiple colour registers as the ink moves from wet to dry and as the dye and pigment components interact and separate during drying. The shading is not a single gradient from light to dark within a single hue — it is a genuine separation of colour, with the blue dye and yellow-green pigment pulling in different directions, producing distinct zones of cooler blue and warmer green-blue within a single stroke or brush application. At pooling points, the colour deepens; at the edges of strokes, the pigment component can halo outward in a lighter, warmer fringe; in between, the dye component holds the aqua base.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is most active and most dramatic with generous ink loads on slow-absorbing papers, and in brush applications where water is introduced deliberately. Tomoe River and similar thin, slow-absorbing papers give Serenity Wave its most expressive shading performance.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer (Paillettes)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBlue shimmer — fine, pearlescent, and clearly visible. Serenity Wave's shimmer particles are a combination of fine blue glitter and pearl powder, producing an effect that is simultaneously sparkling and luminous rather than purely glittery. In direct or raking light, the shimmer catches and scatters, creating a three-dimensional quality that mirrors the way light moves on the surface of moving water. In diffuse light, the shimmer contributes to the ink's depth without overwhelming the base colour — present and beautiful without being loud.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shimmer performs best with generous ink loads and on slow-absorbing papers where the particles remain visible on the page surface. Shake the bottle gently before each use to redistribute settled particles, and rinse dip pen nibs thoroughly after each session to prevent particles from drying on the nib.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen (Reflet métallique)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo significant sheen effect has been reported for Serenity Wave. The visual complexity of this ink comes from its base colour, its shading and dye-pigment separation behaviour, and its shimmer — not from a sheen overlay. This is consistent with the Kasane series' focus on the interaction between ink components rather than on thin-film surface effects.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMixed dye and pigment base — blue dye, yellow-green pigment, and fine blue shimmer particles. This formulation combines the flow and colour richness of dye with the persistence and separation behaviour of pigment, producing a water-interaction dynamic that makes Serenity Wave particularly well-suited to artistic and expressive applications. \u003cstrong\u003eFor dip pen and brush use only.\u003c\/strong\u003e The pigment component will settle and may dry in the narrow channels of fountain pen feeds, causing damage. Not compatible with any inhalation-type writing instrument.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLight aqua blue with seafoam green undertone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMixed: blue dye + yellow-green pigment + blue shimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePronounced; dye-pigment separation produces distinct colour zones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBlue — fine pearlescent shimmer, clearly visible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate (pigment component adds some durability)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDip pens, brushes only — not compatible with fountain pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Serenity Wave\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSerenity Wave's shading and dye-pigment separation are surface-dependent. Slow-absorbing, smooth papers give the dye and pigment time and space to separate before they are absorbed into the fibre, producing the layered colour effects that define the Kasane series. Fast-absorbing papers lock the ink in place before separation can develop fully, producing a flatter, simpler result.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Serenity Wave; the slow absorption rate gives the dye-pigment separation maximum time to develop; shimmer distributes evenly and is clearly visible; the full aqua-to-seafoam-green colour separation is most dramatic here; the recommended choice for artistic applications and for experiencing the ink at its most expressive\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent performance; shading and separation clearly visible; shimmer well-distributed; a reliable everyday choice for experiencing Serenity Wave's core character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax surface slows absorption further, creating conditions for intense shimmer and strong colour separation; highly recommended for artistic writing and display pieces\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives good colour development; shading visible and clean; shimmer present; a natural pairing for loose sheet work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading and separation minimal; shimmer less visible; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Tools\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBrush\u003c\/strong\u003e — the highest-intensity separation and the most expressive results; introducing water to a brushstroke loaded with Serenity Wave produces the most dramatic dye-pigment separation and the most vivid aqua-to-seafoam colour range; the definitive recommendation for artistic use; both Eastern and Western brush styles suit this ink naturally\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen — broad and italic nibs\u003c\/strong\u003e — shading and shimmer most visible at broader nib widths with generous ink loads; the recommended choice for expressive calligraphy and display lettering\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen — pointed flex nibs\u003c\/strong\u003e — clean aqua base with visible shading at hairline-to-swell transitions; shimmer catches light on the broader swells; well-suited to copperplate and pointed pen styles\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGlass dip pen\u003c\/strong\u003e — excellent compatibility; shimmer distributes evenly; easy to clean between colours; a natural pairing for ink swatching and exploratory work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e⚠️ \u003cstrong\u003eNot compatible with fountain pens, rollerball pens, or any inhalation-type writing instrument.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eTool Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSerenity Wave is formulated for dip pen and brush use only and is not compatible with fountain pens or any inhalation-type writing instrument. Rinse dip pen nibs thoroughly after each use to prevent pigment and shimmer particles from drying on the nib. Clean brushes promptly with water after use. Shake the bottle gently before each use to redistribute settled shimmer particles. Store the bottle upright in a cool, dry location away from direct sunlight.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBrush lettering and East Asian calligraphy\u003c\/strong\u003e — the dye-pigment separation and shimmer make Serenity Wave a natural match for both Western and East Asian brush traditions; the water-interaction behaviour echoes the spontaneity of sumi-e and ink wash painting\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWestern calligraphy and pointed pen work\u003c\/strong\u003e — the aqua-seafoam base and blue shimmer produce lettering of genuine visual complexity; particularly striking in copperplate and modern calligraphy styles where the shimmer catches light on the broad strokes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArtistic journaling and mixed-media work\u003c\/strong\u003e — the separation dynamic and shimmer produce pages of genuine visual complexity without requiring deliberate technique; the ink does the visual work naturally as part of the creative process\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInk swatching and art photography\u003c\/strong\u003e — the shimmer and dye-pigment separation photograph exceptionally well, particularly under natural light on Tomoe River\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMeditative and therapeutic writing\u003c\/strong\u003e — the calm, healing quality of the aqua-seafoam palette and the gentle shimmer make Serenity Wave a natural choice for reflective and contemplative creative practice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for stationery and calligraphy enthusiasts\u003c\/strong\u003e — the layered complexity of the Kasane concept, the distinctive shimmer, and the connection to Japanese kimono tradition make Serenity Wave a compelling and story-rich gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kasane Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kasane (重ね) series takes its name and concept from kasane-no-irome (重ねの色目) — the Japanese art of layered kimono colour combinations, in which the relationship between the front and lining fabrics of a kimono produced a distinct colour effect visible at the cuffs, collar, and hem. This tradition, which flourished in the Heian period (794–1185 CE), understood colour not as a fixed property of a single material but as an emergent quality produced by the interaction of two or more layers. The Kasane ink series applies this concept directly: each ink is formulated with a dye-and-pigment base designed to separate and interact on the page, producing layered colour effects that emerge from the relationship between components rather than from any single ingredient. Serenity Wave — with its blue dye, yellow-green pigment, and blue shimmer — is one of the most fully realised expressions of the Kasane concept: an ink that presents differently in different conditions, rewards different tools and papers differently, and produces results that cannot be fully anticipated, only experienced.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店) is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kasane series represents their most technically ambitious ink work, bringing the vocabulary of traditional Japanese colour aesthetics into direct conversation with the expressive possibilities of dip pen and brush writing. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSerenity Wave\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKasane (重ね)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKA-0102\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOctober 2024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapanese kimono layered colour tradition (kasane-no-irome)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMixed: water-based blue dye + yellow-green pigment + blue shimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLight aqua blue \/ seafoam green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePronounced; dye-pigment separation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBlue — fine pearlescent shimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDip pens, brushes only — not compatible with fountain pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to calligraphy and brush arts or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48186068271329,"sku":"KA-0102","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_e8ecf4ce-bb70-45cd-9505-48036b1bab7f.png?v=1775524224"},{"product_id":"tag-stationery-kasane-luminous-dusk-dip-pen-ink","title":"TAG Stationery Kasane Series Luminous Dusk — Dusky Purple-Blue with Gold Shimmer and Expressive Shading Dip Pen \u0026 Brush Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kasane Series Luminous Dusk — Dusky Purple-Blue with Gold Shimmer and Expressive Shading Dip Pen \u0026amp; Brush Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kasane Series Luminous Dusk is a dip pen and brush ink released as part of TAG Stationery's Kasane (重ね) collection — a series built around the layered colour traditions of Japanese kimono, where the art of kasane-no-irome (重ねの色目) defines beauty through the relationship between colours placed one upon another. Luminous Dusk takes its inspiration from the threshold moment of twilight — that brief, suspended interval where night and morning exist simultaneously, where starlight and the first warmth of sun overlap before one yields to the other. The ink captures this liminal quality directly: a soft, dusky purple-blue base in which two colour components — purple dye and blue pigment — are designed to separate and layer on the page, enacting the same overlapping colour logic that governs the kimono tradition that inspired the series.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. Their inks are produced with an artist's attention to colour complexity and a craftsperson's care for formulation — and the Kasane series represents their most technically sophisticated work: inks designed to separate and interact on the page, producing results that vary meaningfully with tool choice, paper surface, and water application.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLuminous Dusk is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e⚠️ \u003cstrong\u003eFor dip pen and brush use only. Not compatible with fountain pens, rollerball pens, or any inhalation-type writing instrument.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Luminous Dusk Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe defining quality of Luminous Dusk is the relationship between its two colour components — and what happens to that relationship when water is introduced. In its base state, the purple dye and blue pigment combine to produce a soft, settled dusky purple-blue that reads as quietly beautiful and complete. But as the ink dries, or when water is introduced deliberately through brush work or spraying, the dye and pigment begin to separate: the purple fades and recedes, and the blue pigment asserts itself more strongly, producing distinct zones of colour — warm purple at the leading edges, cooler blue at the pooling points — that create a layered chromatic effect directly analogous to the kasane-no-irome tradition of overlapping kimono silks.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gold shimmer adds a third dimension that deepens the twilight metaphor. Fine gold pearl powder particles catch the light at pooling points and across broader ink deposits, creating a warm, luminous sparkle against the cool purple-blue base. Under certain lighting conditions — particularly raking or angled natural light — the gold shimmer shifts toward an emerald green iridescence, adding a further layer of visual complexity that is genuinely unexpected and genuinely beautiful. The result is an ink that behaves like a small, contained piece of the hour it was named for: layered, shifting, and different depending on exactly how and where you look at it.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLuminous Dusk's base is a soft, dusky purple-blue — a colour that sits in the middle register between purple and blue without committing fully to either. In the bottle, it presents as a settled, medium-depth purple-blue with visible warmth from the purple dye component and visible depth from the blue pigment, enriched by the gold shimmer particles. On the page in its initial wet state, it reads as a soft dusky purple with a blue undertone — present, composed, and quietly complex. As the ink dries, the purple component gradually fades and the blue pigment becomes more dominant, shifting the dried colour toward a cooler, more distinctly blue register. This colour shift from wet to dry is one of Luminous Dusk's most distinctive characteristics and one of the qualities that most directly expresses the Kasane series' layered colour philosophy.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading (Nuançage)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIntense and among the most expressive in the Kasane series. Luminous Dusk shades through two distinct colour registers — the purple dye and the blue pigment — as well as through the tonal range within each component. In a single stroke or brush application, the ink moves from a lighter, warmer purple at the stroke edges and fine areas to a deeper, cooler blue at pooling points and areas of heaviest ink deposit. When water is introduced — through deliberate brush loading, wet-on-wet technique, or spraying — the dye-pigment separation accelerates dramatically, producing distinct patches and halos of purple and blue that create a layered colour landscape within a single application. The shading is most active and most dramatic with generous ink loads on slow-absorbing papers; on fast-absorbing papers, the separation narrows but the tonal range within the blue-purple register remains visible.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer (Paillettes)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGold shimmer — fine, pearlescent, and warm. Luminous Dusk's shimmer particles are described as micron-scale gold pearl powder, producing an effect that is luminous and warm rather than simply glittery. In direct or raking light, the gold shimmer catches and concentrates at pooling points and areas of heaviest ink deposit, creating a warm, jewel-like quality that contrasts beautifully with the cool purple-blue base. Under certain light conditions — particularly angled natural light — the gold shimmer shifts toward an emerald green iridescence, a colour-shift effect produced by the pearl powder's light-interference properties that adds an entirely unexpected and genuinely extraordinary dimension to the ink's visual character.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shimmer particles are described as more prominent than the fine shimmer typical of many shimmer fountain pen inks — visible and clearly present without being coarse. Shake the bottle gently before each use to redistribute settled particles, and rinse dip pen nibs thoroughly after each session to prevent particles from drying on the nib.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen (Reflet métallique)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo significant sheen effect has been reported for Luminous Dusk. The visual complexity of this ink comes from its base colour and colour-shift behaviour, its intense dye-pigment separation shading, and its gold shimmer — not from a sheen overlay. The gold shimmer at pooling points may in some conditions produce effects that superficially resemble sheen, but this is a shimmer particle effect rather than a thin-film surface phenomenon.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMixed dye and pigment base — water-based purple dye, fine blue pigment, and gold pearl powder shimmer. The purple dye provides the base colour, flow, and the warm purple register that fades on drying; the blue pigment provides depth, the cooler dried colour register, and a degree of water resistance; the gold pearl powder provides the shimmer effect. \u003cstrong\u003eFor dip pen and brush use only.\u003c\/strong\u003e The pigment and pearl powder components will settle and may dry in the narrow channels of fountain pen feeds, causing blockage and potential damage. Not compatible with any inhalation-type writing instrument.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSoft dusky purple-blue; shifts toward blue on drying\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMixed: purple dye + blue pigment + gold pearl powder shimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIntense; dye-pigment separation produces distinct purple and blue zones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGold — fine pearlescent shimmer; shifts toward emerald green under certain light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate (blue pigment component adds some durability)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDip pens, brushes only — not compatible with fountain pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Luminous Dusk\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLuminous Dusk's dye-pigment separation shading and gold shimmer are both surface-dependent. Slow-absorbing, smooth papers give the dye and pigment time and space to separate before they are absorbed into the fibre, and hold the shimmer particles visibly on the page surface. Fast-absorbing papers reduce both effects significantly.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Luminous Dusk; the slow absorption rate gives the purple dye and blue pigment maximum time to separate and develop their distinct colour zones; gold shimmer distributes evenly and pools beautifully at stroke edges; the emerald shimmer shift is most visible here under raking light; the recommended choice for artistic applications and for experiencing the ink at its most expressive\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent performance; shading and separation clearly visible; shimmer well-distributed and catching light; a reliable choice for calligraphy and daily artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax surface slows absorption further, creating conditions for intense shimmer concentration and strong dye-pigment separation; highly recommended for display pieces and expressive brush work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives good colour development and visible shimmer; shading present and clean; a natural pairing for loose sheet calligraphy and illustration work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic mark-making; shading and separation minimal; shimmer less visible; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Tools\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBrush\u003c\/strong\u003e — the highest-intensity separation and the most expressive results; wet-on-wet brush technique and deliberate water introduction produce the most dramatic dye-pigment separation, with the purple dye and blue pigment creating distinct, overlapping colour fields that directly enact the kasane-no-irome layering concept; the definitive recommendation for artistic and expressive use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen — broad and italic nibs\u003c\/strong\u003e — shading and shimmer most visible at broader nib widths with generous ink loads; gold shimmer concentrates beautifully at pooling points; the recommended choice for expressive calligraphy and display lettering\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen — pointed flex nibs\u003c\/strong\u003e — purple-blue base reads cleanly at fine hairlines with visible colour shift at the broader swells; gold shimmer catches light on the heavier stroke areas; well-suited to copperplate and pointed pen styles where the colour contrast between hairline and swell is most apparent\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGlass dip pen (ガラスペン)\u003c\/strong\u003e — excellent compatibility; shimmer distributes evenly across the glass nib surface; easy to clean between colours; a natural pairing for ink swatching and exploratory work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e⚠️ \u003cstrong\u003eNot compatible with fountain pens, rollerball pens, or any inhalation-type writing instrument.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eTool Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLuminous Dusk is formulated for dip pen and brush use only and is not compatible with fountain pens or any inhalation-type writing instrument. Rinse dip pen nibs thoroughly after each use to prevent pigment and pearl powder particles from drying on the nib. Clean brushes promptly with water after use. Shake the bottle gently before each use to redistribute settled shimmer particles. Store the bottle upright in a cool, dry location away from direct sunlight.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBrush lettering and East Asian calligraphy\u003c\/strong\u003e — the dye-pigment separation and gold shimmer make Luminous Dusk a natural match for both Western and East Asian brush traditions; the water-interaction behaviour and the purple-to-blue colour shift echo the spontaneity and layered depth of sumi-e and ink wash painting\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWestern calligraphy and pointed pen work\u003c\/strong\u003e — the dusky purple-blue base and gold shimmer produce lettering of genuine visual depth and warmth; particularly striking in copperplate and modern calligraphy styles where the shimmer concentrates on the broad strokes and the colour shift between hairline and swell is most clearly visible\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTwilight and celestial-themed illustration\u003c\/strong\u003e — the purple-blue base, gold shimmer, and emerald shimmer shift make Luminous Dusk an exceptionally well-suited ink for illustrative work with astronomical, celestial, or twilight themes; a natural choice for night-sky illustration, constellation mapping, and any artwork where the quality of light at the threshold between day and night is the subject\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArtistic journaling and mixed-media work\u003c\/strong\u003e — the separation dynamic and shimmer produce journal pages of genuine visual complexity without requiring deliberate technique; the ink's colour-shift behaviour rewards water experimentation and wet-on-wet layering\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInk swatching and art photography\u003c\/strong\u003e — the gold shimmer, emerald shimmer shift, and dye-pigment separation photograph exceptionally well under natural and raking light; a visually compelling addition to any ink photography project\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for stationery and calligraphy enthusiasts\u003c\/strong\u003e — the twilight concept, the gold-to-emerald shimmer shift, and the connection to Japanese kimono tradition make Luminous Dusk a story-rich and visually extraordinary gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kasane Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kasane (重ね) series takes its name and concept from kasane-no-irome (重ねの色目) — the Japanese art of layered kimono colour combinations, in which the relationship between the front and lining fabrics of a kimono produced a distinct colour effect visible at the cuffs, collar, and hem. This tradition, which flourished in the Heian period (794–1185 CE), understood colour not as a fixed property of a single material but as an emergent quality produced by the interaction of two or more layers. The Kasane ink series applies this concept directly: each ink is formulated with a dye-and-pigment base designed to separate and interact on the page, producing layered colour effects that emerge from the relationship between components rather than from any single ingredient. Luminous Dusk — with its purple dye, blue pigment, and gold pearl powder shimmer — enacts the twilight concept at the level of ink chemistry: two colour components that exist together in the bottle, separate on the page, and produce something at their boundary that neither could produce alone.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kasane series represents their most technically ambitious ink work, bringing the vocabulary of traditional Japanese colour aesthetics into direct conversation with the expressive possibilities of dip pen and brush writing. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eLuminous Dusk\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKasane (重ね)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKA-0101\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTwilight — the threshold between night and morning, starlight and sunlight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMixed: water-based purple dye + blue pigment + gold pearl powder shimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSoft dusky purple-blue; shifts toward blue on drying\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIntense; dye-pigment separation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGold — fine pearlescent; shifts toward emerald green under certain light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDip pens, brushes only — not compatible with fountain pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to calligraphy and brush arts or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48189642014945,"sku":"KA-0101","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_f950e48e-17bf-41b6-9976-ca97fa05dbc8.png?v=1775598049"},{"product_id":"tag-stationery-kyo-iro-ki-0101-gion-fountain-pen-ink","title":"TAG Stationery Kyo Iro Stone Road of Gion (祇園の石畳) — Cool Grey-Brown with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo Iro Stone Road of Gion (祇園の石畳) — Cool Grey-Brown with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo Iro Stone Road of Gion is a fountain pen ink handcrafted in Kyoto, Japan, using traditional Japanese dyeing techniques. KI-0101 is the first ink in the Kyo Iro (京色) series — a collection dedicated to capturing the quiet, enduring colours of Kyoto: the tones that emerge not from spectacle but from centuries of accumulated material and light, from stone worn smooth by generations of feet, from the particular quality of grey that belongs to a city that has always known how to be still. Stone Road of Gion takes its colour directly from the stone-paved streets of Gion — Kyoto's most celebrated historic district — where the irregular, flat stones of the traditional ishidatami pavement create a surface of cool, muted grey-brown that changes subtly with the light and the season, beautiful precisely because it asks for nothing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand whose Kyo Iro series represents one of the most considered and regionally specific ink collections in the Japanese stationery market. Each Kyo Iro ink is produced in small batches using traditional Japanese dyeing materials and methods, with the explicit acknowledgement that minor colour variations between batches are an inherent and valued quality of the handcrafted process — a characteristic that connects the ink to the craft traditions that inspired it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStone Road of Gion is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Stone Road of Gion Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn a market saturated with vivid, saturated, high-drama inks, Stone Road of Gion occupies a different register entirely. Its colour is not designed to announce itself — it is designed to settle, to age well on the page, to look exactly right in a daily journal or a considered letter without ever drawing attention to itself as a colour choice. The cool grey-brown base sits in that rare zone between brown and grey where neither dominates, producing a tone that reads as sophisticated and understated in the best tradition of Japanese wabi-sabi aesthetics: beautiful because of its restraint, not despite it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat prevents Stone Road of Gion from being merely quiet is its shading. The dry flow and dye formulation combine to produce a shading range that is genuinely expressive — from a light, airy warm grey-brown at the thinnest strokes to a deeper, richer grey-brown at pooling points and broader nib widths. On quality papers with wet or broad nibs, the shading gradient is wide and clearly visible, giving the ink a tonal depth that rewards close attention. The result is an ink that is calm in the hand and complex on the page — a combination that is rarer than it should be, and that makes Stone Road of Gion one of the most satisfying everyday inks in the Kyo Iro catalogue.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStone Road of Gion's base is a cool-toned grey-brown — a colour that occupies the register between stone and earth without leaning fully toward either. It is a muted, desaturated tone: not warm brown, not neutral grey, but the specific colour of old Kyoto stone under overcast light, where the warmth of the material is present but subdued. In the bottle, it presents as a settled, medium-depth grey-brown with visible cool undertones. On the page, it dries to a soft, legible grey-brown that is distinctly Japanese in character — quiet, composed, and refined without effort.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour is consistently described as elegant, wabi-sabi, understated, and distinctly Kyoto in register. It is a colour for writers who find beauty in restraint — who prefer the patina of old stone to the brightness of new pigment. At fine nib sizes, it reads as a clean, cool grey-brown suitable for everyday correspondence and journaling; at broader nib sizes on quality papers, the shading reveals a warmer, richer dimension that adds considerable tonal complexity to the base colour.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading (Nuançage)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium to heavy, and among the most expressive qualities of Stone Road of Gion. The dry flow characteristic of this ink means that ink distribution varies meaningfully across a stroke, producing the conditions for pronounced shading: lighter, airier grey-brown at the thinnest areas and stroke beginnings, deeper and richer grey-brown at pooling points, stroke endings, and broader nib applications. The shading gradient — from a light, cool warm-grey to a deeper, more saturated grey-brown — is clearly visible on quality papers with medium to broad or stub nibs, and at its most dramatic on Tomoe River and similar slow-absorbing surfaces where the ink has time to pool and stratify before being absorbed.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is tonal rather than chromatic — it moves within the grey-brown register rather than shifting between distinct hues — which gives Stone Road of Gion a restrained, cohesive quality even at its most expressive. Writers who appreciate shading that enhances rather than dominates will find this ink particularly well-matched to their sensibility.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer (Paillettes)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Stone Road of Gion is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes entirely from its colour and shading behaviour — from the quality of the dye formulation and its interaction with paper surface. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen (Reflet métallique)\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. The dried ink surface presents as a clean, matte grey-brown with no additional metallic or iridescent sheen layer. This is consistent with the ink's character and its source of inspiration — the stone streets of Gion have no sheen, and neither does this ink.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced using traditional Japanese dyeing materials and techniques in small batches in Kyoto. Not pigment-based; contains no iron gall, no shimmer particles, and no pigment solids. Low water resistance, as is standard for dye-based inks. Minor colour variations between production batches are an inherent characteristic of the handcrafted process and should be understood as a feature of the ink's artisanal origin rather than an inconsistency.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe dry flow characteristic of Stone Road of Gion is a deliberate formulation choice that supports its expressive shading behaviour and its suitability for use with wetter pens and broader nibs. Writers who prefer a drier, more controlled line will find this ink well-suited; writers using very dry pens or extra-fine nibs may wish to pair it with a wetter-flowing instrument for best results.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCool grey-brown; muted, desaturated, cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; handcrafted in Kyoto using traditional Japanese dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to heavy; wide tonal gradient from light to deep grey-brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 15 seconds (medium nib, quality paper)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Stone Road of Gion\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStone Road of Gion's shading is surface-dependent. Slow-absorbing, smooth papers give the dry-flowing dye time to pool and stratify, producing the widest and most expressive shading gradient. Fast-absorbing papers compress the shading range and reduce the tonal depth that makes this ink distinctive.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Stone Road of Gion; the slow absorption and smooth surface allow the full shading range to develop; the light to deep grey-brown gradient is most dramatic and most rewarding here; the recommended choice for journaling, correspondence, and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; a reliable and practical daily choice that showcases the ink's core character without requiring specialist paper\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility at fine nib sizes; shading reduced; some feathering possible at broader sizes; not recommended for the full visual experience of the ink's shading character\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStone Road of Gion's dry flow rewards wetter, broader nibs that compensate for the ink's natural dryness and deposit sufficient ink for shading to develop fully.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter thin areas and the deeper pooling points is most apparent with stub and italic widths; the recommended choice for the full visual character of the ink\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the warm-to-deep grey-brown gradient is most rewarding at these widths; the recommended everyday choice for experiencing the ink's full tonal range\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWetter fine nibs\u003c\/strong\u003e — the cool grey-brown base reads cleanly; shading reduced but present; a practical choice for correspondence and journaling where line precision is a priority; pair with a known wet writer for best results\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading largely absent; the colour reads as a clean, cool grey-brown; recommended where fine line precision takes precedence over tonal expression\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen\u003c\/strong\u003e — well-suited for calligraphic use; the dry flow and shading behaviour produce expressive results with broad calligraphy nibs and generous ink loads\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStone Road of Gion is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling and long-form writing\u003c\/strong\u003e — the cool grey-brown base and dry flow make Stone Road of Gion an exceptionally satisfying everyday journaling ink; legible and characterful at fine sizes, expressive and tonally rich at broader sizes; a colour that improves with the page and ages gracefully in a filled journal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal letters\u003c\/strong\u003e — the understated, sophisticated tone is well-suited to formal and personal correspondence alike; a colour that communicates care and considered taste without decoration\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and wabi-sabi themed writing\u003c\/strong\u003e — the direct connection to Kyoto's historic Gion district and the ink's muted, restrained palette make it a natural choice for writing practices with a Japanese aesthetic sensibility; a colour that embodies the concept of wabi-sabi — beauty in restraint, in imperfection, in the passage of time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and annotation\u003c\/strong\u003e — the cool grey-brown is sufficiently distinct from standard blue and black to function as an effective annotation colour without the visual weight of a saturated ink; a subtle and sophisticated alternative to conventional note-taking colours\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient photographs beautifully on Tomoe River under natural light; the cool-to-warm tonal range is most apparent in swab applications and broad nib writing samples; a compelling addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the handcrafted Kyoto provenance, the direct connection to the stone streets of Gion, and the ink's quietly exceptional shading behaviour make Stone Road of Gion a story-rich and genuinely distinctive gift for anyone who appreciates Japanese stationery culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo Iro Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo Iro (京色) translates directly as \"Kyoto colours\" — a series built on the premise that colour is inseparable from place, and that the specific colours of Kyoto carry within them the accumulated history, material culture, and aesthetic sensibility of one of the world's most deeply considered cities. Each ink in the Kyo Iro series is named for a specific Kyoto location, object, or phenomenon, and formulated to capture the particular colour of that subject as it exists in the city's lived visual landscape — not the idealised or saturated version of the colour, but the actual, nuanced, light-dependent tone that belongs to the place. Stone Road of Gion (KI-0101) is the series' first ink and its most representative expression of the Kyo Iro philosophy: a colour that is exactly what it claims to be, nothing more, and precisely right.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo Iro series represents their most regionally specific work, translating the colours of Kyoto into fountain pen inks produced using traditional Japanese dyeing techniques in small, handcrafted batches. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eStone Road of Gion\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo Iro (京色)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKI-0101\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStone Road of Gion \/ 祇園の石畳\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eThe stone-paved streets (ishidatami) of Gion, Kyoto\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — handcrafted in small batches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Japanese dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCool grey-brown; muted, desaturated, cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to heavy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~15 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48196521787617,"sku":"KI-0101","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_650188d0-469d-4ee2-8ea3-b84784251d2d.png?v=1775673608"},{"product_id":"tag-stationery-kyo-iro-ki-0105-keage-fountain-pen-ink","title":"TAG Stationery Kyo Iro Cherry Blossom of Keage (蹴上の桜染) — Soft Rose-Pink with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo Iro Cherry Blossom of Keage (蹴上の桜染) — Soft Rose-Pink with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo Iro Cherry Blossom of Keage is a fountain pen ink handcrafted in Kyoto, Japan, using traditional Japanese dyeing techniques. KI-0105 is one of the most celebrated inks in the Kyo Iro (京色) series — a collection dedicated to capturing the quiet, enduring colours of Kyoto as they exist in specific places and moments, formulated not as idealised interpretations but as accurate chromatic records of the city's lived visual landscape. Cherry Blossom of Keage takes its colour and its name from the Keage Incline (蹴上インクライン) — the historic railway incline in the Higashiyama district of Kyoto, where every April the disused track disappears beneath an arch of cherry blossoms, the trees planted so densely along its length that the incline becomes one of Kyoto's most celebrated and most photographed sakura viewing sites. The ink captures the colour of those blossoms at their most characteristic moment: not the vivid, saturated pink of a tourist photograph, but the soft, slightly greyish rose of petals at peak bloom, beautiful in the way that things are beautiful when they are exactly themselves.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand whose Kyo Iro series represents one of the most considered and regionally specific ink collections in the Japanese stationery market. Each Kyo Iro ink is produced in small batches using traditional Japanese dyeing materials and methods, with the acknowledgement that minor colour variations between batches are an inherent and valued quality of the handcrafted process.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry Blossom of Keage is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Cherry Blossom of Keage Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry blossom pink is one of the most attempted colours in the fountain pen ink world, and one of the most frequently missed. The temptation is toward brightness — toward the vivid, saturated pinks that read as cheerful and energetic but have little to do with the actual colour of sakura petals, which are famously pale, muted, and transient. Cherry Blossom of Keage gets the colour right. Its soft rose-pink base carries a slight greyish quality that is entirely true to the source — the specific, slightly melancholy beauty of cherry blossoms lies partly in their pallor, in the way their pink is never quite assertive, always on the verge of white — and the result is a pink that is elegant rather than sweet, sophisticated rather than decorative, and genuinely distinctive among the many cherry blossom inks on the market.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat deepens Cherry Blossom of Keage beyond its base colour is its shading. The dry flow and dye formulation produce a shading range that moves from the light, airy rose-pink of individual petals at the stroke edges to a deeper, richer rose-red with hints of burgundy at pooling points and broader nib widths — a gradient that mirrors the tonal depth of a dense cherry blossom canopy, where the light through the outer petals is entirely different from the shadow at the heart of the cluster. The result is an ink that is identifiably and precisely pink, and that rewards the page with a tonal complexity that goes well beyond its first impression.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry Blossom of Keage's base is a medium to deep rose-pink — soft, muted, and carrying the slight greyish quality that makes it immediately recognisable as a true sakura pink rather than a generic bright pink. In the bottle, it presents as a warm, settled rose with visible depth. On the page in its wet state, it reads as a rich, saturated rose-pink; as it dries, it settles into a softer, slightly more muted tone that is distinctly elegant — the kind of pink that is often described as feminine without being girlish, refined without being cold.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAt fine nib sizes, the colour reads as a clean, soft rose-pink suitable for everyday correspondence and journaling. At broader nib sizes on quality papers, the shading reveals a deeper, burgundy-inflected dimension that adds considerable warmth and tonal complexity to the base colour. The dried colour is consistently described as cherry blossom pink, soft rose, dusty rose, and muted sakura — a colour with a distinctly Japanese aesthetic sensibility that belongs to the wabi-sabi tradition of beauty found in restraint and transience.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium and among the most characterful qualities of Cherry Blossom of Keage. The dry flow characteristic of this ink produces meaningful variation in ink deposit across a stroke, creating the conditions for expressive shading: lighter, airier rose-pink at the thinnest stroke areas and beginnings, deeper, richer rose-red with burgundy undertones at pooling points and stroke endings. The shading gradient — from soft cherry blossom pink to deep rose-red — mirrors the tonal range of the sakura itself: the pale outer petals and the deeper, warmer tones at the centre of the blossom.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is chromatic as well as tonal — it moves not only from light to dark but from a cooler, more neutral pink toward a warmer, more saturated rose-red, giving the ink a two-dimensional depth that is more expressive than a simple tonal gradient. On quality papers with medium to broad or stub nibs, the full shading range is clearly visible and genuinely rewarding. On Tomoe River, the shading is most dramatic and most beautiful — the light-to-burgundy gradient at its fullest development. The ink's shading behaviour is consistently highlighted in reviews as one of its most compelling qualities.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Cherry Blossom of Keage is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes entirely from its colour and shading behaviour. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. The dried ink surface presents as a clean, soft rose-pink with no additional metallic or iridescent sheen layer. The ink's beauty is in its colour and its shading — in the tonal movement from petal-pink to rose-red — rather than in surface effects.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced using traditional Japanese dyeing materials and techniques in small batches in Kyoto. Not pigment-based; contains no iron gall, no shimmer particles, and no pigment solids. Low water resistance, as is standard for dye-based inks. Minor colour variations between production batches are an inherent characteristic of the handcrafted process and should be understood as a feature rather than an inconsistency.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe dry flow characteristic is a deliberate formulation choice that supports expressive shading and rewards wetter pens and broader nibs. Writers using very dry pens or extra-fine nibs may wish to pair the ink with a wetter-flowing instrument for best results.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSoft rose-pink; muted, slightly greyish, warm-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; handcrafted in Kyoto using traditional Japanese dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light rose-pink to deep rose-red with burgundy undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 15–30 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Cherry Blossom of Keage\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry Blossom of Keage's shading is surface-dependent. Slow-absorbing, smooth papers give the dry-flowing dye time to pool and develop its full tonal range. Fast-absorbing papers compress the shading and reduce the depth that makes this ink particularly rewarding.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Cherry Blossom of Keage; the slow absorption allows the full shading range to develop from soft petal-pink to deep rose-red; the light-to-burgundy gradient is most dramatic and most beautiful here; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; a reliable and practical daily choice that fully showcases the ink's core character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility at fine nib sizes; shading reduced; some feathering possible at broader sizes; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry Blossom of Keage's dry flow rewards wetter, broader nibs that deposit sufficient ink for the full shading range to develop.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter petal-pink thin areas and the deeper rose-red pooling points is most apparent at stub and italic widths; the recommended choice for the ink's full visual character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the petal-pink to rose-red gradient is most rewarding at these widths; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWetter fine nibs\u003c\/strong\u003e — the soft rose-pink base reads cleanly; shading reduced but present; a practical choice for correspondence and journaling where line precision is a priority; pair with a known wet writer for best results\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading largely absent; the colour reads as a clean, soft rose-pink; recommended where fine line precision takes precedence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen\u003c\/strong\u003e — well-suited for calligraphic use; the shading behaviour produces expressive and characterful results with broad calligraphy nibs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCherry Blossom of Keage is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling and personal writing\u003c\/strong\u003e — the soft rose-pink base and expressive shading make Cherry Blossom of Keage an exceptionally satisfying everyday journaling ink; legible and characterful at fine sizes, tonally rich and beautiful at broader sizes; a colour that brings quiet elegance to every page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal letters\u003c\/strong\u003e — the refined, sophisticated tone makes this ink well-suited for personal correspondence; a colour that communicates warmth and considered taste without decoration\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSpring and sakura-themed writing\u003c\/strong\u003e — the direct connection to the Keage Incline and the cherry blossom season makes this ink a natural choice for spring journaling, sakura-viewing diary entries, and any writing that marks the particular quality of early April in Japan\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and wabi-sabi themed writing\u003c\/strong\u003e — the muted, transient quality of the ink's rose-pink palette embodies the Japanese aesthetic of mono no aware — the bittersweet awareness of impermanence — that cherry blossoms have always represented in Japanese culture\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and planner use\u003c\/strong\u003e — the soft rose-pink is sufficiently distinctive to function effectively as a secondary colour in planners and notebooks without the visual weight of a saturated ink\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient from petal-pink to rose-red photographs beautifully on Tomoe River under natural light; a compelling and photogenic addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the handcrafted Kyoto provenance, the connection to one of Kyoto's most beloved sakura viewing sites, and the ink's quietly exceptional shading behaviour make Cherry Blossom of Keage a story-rich and genuinely distinctive gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo Iro Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo Iro (京色) translates directly as \"Kyoto colours\" — a series built on the premise that colour is inseparable from place, and that the specific colours of Kyoto carry within them the accumulated history, material culture, and aesthetic sensibility of one of the world's most deeply considered cities. Each ink in the Kyo Iro series is named for a specific Kyoto location, object, or phenomenon, and formulated to capture the particular colour of that subject as it exists in the city's lived visual landscape — not the idealised version of the colour, but the actual, nuanced, light-dependent tone that belongs to the place. Cherry Blossom of Keage (KI-0105) captures the specific pink of the blossoms along the Keage Incline at peak bloom: soft, slightly muted, carrying the quiet melancholy of a beauty that is already passing.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo Iro series represents their most regionally specific work, translating the colours of Kyoto into fountain pen inks produced using traditional Japanese dyeing techniques in small, handcrafted batches. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eCherry Blossom of Keage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo Iro (京色)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKI-0105\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCherry Blossom of Keage \/ 蹴上の桜染\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eThe cherry blossoms of Keage Incline (蹴上インクライン), Kyoto\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — handcrafted in small batches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Japanese dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSoft rose-pink; muted, slightly greyish, warm-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light rose-pink to deep rose-red with burgundy undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~15–30 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48197962399969,"sku":"KI-0105","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_408c44b1-79fa-4e68-8b8d-f06211804366.png?v=1775776811"},{"product_id":"tag-stationery-kyo-no-oto-ko-0101-nurebairo-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Nurebairo (ぬればいろ) — Deep Blue-Black with Intense Gold-Copper Sheen Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Nurebairo (ぬればいろ) — Deep Blue-Black with Intense Gold-Copper Sheen Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Nurebairo is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — the first ink in the Kyo No Oto (京のおと) series, and one of the most discussed and celebrated inks in the contemporary Japanese fountain pen ink market. Nurebairo (ぬればいろ) takes its name and its concept from a traditional Japanese colour term — the particular deep, lustrous black of a woman's hair, or of a crow's feather caught in the light: a black that is not merely dark, but that carries within it a quality of depth and sheen that distinguishes it from ordinary darkness. The ink translates that concept with remarkable fidelity. In everyday writing, it presents as a deep, saturated blue-black — composed, authoritative, and immediately legible. Under light, and at areas of ink pooling and heavier deposit, it reveals one of the most extraordinary sheen effects in the fountain pen ink world: an intense, concentrated gold and copper iridescence that has earned Nurebairo a dedicated following among sheen enthusiasts and a reputation as one of the most beautiful black inks ever produced.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNurebairo is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Nurebairo Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe fountain pen ink market has no shortage of black inks, and no shortage of sheen inks. What is genuinely rare is a black ink with a sheen effect of this intensity and quality — one where the sheen is not a secondary characteristic that emerges only in specific conditions with broad nibs on specialist paper, but a defining visual property that is present and active even at fine nib sizes on standard quality papers. Nurebairo's sheen is consistently described by reviewers as monster sheen: gold, copper, and black iridescence that concentrates at pooling points and stroke edges, visible across a wide range of nibs and papers, and stunning under both natural and artificial light. It is the sheen that has made Nurebairo famous, and it is the sheen that makes it unlike any other black ink on the market.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat makes Nurebairo more than a sheen novelty is the quality of its base colour. The deep blue-black is not a neutral carrier for the sheen effect — it is a genuinely beautiful ink in its own right, with the depth and saturation of a classic blue-black taken to its most extreme and refined expression. Writers who use Nurebairo for everyday correspondence and journaling find it as satisfying as any premium black or blue-black ink; writers who use it specifically for the sheen find that the blue-black base provides exactly the right visual contrast for the gold and copper iridescence to perform at its most spectacular. The result is an ink that works on every level — and that is, by any reasonable standard, extraordinary.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNurebairo's base is a deep, intense blue-black — saturated, dark, and authoritative. In the bottle, it presents as a very deep blue-black with visible depth and concentration. In everyday writing at fine to medium nib sizes, it reads as a dark, rich black with a subtle blue undertone that becomes more visible as the ink spreads across the page. At broader nib sizes and in swab applications, the blue component asserts itself more clearly, producing a rich blue-black that is unmistakably deep and dark while carrying the cool undertone that distinguishes it from a neutral black.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour draws its inspiration from nurebairo — the traditional Japanese colour term for the specific, lustrous black of wet hair or crow feathers, a black that is understood in Japanese colour tradition as carrying depth and reflectivity within it rather than being merely dark. On the page, the dried colour reads as a deep, slightly blue-toned black that is legible, authoritative, and beautiful in everyday use — a black that belongs to the tradition of great writing inks, and that carries its extraordinary sheen as a reward for the reader who looks more closely.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIntense — among the most powerful sheen effects in the fountain pen ink world, and Nurebairo's defining characteristic. The sheen presents primarily as a concentrated gold and copper iridescence, occasionally shifting toward dark bronze or black depending on light angle and ink deposit. At pooling points, stroke endings, and areas of heavier ink deposit, the sheen concentrates into a vivid, jewel-like metallic surface effect that is visible under both natural and artificial light. Under raking or angled light, the full intensity of the gold-copper sheen is most apparent, with the iridescence extending across the full width of broader strokes and pooling visibly at stroke edges.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat distinguishes Nurebairo's sheen from that of many other high-sheen inks is its accessibility — it is not a sheen that requires a broad nib, a wet pen, and Tomoe River paper to appear. Even at fine nib sizes on standard quality papers, the sheen is clearly present and active, making Nurebairo genuinely usable as an everyday ink for writers who want the sheen character in all their writing rather than only in deliberate showcase applications. The sheen does not smear or transfer under normal handling once the ink has fully dried, making it practical as well as beautiful. Reviewers consistently describe the sheen as monster sheen, insane sheen, and one of the strongest sheen effects available in any ink.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Nurebairo's colour is exceptionally even and consistent — the deep blue-black deposits uniformly across stroke widths and paper types, with no meaningful tonal variation from light to dark within a single stroke. The ink's visual complexity comes entirely from its sheen rather than from tonal gradation. Writers who specifically seek shading inks will find this characteristic absent; writers who seek a consistent, deeply saturated base for maximum sheen performance will find the even deposit ideal.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Nurebairo is a pure dye ink with no shimmer or metallic particles of any kind. The extraordinary gold and copper sheen effect is produced entirely by the dye formulation and its thin-film surface interaction with paper — a property of the ink's chemistry rather than of any added particle. No clogging risk; low-maintenance; safe for all pen types.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop. Not pigment-based; contains no iron gall and no shimmer particles. Low water resistance, as is standard for dye-based inks. The dry flow characteristic is a deliberate formulation choice that supports the sheen development — a drier flow allows the ink to sit on the paper surface for longer before being absorbed, giving the thin-film sheen effect more time and surface to develop. Writers using very dry pens may wish to pair Nurebairo with a wetter-flowing instrument; writers using standard modern fountain pens will find the dry flow comfortable and well-balanced.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep blue-black; saturated, intense, cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone; exceptionally even colour deposit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIntense; gold and copper iridescence; visible even at fine nib sizes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry; best with wetter pens for maximum sheen performance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 60–70 seconds (nib and paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Nurebairo\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNurebairo's sheen is surface-dependent, though less so than most sheen inks — the intensity of the sheen effect means it is active and visible across a broader range of papers than is typical. Slow-absorbing, smooth papers give the dye maximum time to sit on the surface before absorption, producing the strongest and most concentrated sheen. Fast-absorbing papers reduce the sheen's intensity but do not eliminate it entirely at medium and broader nib sizes.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Nurebairo's sheen; the slow absorption rate and smooth surface give the gold-copper sheen maximum time and surface to develop; the sheen is most spectacular here, concentrating into vivid iridescent pooling at stroke edges and ends; the recommended choice for any use where the sheen is the primary goal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent performance; sheen clearly visible and active even at fine nib sizes; a reliable and practical everyday choice for experiencing Nurebairo's full character without specialist paper\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives strong sheen development; a natural pairing for loose sheet writing and correspondence where the sheen is an active presence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption further and concentrates the sheen; highly recommended for display writing and any use where maximum sheen intensity is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good sheen visibility; a practical choice for bullet journaling and daily use where the sheen adds visual interest without requiring specialist paper\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — sheen reduced but present at medium and broader nib sizes; functional for everyday writing where the base blue-black colour is the primary consideration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNurebairo is one of the few sheen inks that performs meaningfully across the full nib size range. The sheen is most spectacular at broader widths, but genuinely present even at fine sizes — making it usable as an everyday ink at any nib size without sacrificing the sheen character entirely.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the highest-intensity sheen; gold and copper iridescence concentrates along the full width of the broad stroke, creating a spectacular metallic effect that is most visible under raking light; the recommended choice for maximum sheen drama\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — sheen fully active and clearly visible; the gold-copper iridescence pools beautifully at stroke endings and edges; the recommended everyday choice for experiencing the full sheen character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — sheen clearly present and active — genuinely unusual for a sheen ink at fine nib sizes; the deep blue-black base reads cleanly and the sheen concentrates at stroke endings; an excellent everyday choice for writers who want the sheen present in all their writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; sheen reduced but present at pooling points; the deep blue-black base reads as a clean, authoritative writing colour\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen\u003c\/strong\u003e — well-suited for calligraphic use; the sheen is most spectacular in dip pen applications with generous ink loads and broad nib widths; the gold-copper iridescence at maximum pooling is genuinely extraordinary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNurebairo is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. The long dry time of 60–70 seconds should be noted for everyday writing use on absorbent papers; on slow-absorbing papers the dry time extends further. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing with extraordinary visual reward\u003c\/strong\u003e — Nurebairo is one of the very few sheen inks that is genuinely practical as an everyday writing ink; the deep blue-black base is as legible and authoritative as any premium black or blue-black ink, and the sheen adds visual complexity to every page without requiring deliberate technique or specialist materials\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and formal writing\u003c\/strong\u003e — the deep blue-black base carries the authority and legibility expected of a formal writing ink, while the gold-copper sheen transforms correspondence into something memorable; a colour that communicates both seriousness and refinement\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen calligraphy and display writing\u003c\/strong\u003e — the sheen is most spectacular in calligraphic applications with broad and italic nibs; the gold-copper iridescence along the broad strokes of copperplate or italic lettering creates a visual effect that rivals gilded writing without requiring metallic ink\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic writing\u003c\/strong\u003e — the direct connection to the traditional Japanese colour concept of nurebairo — lustrous black, the colour of wet hair and crow feathers — makes this ink a natural choice for writers engaged with Japanese aesthetics, calligraphy, and writing culture\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSheen ink collection and photography\u003c\/strong\u003e — Nurebairo is one of the most photogenic inks ever produced; the gold-copper sheen photographs spectacularly under natural and raking light on Tomoe River; an essential addition to any serious sheen ink collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the extraordinary sheen, the connection to traditional Japanese colour culture, and the ink's reputation as one of the most celebrated inks in the contemporary market make Nurebairo an exceptional and story-rich gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Nurebairo (KO-0101), as the series' first ink, establishes the Kyo No Oto philosophy directly: a colour drawn from traditional Japanese colour vocabulary, produced using traditional craft methods, and formulated to express something that cannot be captured by colour alone — the quality of depth, lustre, and visual complexity that belongs to the most carefully considered colours in the Japanese tradition.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eNurebairo\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0101\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNurebairo \/ ぬればいろ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTraditional Japanese colour concept: lustrous black of wet hair and crow feathers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto craft workshop collaboration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep blue-black; saturated, intense, cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIntense; gold and copper iridescence; monster sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~60–70 seconds (nib and paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48198006309089,"sku":"KO-0101","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_6e4e7fbf-26f2-447c-b8df-83c3c2e792ce.png?v=1775780513"},{"product_id":"tag-stationery-kyo-no-oto-ko-0105-aonibi-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Aonibi (あをにび) — Muted Grey-Blue with Elegant Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Aonibi (あをにび) — Muted Grey-Blue with Elegant Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Aonibi is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — the fifth ink in the Kyo No Oto (京のおと) series, and one of the most quietly beloved inks in the contemporary Japanese fountain pen ink market. Aonibi (あをにび) takes its name and concept from a traditional Japanese colour term rooted in the aesthetic culture of the Heian period — a colour described as indigo added to pale ink, evoking the particular blue-grey of moonlit sky over Kyoto, the city standing still beneath it in the measured silence of classical Japan. The ink translates that concept with characteristic Kyo No Oto fidelity: a muted, deeply elegant grey-blue that carries the restraint and gravity of its source material without ever becoming cold or severe. In everyday writing, it presents as a sophisticated, low-saturation blue-grey — calm, composed, and immediately beautiful — that has made Aonibi one of the most recommended inks for writers who want a colour that is genuinely distinctive without demanding attention.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAonibi is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Aonibi Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe grey-blue register is one of the most crowded in the fountain pen ink world, and one of the most difficult to get right. The challenge is specificity: grey-blues tend toward either too much grey, producing a flat and lifeless tone, or too much blue, losing the quiet restraint that makes the colour interesting. Aonibi occupies exactly the right position in that register — a muted, desaturated blue with sufficient grey presence to read as complex and considered, sufficient blue depth to remain unmistakably and beautifully blue. It has been compared to faded denim, to stone-washed blue, to the particular colour of a clear night sky just before full darkness — colours that are familiar and immediately legible but carry a depth that rewards sustained attention.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat distinguishes Aonibi from other grey-blues is the quality of its shading and the character of its dye formulation. The dry flow and traditional dyeing technique produce a shading gradient that moves elegantly from a lighter, more blue-toned register at the thinnest strokes to a deeper, more grey-blue register at pooling points and broader nib widths — a gradient that adds tonal dimension to the base colour without ever becoming dramatic or distracting. The result is an ink that is calm and consistent in casual use and quietly rewarding in deliberate writing — one of the most satisfying blue-grey inks available, and a colour that improves with every page.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAonibi's base is a muted, desaturated grey-blue — low in saturation, sophisticated in character, and carrying the specific quality of the traditional Japanese colour concept that inspired it. In the bottle, it presents as a deep, settled grey-blue with visible cool undertones. On the page in its wet state, it reads as a rich, moderately saturated blue-grey; as it dries, it settles into a softer, more muted tone that is distinctly elegant — a colour that has been consistently described as faded denim, stone-washed blue, dusty blue-grey, and the colour of moonlight on stone.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe official description — indigo added to pale ink, moonlight over Kyoto — captures the colour's essential quality precisely: it is a blue that has been quieted, a blue that has been given gravity and restraint by the addition of grey, producing a tone that reads as neither warm nor cold, neither vivid nor flat, but as something more considered than either. At fine nib sizes, it reads as a clean, cool blue-grey suitable for everyday correspondence and journaling; at broader nib sizes on quality papers, the shading reveals a deeper, more complex blue-grey dimension that adds considerable tonal interest to the base colour.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium and among the most elegant qualities of Aonibi. The dry flow characteristic produces meaningful variation in ink deposit across a stroke, creating the conditions for expressive but restrained shading: lighter, more purely blue-toned grey at the thinnest stroke areas and beginnings, deeper, more complex blue-grey at pooling points and stroke endings. The shading gradient — from light dusty blue to deeper grey-blue — is clearly visible on quality papers with medium to broad or stub nibs, and most rewarding on Tomoe River and similar slow-absorbing surfaces.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is tonal and chromatic — moving within the grey-blue register rather than between distinct hues — which gives Aonibi a cohesive, restrained quality even at its most expressive. Many writers specifically highlight Aonibi's shading at broad and italic nib sizes as one of its most compelling qualities: the contrast between the lighter blue thin strokes and the deeper grey-blue pooling points creates a visual rhythm that makes extended writing sessions particularly satisfying.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal — a faint grey sheen visible only in swab applications and on very slow-absorbing papers such as Tomoe River. In everyday writing at all nib sizes, the sheen is not visible under normal conditions. Writers who specifically seek sheen inks should note that Aonibi's visual interest comes primarily from its colour and shading rather than from a surface sheen effect. The minimal grey sheen, when visible, adds a subtle depth to the ink's appearance without changing its fundamental character.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Aonibi is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes entirely from its colour and shading behaviour. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop using traditional plant-based dyeing techniques. Not pigment-based; contains no iron gall and no shimmer particles. Low water resistance, as is standard for dye-based inks. The water-solubility of the dye formulation makes Aonibi well-suited to water brush blending and wash techniques. The dry flow characteristic supports the ink's shading behaviour and rewards wetter pens and broader nibs; writers using extra-fine nibs on very dry pens may find occasional feedback that is best addressed by pairing with a wetter-flowing instrument.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMuted grey-blue; desaturated, cool-toned, low saturation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto plant-based dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light dusty blue to deeper grey-blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint grey sheen in swab \/ Tomoe River only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 15 seconds (medium nib, quality paper)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen and water brush use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Aonibi\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAonibi's shading is surface-dependent. Slow-absorbing, smooth papers give the dry-flowing dye time to pool and develop its full tonal range. Fast-absorbing papers compress the shading and reduce the depth that makes this ink particularly rewarding.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Aonibi; the slow absorption allows the full shading range to develop; the minimal grey sheen is most visible here; the light dusty blue to deeper grey-blue gradient is most apparent and most rewarding; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; a reliable and practical daily choice that fully showcases the ink's core character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility at fine nib sizes; shading reduced; some feathering possible at broader sizes; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAonibi's dry flow rewards wetter, broader nibs that deposit sufficient ink for the shading to develop fully. Many writers specifically highlight the ink's performance with broad and italic nibs as its most rewarding use case.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter blue thin strokes and the deeper grey-blue pooling points is most apparent at stub and italic widths; particularly recommended for extended writing sessions where the rhythmic shading adds sustained visual interest\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the dusty blue to grey-blue gradient is most rewarding at these widths; the recommended everyday choice for the full tonal range\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWetter fine nibs\u003c\/strong\u003e — the muted grey-blue base reads cleanly; shading reduced but present; a practical choice for correspondence and note-taking where line precision is a priority; pair with a known wet writer for best results\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading largely absent; the colour reads as a clean, cool grey-blue; recommended where fine line precision takes precedence; very dry extra-fine nibs may experience occasional feedback — best addressed with a wetter pen\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen and water brush\u003c\/strong\u003e — well-suited for calligraphic and illustrative use; the water-soluble dye formulation makes Aonibi particularly responsive to water brush blending, producing wash effects that extend the grey-blue register toward lighter, more atmospheric tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAonibi is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling and long-form writing\u003c\/strong\u003e — the muted grey-blue base and elegant shading make Aonibi an exceptionally satisfying everyday journaling ink; legible and characterful at fine sizes, tonally rich and quietly beautiful at broader sizes; a colour that improves with every page and ages gracefully in a filled journal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and professional writing\u003c\/strong\u003e — the restrained, sophisticated tone makes Aonibi well-suited to both personal and professional correspondence; a colour that communicates calm authority and considered taste without the formality of black or the softness of conventional blue\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and study\u003c\/strong\u003e — the muted grey-blue is sufficiently distinctive from standard blue and black to serve effectively as a primary writing colour without visual fatigue; easy on the eyes during extended reading and review\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic writing\u003c\/strong\u003e — the direct connection to the Heian period colour tradition and the ink's moonlit Kyoto concept make it a natural choice for writers engaged with Japanese aesthetics, classical literature, and writing culture; a colour that embodies the concept of miyabi — the Heian ideal of elegance and refinement\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWater brush and mixed media\u003c\/strong\u003e — the water-soluble dye formulation makes Aonibi responsive to water blending; diluted washes extend the grey-blue register toward soft atmospheric tones ideal for watercolour-style journaling and illustration work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient from dusty blue to grey-blue photographs beautifully on Tomoe River under natural light; a compelling and distinctive addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the Heian period colour concept, the elegant shading, and the ink's reputation as one of the most satisfying grey-blues on the market make Aonibi a story-rich and genuinely distinctive gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Aonibi (KO-0105) draws directly from the classical colour vocabulary of Heian Japan, translating a colour concept that has existed for over a millennium into a fountain pen ink formulated for contemporary writing — a colour that carries its history quietly and rewards the writer who knows where to look for it.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eAonibi\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0105\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAonibi \/ あをにび\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eHeian period colour concept: moonlit sky over Kyoto; indigo added to pale ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto plant-based dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMuted grey-blue; desaturated, cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light dusty blue to deeper grey-blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint grey sheen in swab \/ Tomoe River only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~15 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48206225768673,"sku":"KO-0105","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_e03859b9-e925-44ed-bfd4-377795ea9850.png?v=1776106602"},{"product_id":"tag-stationery-kyo-no-oto-ko-0106-adzukiiro-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Adzukiiro (小豆色) — Deep Burgundy-Red with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Adzukiiro (小豆色) — Deep Burgundy-Red with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Adzukiiro is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — part of the celebrated Kyo No Oto (京のおと) series, and one of the most quietly compelling inks in the contemporary Japanese fountain pen ink market. Adzukiiro (小豆色) takes its name and concept from the traditional Japanese colour term for the deep, muted red of the adzuki bean — a colour that has occupied an important place in Japanese colour culture for centuries, associated with warmth, restraint, and the particular richness of autumn. The ink translates that concept with characteristic Kyo No Oto fidelity: a deep burgundy-red with purple undertones that reads as mature, elegant, and quietly complex — a red that has been given depth and gravity without losing the warmth that makes it immediately beautiful.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdzukiiro is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Adzukiiro Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe burgundy-red register is well-represented in the fountain pen ink world, but genuinely distinguished inks in this colour family are rarer than the number of options suggests. Most burgundy inks tend either toward a generic wine red that lacks chromatic interest, or toward an overly saturated crimson that loses the depth and restraint that makes the colour register rewarding over time. Adzukiiro occupies a more considered position: a muted yet rich burgundy that carries real purple depth, a colour that reads as sophisticated and complex in everyday use and that improves on the page with every stroke.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat sets Adzukiiro apart is the combination of its base colour, its shading behaviour, and its subtle sheen. The deep burgundy-red base shades expressively from a lighter, warmer wine-red at fine stroke areas to a deeper, darker, almost plum-black at pooling points and broader nib widths — a gradient that mirrors the natural tonal range of adzuki bean colour, from the warm reddish surface to the deep, almost-black shadow at the heart of the bean. At pooling points, a subtle black sheen emerges — occasionally with a hint of green — that adds a further dimension of visual complexity without transforming the ink into a sheen-forward novelty. The result is a burgundy ink that is complete, considered, and genuinely rewarding in the way that only the best classic inks are.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdzukiiro's base is a deep burgundy-red — rich, muted, and carrying a clear purple undertone that gives it complexity and depth beyond a conventional wine red. In the bottle, it presents as a deep, concentrated burgundy with visible warmth and depth. On the page in its wet state, it reads as a rich, saturated wine-red with purple presence; as it dries, it settles into a slightly more muted tone that retains its depth and warmth while acquiring the quiet elegance that makes it so satisfying for extended writing. At heaviest ink deposit areas, the colour deepens toward a plum-purple that adds further tonal complexity.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour is consistently described as deep burgundy, wine red, adzuki red, plum-tinged red, and mature autumn red — a colour with a distinctly Japanese aesthetic character that belongs to the wabi-sabi tradition of beauty found in depth and restraint. At fine nib sizes, it reads as a clean, saturated burgundy-red suitable for everyday writing; at broader nib sizes on quality papers, the shading reveals the full plum-to-burgundy tonal range that makes this ink one of the most rewarding reds in the Kyo No Oto catalogue.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium and among the most characterful qualities of Adzukiiro. The moderate-to-dry flow and dye formulation produce a shading range that moves expressively from a lighter, warmer wine-red at the thinnest stroke areas to a deeper, darker burgundy approaching plum-black at pooling points and stroke endings. The shading gradient — from warm wine-red to deep plum-burgundy — is clearly visible on quality papers with medium to broad or stub nibs, and most dramatic on Tomoe River and similar slow-absorbing surfaces.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is both tonal and chromatic — it moves not only from light to dark but from a warmer, more purely red register toward a deeper, more purple-inflected one, giving the ink a two-dimensional tonal depth that is more expressive than a simple gradient. Writers who use broad and stub nibs specifically highlight the contrast between the lighter warm wine-red thin strokes and the deep plum pooling points as one of Adzukiiro's most compelling qualities. The ink's shading is effective across nib sizes — even fine and extra-fine nibs show a meaningful tonal range, which is less common in burgundy inks of this depth.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow to moderate — present and attractive without being the ink's defining characteristic. The sheen presents primarily as a black iridescence at pooling points and areas of heaviest ink deposit, occasionally accompanied by a hint of green sheen under certain light conditions. In everyday writing at fine to medium nib sizes, the sheen is not prominently visible; at broader nib sizes and in swab applications on slow-absorbing papers, it becomes clearly present and adds a subtle, sophisticated surface complexity to the deep burgundy base. Writers who specifically seek strong sheen inks should note that Adzukiiro's primary visual interest is in its colour and shading; the sheen is a complementary quality rather than a defining one.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Adzukiiro is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes from its colour, shading, and subtle sheen behaviour. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop using traditional Japanese dyeing techniques. Not pigment-based; contains no iron gall and no shimmer particles. Low water resistance, as is standard for dye-based inks. The moderate-to-dry flow characteristic supports the ink's shading behaviour and rewards wetter pens and broader nibs, while remaining comfortable and functional across all nib sizes including fine and extra-fine.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep burgundy-red; muted, rich, purple undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; warm wine-red to deep plum-burgundy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate; black sheen at pooling points; occasional green hint\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eModerate to dry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 5–40 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Adzukiiro\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdzukiiro's shading and subtle sheen are surface-dependent. Slow-absorbing, smooth papers give the dye time to pool and develop its full tonal range, and allow the black sheen to emerge at heavier ink deposit areas. Fast-absorbing papers reduce both the shading and sheen effects.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Adzukiiro; the slow absorption allows the full shading range to develop from warm wine-red to deep plum-burgundy; the black sheen is most visible here; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; sheen present at pooling points; a reliable and practical daily choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading and sheen development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading reduced; sheen largely absent; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdzukiiro performs well across the full nib size range — one of its notable qualities is that even fine and extra-fine nibs show meaningful shading, which is relatively uncommon for a deeply saturated burgundy ink.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter wine-red thin strokes and the deep plum pooling points is most apparent at stub and italic widths; the black sheen is most visible here; the recommended choice for maximum visual expression\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the wine-red to plum-burgundy gradient is most rewarding at these widths; sheen present at stroke endings; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — shading clearly present and effective — notably strong for a deeply saturated ink at fine nib sizes; the deep burgundy-red reads as a clean, saturated, characterful writing colour\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading reduced but present; the colour reads as a rich, saturated burgundy-red; recommended for fine line precision work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen\u003c\/strong\u003e — well-suited for calligraphic use; the shading behaviour produces expressive results with broad calligraphy nibs; the black sheen is most visible in dip pen applications with generous ink loads\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdzukiiro is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAutumn and winter journaling\u003c\/strong\u003e — the deep burgundy-red palette makes Adzukiiro a natural seasonal choice; a colour that belongs to the cooler months, to candlelight and early darkness, to the particular beauty of Japanese autumn; one of the most satisfying autumn journaling inks available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily writing and correspondence\u003c\/strong\u003e — the rich, saturated base and effective shading across all nib sizes make Adzukiiro an exceptionally versatile everyday ink; sophisticated and characterful at all sizes, most expressive at broader widths\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFormal and personal correspondence\u003c\/strong\u003e — the deep, mature burgundy communicates warmth, gravity, and considered taste; a colour well-suited to letters and personal writing where a distinctive but restrained ink choice signals both personality and care\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and wabi-sabi themed writing\u003c\/strong\u003e — the direct connection to the traditional Japanese adzuki colour concept and the ink's muted, deep palette make it a natural choice for writers engaged with Japanese aesthetics; a colour that embodies the autumn dimension of wabi-sabi — the beauty of depth, maturity, and the passage of time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen calligraphy and display writing\u003c\/strong\u003e — the shading gradient from warm wine-red to deep plum-burgundy creates visually expressive lettering at broad and italic nib sizes; the subtle black sheen adds a further dimension of sophistication in display applications\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient and black sheen photograph beautifully on Tomoe River under natural light; a compelling and distinctive addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the adzuki colour tradition, the expressive shading, and the ink's reputation as one of the most satisfying burgundy-reds on the market make Adzukiiro a story-rich and genuinely distinctive gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Adzukiiro (KO-0106) draws from the traditional Japanese colour vocabulary of natural materials, translating the specific, muted richness of adzuki bean colour into a fountain pen ink that carries the warmth, depth, and restraint of its source.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eAdzukiiro\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0106\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAdzukiiro \/ 小豆色\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTraditional Japanese colour of the adzuki bean; autumn richness and restraint\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep burgundy-red; muted, rich, purple undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; warm wine-red to deep plum-burgundy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate; black sheen at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eModerate to dry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~5–40 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48206370275553,"sku":"KO-0106","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_e44d9020-a2c8-478d-b88d-0f33ab7cd845.png?v=1776109366"},{"product_id":"tag-stationery-kyo-no-oto-ko-0107-hisoku-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Hisoku (秘色) — Misty Celadon Blue-Green with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Hisoku (秘色) — Misty Celadon Blue-Green with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Hisoku is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — part of the celebrated Kyo No Oto (京のおと) series, and one of the most distinctive and quietly mysterious inks in the contemporary Japanese fountain pen ink market. Hisoku (秘色) takes its name and concept from one of the most storied colour terms in Japanese and Chinese aesthetic history — a colour whose name translates literally as \"secret colour,\" originally used to describe the specific, elusive blue-green glaze of the most prized celadon ceramics produced for the imperial court of the Tang dynasty. The colour was so rare, so closely guarded, and so difficult to reproduce that it became legendary — a colour described more by what it evoked than what it was, associated with mystery, refinement, and the particular quality of light on ancient glazed porcelain. The ink translates that concept with characteristic Kyo No Oto fidelity: a light, muted grey-blue-green that carries the celadon quality of its source — soft, luminous, and slightly otherworldly — without tipping into either blue or green, occupying instead that rare intermediate zone where the colour's full complexity resides.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHisoku is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Hisoku Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe blue-green register is genuinely difficult to occupy well. Most inks that attempt it drift clearly toward one of the two parent colours — readable as a blue with green undertones, or a green with blue undertones — and lose the genuine ambiguity that makes the colour register interesting. Hisoku is exceptional precisely because it does not drift. The grey component holds the blue and green in suspension, producing a tone that reads as both simultaneously without committing to either, a colour that changes subtly with the paper surface, the lighting, and the nib — more blue in some conditions, more green in others, more grey in others still, always the same and never quite the same.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat deepens Hisoku beyond its base colour is its shading. The slightly dry flow and dye formulation produce a shading range that moves expressively from a lighter, more purely blue-green register at the thinnest stroke areas to a deeper, more complex grey-green-blue at pooling points and broader nib widths — a gradient that mirrors the way celadon glaze deepens in the recesses of a ceramic surface and lightens at the raised edges. The result is an ink that is subtle and mysterious in casual use, and that rewards deliberate, attentive writing with a visual complexity that few inks in this colour register can match.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHisoku's base is a light, muted grey-blue-green — the specific colour that has been described for centuries as the celadon colour: neither clearly blue nor clearly green nor clearly grey, but carrying all three in a suspension that is, by any standard, extraordinarily difficult to achieve and extraordinarily beautiful when achieved. In the bottle, it presents as a light, translucent grey-blue-green with visible cool undertones. On the page in its wet state, it reads as a soft, moderately saturated blue-green with grey presence; as it dries, it settles into a lighter, more muted tone that retains the celadon quality — misty, luminous, and quietly complex.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour is consistently described as celadon, misty blue-green, grey-blue-green, secret colour, hazy turquoise, and soft steel blue — a colour with a distinctly poetic and historical character that belongs to the long tradition of Japanese and Chinese appreciation of celadon ceramics. At fine nib sizes, it reads as a clean, cool blue-green-grey suitable for everyday writing and journaling; at broader nib sizes on quality papers, the shading reveals the full range of the colour's complexity, from lighter blue-green to deeper, more saturated grey-green-blue.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium to strong, and among the most characterful qualities of Hisoku. The slightly dry flow and dye formulation produce a shading range that is genuinely expressive — moving from a lighter, more purely blue-green register at the thinnest stroke areas to a deeper, richer grey-green-blue at pooling points and broader nib widths. The shading gradient adds tonal and chromatic depth to the base colour, making the celadon quality most apparent at the transition zones where the lighter blue-green and the deeper grey-green meet. On quality papers with medium to broad or stub nibs, the full shading range is clearly visible and particularly rewarding; on Tomoe River, the shading is most dramatic and most beautiful.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is both tonal and chromatic — the ink moves not only from light to dark but from a cooler, more blue-toned register toward a warmer, more green-grey-inflected one, giving Hisoku the same two-dimensional tonal depth that makes Aonibi and Adzukiiro so satisfying. Many users specifically identify the shading as one of Hisoku's most compelling qualities, and it is among the strongest shading performances in the Kyo No Oto series.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal to low — a faint black sheen visible primarily at pooling points and in swab applications on slow-absorbing papers; occasionally a faint red sheen has been reported under specific light conditions. In everyday writing at fine to medium nib sizes, the sheen is not visible under normal conditions. Writers who specifically seek sheen inks should note that Hisoku's visual interest comes primarily from its colour and shading; the minimal sheen is a complementary quality that adds a subtle depth to the heaviest ink deposit areas without defining the ink's overall character.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Hisoku is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes entirely from its colour and shading behaviour. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop in small batches. Not pigment-based; contains no iron gall and no shimmer particles. Low water resistance, as is standard for dye-based inks. The slightly dry flow characteristic supports the ink's shading behaviour and rewards wetter pens and broader nibs. Minor colour variations between production batches are an inherent characteristic of the small-batch handcrafted process and should be understood as a feature of the ink's artisanal origin rather than an inconsistency.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLight muted grey-blue-green; celadon quality; cool-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto craft workshop; small batch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; light blue-green to deeper grey-green-blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint black sheen at pooling points; occasional faint red\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 30 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen and brush use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Hisoku\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHisoku's shading is surface-dependent. Slow-absorbing, smooth papers give the dye time to pool and develop its full tonal range. Fast-absorbing papers compress the shading and reduce the depth that makes this ink particularly rewarding.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Hisoku; the slow absorption allows the full shading range to develop; the light blue-green to deeper grey-green-blue gradient is most dramatic and most beautiful here; the celadon quality of the colour is most fully expressed on Tomoe River; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; a reliable and practical daily choice that fully showcases the ink's core character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading reduced; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHisoku's slightly dry flow rewards wetter, broader nibs that deposit sufficient ink for the full shading range to develop.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter blue-green thin strokes and the deeper grey-green-blue pooling points is most apparent at stub and italic widths; the recommended choice for the ink's full visual character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the celadon colour register is most fully expressed at these widths; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWetter fine nibs\u003c\/strong\u003e — the misty blue-green base reads cleanly; shading reduced but present; a practical choice for correspondence and journaling where line precision is a priority; pair with a known wet writer for best results\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading largely absent; the colour reads as a clean, light grey-blue-green; recommended where fine line precision takes precedence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen and brush\u003c\/strong\u003e — well-suited for calligraphic and illustrative use; the shading behaviour and the celadon colour register produce particularly beautiful results in brush applications with deliberate water use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHisoku is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. Minor colour variations between production batches should be understood as a characteristic of the small-batch handcrafted process.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling and long-form writing\u003c\/strong\u003e — the misty celadon blue-green base and expressive shading make Hisoku an exceptionally characterful everyday journaling ink; a colour that changes subtly with nib size and paper, producing pages that are quietly extraordinary in their visual complexity\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal writing\u003c\/strong\u003e — the restrained, luminous tone makes Hisoku well-suited to personal correspondence; a colour that communicates refinement and considered taste without effort\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCeramic and Japanese aesthetic writing\u003c\/strong\u003e — the direct connection to the historic celadon colour tradition and the ink's luminous, mysterious quality make it a natural choice for writers engaged with Japanese and Chinese aesthetics, ceramic culture, and writing with a strong historical and artistic sensibility\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCreative writing and poetry\u003c\/strong\u003e — the colour's poetic name — secret colour — and its genuinely mysterious, light-shifting quality make Hisoku a natural companion for creative writing, poetry, and any writing practice where the colour of the ink is part of the creative atmosphere\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient and the celadon colour register photograph beautifully on Tomoe River under natural light; a compelling and visually distinctive addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the extraordinary history of the hisoku colour concept, the expressive shading, and the ink's genuine visual mystery make it one of the most story-rich and distinctive gifts in the TAG Stationery catalogue\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Hisoku (KO-0107) draws from one of the most historically resonant colour concepts in East Asian aesthetic culture, translating the legendary celadon colour of Tang dynasty imperial ceramics into a fountain pen ink that carries the mystery, refinement, and elusive beauty of its source.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eHisoku\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0107\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eHisoku \/ 秘色\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eHistoric celadon colour concept; secret colour of Tang dynasty imperial ceramics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop; small batch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto craft workshop collaboration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLight muted grey-blue-green; celadon quality\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; light blue-green to deeper grey-green-blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint black sheen at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~30 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48211534184673,"sku":"KO-0107","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_a4501e96-6f1b-46e8-b15d-fd0832c58c6d.png?v=1776111229"},{"product_id":"tag-stationery-kyo-no-oto-ko-0108-moegiiro-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Moegiiro (萌黄色) — Bright Spring Green with Elegant Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Moegiiro (萌黄色) — Bright Spring Green with Elegant Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Moegiiro is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — part of the celebrated Kyo No Oto (京のおと) series, and one of the most vivid and joyful inks in the contemporary Japanese fountain pen ink market. Moegiiro (萌黄色) takes its name and concept from one of the most beloved colour terms in the traditional Japanese colour vocabulary — the specific yellow-green of newly sprouted shoots in early spring, the colour of the first growth that emerges after winter. In the Japanese colour tradition, moegiiro is the colour of vitality, renewal, and the particular quality of green that belongs only to the first days of spring — a green that is both bright and tender, saturated without weight, vivid without aggression. The ink translates that concept with characteristic Kyo No Oto fidelity: a clean, bright lime-green that carries the freshness and clarity of its source material, the colour of new leaves seen against early spring light.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoegiiro is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Moegiiro Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAmong the inks in the Kyo No Oto series — a collection characterised by restraint, historical depth, and muted, considered colour — Moegiiro stands apart. Where Nurebairo offers deep blue-black mystery, Aonibi quiet grey-blue elegance, and Hisoku the elusive pale ambiguity of celadon, Moegiiro brings something entirely different: brightness, clarity, and the unambiguous joy of new growth. It is the colour of spring in a bottle — not the soft, atmospheric spring of cherry blossoms and morning mist, but the sharp, vivid spring of the first green shoots breaking through the earth, the particular lime-yellow-green that announces the season has turned.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat prevents Moegiiro from being merely bright is its shading and the quality of its dye formulation. The medium shading gradient — from a lighter, more yellow-toned green at fine stroke edges to a deeper, richer green at pooling points — adds tonal dimension to the vivid base without dimming its essential brightness. The slight black sheen that appears at heaviest ink deposit areas adds an unexpected depth that anchors the colour's energy without contradicting it. The result is a green ink that is vivid and characterful in casual use, and that rewards deliberate writing with a layered visual quality that makes it among the most satisfying bright greens available.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoegiiro's base is a bright, clean lime-green — a yellow-green that sits in the vivid register without tipping into neon or artificial-feeling territory, and without the blue overtones that would make it a conventional grass green. It is a colour that is immediately recognisable as spring: fresh, tender, and saturated in a way that feels natural rather than engineered. In the bottle, it presents as a bright, clear yellow-green with visible depth. On the page in its wet state, it reads as a vivid, saturated lime-green; as it dries, it settles into a slightly softer but still clearly bright green that retains the freshness of the moegiiro concept — a colour that is immediately legible as green without being either flat or aggressive.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour is consistently described as lime green, yellow-green, fresh spring green, bright yellow-green, and new leaf green — a colour with a distinctly seasonal and natural character that belongs to the Japanese tradition of representing the arrival of spring through the specific quality of the first new growth. At fine nib sizes, it reads as a clean, vivid lime-green suitable for everyday writing; at broader nib sizes on quality papers, the shading reveals a deeper, richer green dimension that adds tonal complexity to the bright base.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium and among the most characterful qualities of Moegiiro. The dye formulation — a mixture of yellow and pale blue dyes — produces a shading range that moves naturally from a lighter, more yellow-toned green at the thinnest stroke areas and stroke beginnings to a deeper, richer, more purely green tone at pooling points and stroke endings. The shading gradient — from bright yellow-green to deeper green — is clearly visible on quality papers with medium to broad or stub nibs, and most rewarding on Tomoe River and similar slow-absorbing surfaces. Even at fine nib sizes, the shading is clearly present, which is a notable quality for a bright, vivid ink of this character.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is chromatic as well as tonal — it moves not only from light to dark but from a more yellow-inflected register toward a more purely green one, reflecting the dye composition of the ink and giving Moegiiro a two-dimensional depth that makes the colour feel genuinely alive on the page.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal — a faint black sheen visible primarily at pooling points, in swab applications, and at heaviest ink deposit areas with broad nibs on slow-absorbing papers. In everyday writing at fine to medium nib sizes, the sheen is not prominently visible under normal conditions. When present, the black sheen provides an unexpected contrast with the bright lime-green base — a dark depth against the vivid colour — that adds sophistication without contradicting the ink's essential brightness. Writers who specifically seek sheen inks should note that Moegiiro's primary visual interest is in its colour and shading; the minimal sheen is a complementary quality rather than a defining one.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Moegiiro is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes from its colour, shading, and minimal black sheen. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop using traditional Japanese dyeing techniques. The colour is produced from a mixture of yellow and pale blue dyes — a formulation that accounts for the shading behaviour and the natural yellow-to-green chromatic shift across the tonal range. Not pigment-based; contains no iron gall and no shimmer particles. Dry time is notably fast at approximately 10 seconds with a medium nib on quality paper. Flow is slightly dry in some pen and paper combinations; pairing with a wetter-flowing instrument or quality paper is recommended for best results.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBright lime-green; yellow-green; vivid, fresh, spring-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; yellow + pale blue dye mixture; traditional Kyoto techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light yellow-green to deeper green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint black sheen at pooling points and heavy deposit areas\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry; best with wetter pens or quality papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 10 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Moegiiro\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoegiiro's shading is surface-dependent. Slow-absorbing, smooth papers give the dye time to pool and develop its full tonal range, and allow the yellow-to-green chromatic shift to express itself fully. Fast-absorbing papers compress the shading and flatten the colour into a more uniform bright green.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Moegiiro; the slow absorption allows the full shading range to develop; the yellow-green to deeper green gradient is most apparent and most beautiful here; the black sheen is most visible at pooling points; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; colour vivid and bright; shading clearly visible and well-developed; a reliable and practical daily choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean, vivid colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; colour bright and clearly present; shading visible; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading reduced; some feathering possible at broader sizes; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoegiiro performs well across the full nib size range. The shading is notably present even at fine nib sizes, making it a rewarding colour at any width; the full chromatic and tonal range is most apparent at broader sizes.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter yellow-green thin strokes and the deeper green pooling points is most apparent at stub and italic widths; the black sheen is most visible here; the recommended choice for the ink's full visual expression\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the yellow-green to deeper green gradient is most rewarding at these widths; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — shading clearly present and effective — notably good for a vivid, bright ink; the lime-green base reads as clean, vivid, and characterful at fine sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading reduced but present; the colour reads as a clean, bright lime-green; recommended where fine line precision takes precedence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen\u003c\/strong\u003e — well-suited for calligraphic and illustrative use; the vivid colour and shading behaviour produce particularly striking results in display lettering and botanical illustration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoegiiro is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSpring and seasonal journaling\u003c\/strong\u003e — the bright lime-green palette makes Moegiiro the natural spring journaling ink; a colour that captures the energy and freshness of early spring better than any other in the Kyo No Oto series; a colour that makes every page feel like a new beginning\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily writing and personal correspondence\u003c\/strong\u003e — the vivid, clean base and effective shading across all nib sizes make Moegiiro a characterful and versatile everyday ink; distinctive enough to be immediately recognisable as a personal colour, bright enough to bring energy to every page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBotanical illustration and nature journaling\u003c\/strong\u003e — the lime-green base and yellow-to-green shading make Moegiiro a natural choice for botanical illustration, nature journaling, and any writing or drawing practice that engages with the natural world and the qualities of living green\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and seasonal writing\u003c\/strong\u003e — the direct connection to the moegiiro colour tradition and its association with the arrival of spring in Japanese culture make this ink a natural choice for writers engaged with the Japanese seasonal aesthetic, haiku, and any writing practice that marks the passage of the year\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the vivid lime-green base and the yellow-to-green shading gradient photograph beautifully on Tomoe River under natural light; the unexpected black sheen at pooling points adds visual drama; a compelling addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the moegiiro spring colour tradition, the expressive shading, and the ink's joyful brightness make it a distinctive and story-rich gift for any fountain pen collector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Moegiiro (KO-0108) draws from the traditional Japanese colour vocabulary of the natural world, translating the specific, vivid yellow-green of early spring shoots into a fountain pen ink that carries the energy, freshness, and seasonal joy of its source.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eMoegiiro\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0108\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMoegiiro \/ 萌黄色\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTraditional Japanese spring colour; new shoots of early spring\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; yellow + pale blue dye mixture; traditional Kyoto techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBright lime-green; yellow-green; vivid, fresh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; light yellow-green to deeper green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMinimal; faint black sheen at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~10 seconds (medium nib)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48220736061665,"sku":"KO-0108","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_44e32d2c-d0b1-446b-967c-efb05007587f.png?v=1776436979"},{"product_id":"tag-stationery-kyo-no-oto-ko-0109-sakuranezumi-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Sakuranezumi (桜鼠) — Dusky Grey-Purple with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Sakuranezumi (桜鼠) — Dusky Grey-Purple with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Sakuranezumi is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — part of the celebrated Kyo No Oto (京のおと) series, and one of the most quietly distinguished inks in the contemporary Japanese fountain pen ink market. Sakuranezumi (桜鼠) takes its name and concept from one of the most evocative colour terms in the traditional Japanese colour vocabulary — literally \"cherry blossom mouse,\" the specific grey-purple that belongs to cherry blossoms seen not in bright spring sunlight but under an overcast sky, where the pink is muted by grey and the colour takes on a quality of depth and melancholy that the vivid version does not carry. In the Japanese colour tradition, the nezumi (mouse) colours are the grey-toned relatives of more vivid hues — understated, sophisticated, and associated with the refined aesthetic sensibility of the Edo period merchant class, who developed a taste for subtle colours that communicated taste and restraint in equal measure. Sakuranezumi is the grey version of sakura pink: a colour that knows what cherry blossoms look like after the petals begin to fall, when the colour has given something of itself back to the sky.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSakuranezumi is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Sakuranezumi Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe grey-purple register is one of the most considered and difficult colour zones in the fountain pen ink world. Most inks that occupy this space tip either too far toward purple — losing the grey restraint that makes the colour interesting — or too far toward grey, producing a tone that reads as colourless rather than considered. Sakuranezumi occupies the register with genuine authority. The grey component is strong enough to mute the pink-purple base into something that reads as neither sweet nor decorative, but as genuinely sophisticated — a colour that belongs to the aesthetic vocabulary of restraint and depth rather than to the vocabulary of prettiness.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat makes Sakuranezumi more than a study in restraint is its shading. The slightly dry flow and dye formulation produce a shading range that is among the most praised in the Kyo No Oto series — a gradient that moves from a lighter, more dusty rose-pink register at fine stroke areas to a deeper, richer plum-purple approaching grey-black at pooling points and broader nib widths. The range is wide, the transition natural, and the result is an ink that carries genuine chromatic depth within a palette that appears at first glance to be almost monochrome. Writers and reviewers consistently identify the shading as one of Sakuranezumi's most compelling qualities — an ink that reveals more the more carefully you look at it.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSakuranezumi's base is a dusky grey-purple — a colour that carries the pink of cherry blossoms filtered through grey, producing a tone that reads as neither clearly pink nor clearly grey nor clearly purple, but as something more complex and considered than any of its component parts. In the bottle, it presents as a muted, medium-depth grey-purple with visible cool undertones. On the page in its wet state, it reads as a rich, moderately saturated grey-purple; as it dries, it settles into a softer, slightly more muted tone that is distinctly elegant — a colour that has been consistently described as dusty rose, dusty mauve, grey-purple, vintage purple, plum-grey, and the grey of cherry blossoms under an overcast sky.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe lighter areas of shading read as dusty rose or dusty pink-mauve — a soft, feminine tone that carries its grey content cleanly without being cold; the deeper areas read as plum, dark mauve, or grey-purple approaching dark, producing a two-register colour that is far more complex than its base description suggests. At fine nib sizes, it reads as a clean, cool grey-purple suitable for everyday correspondence and journaling; at broader nib sizes on quality papers, the full dusty-rose to plum-grey shading range is revealed, making this one of the most visually rewarding pink-purple inks available.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium to strong, and consistently identified by reviewers as one of Sakuranezumi's most outstanding qualities — among the best shading performances in the Kyo No Oto series. The slightly dry flow produces meaningful variation in ink deposit across a stroke, creating the conditions for a shading gradient that is wide, natural, and genuinely beautiful: lighter, more pink-toned dusty rose at the thinnest stroke areas, deeper, more purple-inflected plum-grey at pooling points and stroke endings. The transition between registers is smooth and natural rather than abrupt, giving the ink a fluid, organic quality that is particularly well-suited to brush use and ink wash techniques.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is chromatic as well as tonal — moving not only from light to dark but from a warmer, more pink-toned register toward a cooler, more purple-grey one, giving Sakuranezumi a two-dimensional depth that rewards attention at any nib size. Even at fine and extra-fine nib sizes, the shading is clearly present and contributes meaningfully to the character of the writing — an unusual quality for a deeply muted ink of this character.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to minimal — the most that has been observed is an extremely faint suggestion of gold-green at the very edges of pooling areas under specific lighting conditions, and this is not consistently reported across reviews. For all practical purposes, Sakuranezumi should be understood as a non-sheen ink. Its visual complexity comes entirely from its base colour and its expressive shading behaviour. Writers who specifically seek sheen inks should note that Sakuranezumi's rewards are of a different kind — tonal and chromatic rather than surface-optical.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Sakuranezumi is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes entirely from its colour and shading behaviour. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop using traditional Japanese dyeing techniques in small batches. Not pigment-based; contains no iron gall and no shimmer particles. Low to medium water resistance — the water-solubility of the dye formulation makes Sakuranezumi well-suited to ink wash and water brush techniques, where the colour dilutes gracefully toward lighter dusty pink-mauve tones. The slightly dry flow characteristic supports the ink's shading behaviour and rewards wetter pens and broader nibs. Minor colour variations between production batches are an inherent characteristic of the small-batch handcrafted process.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDusky grey-purple; muted, cool-toned; dusty rose to plum-grey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques; small batch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; dusty rose-pink to deep plum-grey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to minimal; extremely faint gold-green at pooling edges only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry; best with wetter pens or broader nibs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 20 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen and water brush use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; smooth slow-absorbing papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Sakuranezumi\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSakuranezumi's shading is surface-dependent. Slow-absorbing, smooth papers give the dye time to pool and develop the full dusty-rose to plum-grey tonal range. Fast-absorbing papers compress the shading and reduce the tonal depth that makes this ink particularly rewarding.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Sakuranezumi; the slow absorption allows the full shading range to develop from dusty rose-pink to deep plum-grey; the shading is most dramatic and most beautiful here; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; a reliable and practical daily choice that showcases the ink's core character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence; the water-solubility of the ink makes it well-suited to ink wash work on Cosmo Air Light\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading reduced; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSakuranezumi's slightly dry flow rewards wetter, broader nibs. The shading is present and effective even at fine nib sizes, but the full dusty-rose to plum-grey chromatic range is most apparent and most rewarding at broader widths. Very dry extra-fine nibs may experience occasional skipping and are best avoided with this ink.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter dusty-rose thin strokes and the deep plum-grey pooling points is most apparent at stub and italic widths; the recommended choice for the ink's full visual character\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the dusty rose to plum-grey gradient is most rewarding at these widths; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWetter fine nibs\u003c\/strong\u003e — shading clearly present and effective; the grey-purple base reads as a clean, cool, and characterful writing colour; pair with a known wet writer for best results\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — functional for legibility but occasional skipping possible with very dry pens; shading reduced; the colour reads as a clean, muted grey-purple; recommended only with wet extra-fine nibs\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen and water brush\u003c\/strong\u003e — exceptionally well-suited; the shading behaviour and the water-solubility of the ink produce outstanding results in calligraphy and ink wash techniques; the diluted colour transitions gracefully from plum-grey toward dusty pink-mauve as water is added\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSakuranezumi is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. Minor colour variations between production batches should be understood as a characteristic of the small-batch handcrafted process.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday journaling and long-form writing\u003c\/strong\u003e — the dusky grey-purple base and expressive shading make Sakuranezumi an exceptionally characterful everyday journaling ink; a colour that carries a quiet melancholy and depth that makes extended writing sessions particularly satisfying; one of the most rewarding purple-grey inks for daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eVintage and literary aesthetic writing\u003c\/strong\u003e — the colour's direct connection to the Edo period nezumi colour aesthetic makes it a natural choice for writers engaged with vintage aesthetics, classical Japanese literature, and writing practices with a historical or literary sensibility; a colour that belongs to the tradition of elegant restraint\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and formal writing\u003c\/strong\u003e — the restrained, sophisticated grey-purple communicates quiet authority and considered taste; a colour well-suited to personal correspondence where a distinctive but understated ink choice signals both personality and refinement\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and wabi-sabi writing\u003c\/strong\u003e — the muted, grey-toned palette and the direct connection to the cherry blossom colour tradition make Sakuranezumi a natural choice for writers engaged with Japanese aesthetics and the concept of mono no aware — the bittersweet beauty of impermanence that cherry blossoms have always represented\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eInk wash and mixed-media work\u003c\/strong\u003e — the water-solubility and graceful dilution behaviour make Sakuranezumi particularly well-suited to ink wash techniques; diluted washes produce a beautiful range from soft dusty pink-mauve to near-transparent grey that is ideal for watercolour-style journaling and illustration\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient from dusty rose-pink to deep plum-grey photographs beautifully on Tomoe River under natural light; a compelling and distinctive addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the nezumi colour tradition, the outstanding shading, and the ink's vintage aesthetic character make Sakuranezumi a story-rich and genuinely distinctive gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Sakuranezumi (KO-0109) draws from the traditional nezumi colour vocabulary of the Edo period, translating the specific grey-toned quality of cherry blossom pink under an overcast sky into a fountain pen ink that carries the restraint, depth, and quiet melancholy of its source.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSakuranezumi\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0109\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSakuranezumi \/ 桜鼠\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTraditional Edo period nezumi colour; cherry blossoms under an overcast sky\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop; small batch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDusky grey-purple; muted, cool-toned; dusty rose to plum-grey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; dusty rose-pink to deep plum-grey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to minimal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSlightly dry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~20 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48293878694113,"sku":"KO-0109","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_2486e532-c888-45e1-a1a1-02846ad1029c.png?v=1778090631"},{"product_id":"tag-stationery-kyo-no-oto-ko-0110-ochiguriiro-fountain-pen-ink","title":"TAG Stationery Kyo No Oto Ochiguriiro (落栗色) — Warm Chestnut-Brown with Expressive Shading Fountain Pen Ink (40ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eTAG Stationery Kyo No Oto Ochiguriiro (落栗色) — Warm Chestnut-Brown with Expressive Shading Fountain Pen Ink (40ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery Kyo No Oto Ochiguriiro is a fountain pen ink produced by TAG Stationery (京都TAG文具店) in collaboration with a traditional Kyoto ink workshop — part of the celebrated Kyo No Oto (京のおと) series, and one of the warmest and most grounded inks in the contemporary Japanese fountain pen ink market. Ochiguriiro (落栗色) takes its name and concept from a traditional Japanese colour term rooted in the aesthetic culture of the Heian period — the specific warm brown of fallen chestnuts, the colour that belongs to the ground beneath the trees in autumn when the husks have split open and the nuts lie among the leaves. In the Japanese colour tradition, ochiguriiro is an earth colour in the most literal sense — a brown drawn from the material world of the forest floor, from the particular warmth of chestnut that sits between grey-brown and yellow-brown without being clearly either. The ink translates that concept with characteristic Kyo No Oto fidelity: a warm, slightly unsaturated walnut-brown that carries the earthy richness of its source material, a colour that feels immediately natural and right on the page.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based stationery brand with deep roots in the Japanese stationery tradition. The Kyo No Oto series represents their most collaborative work — each ink produced in partnership with traditional Kyoto craft workshops, connecting contemporary fountain pen culture to the city's centuries-old dyeing and craft heritage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOchiguriiro is available at Shosai (shosai.ca) in Gatineau — your Ottawa–Gatineau source for Japanese and Korean stationery, with in-store pickup and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Ochiguriiro Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBrown inks occupy a paradoxical position in the fountain pen ink world. They are among the most practical and satisfying colours for everyday writing — warm, legible, characterful, easy on the eye across extended writing sessions — and yet they are also among the most difficult to formulate well. Most brown inks tend toward either too much yellow, producing a honey-amber tone that loses the earthiness that makes brown interesting, or too much grey, producing a cold, flat tone that loses the warmth. Ochiguriiro is exceptional precisely because it avoids both tendencies. The chestnut reference point gives the formulation a specific target — the particular, slightly muted warmth of a chestnut that has just fallen, neither sun-bright nor shadow-dark — and the ink hits that target with a precision that makes it immediately satisfying.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat deepens Ochiguriiro beyond its base colour is its shading and its notably wet flow for the Kyo No Oto series. The shading range — from a softer, lighter warm-brown at fine stroke areas to a richer, deeper chestnut-brown at pooling points — adds tonal complexity to an already-beautiful base colour. The wetter-than-usual flow for the series makes Ochiguriiro particularly comfortable in everyday pen use, depositing sufficient ink to allow the shading to develop naturally without requiring deliberate technique. The result is a brown ink that is both exceptionally practical and genuinely beautiful — one of the most satisfying earth-toned inks in the Kyo No Oto catalogue.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOchiguriiro's base is a warm chestnut-brown — slightly unsaturated, earthy, and carrying the specific quality of the traditional Japanese colour concept that inspired it. It sits in the register between grey-brown and yellow-brown without committing fully to either, producing a tone that reads as warmly natural rather than either warm-vivid or grey-neutral. In the bottle, it presents as a settled, medium-depth warm brown with visible earthy undertones. On the page in its wet state, it reads as a rich, moderately saturated chestnut-brown; as it dries, it settles into a slightly softer, more muted tone that retains the warmth without becoming flat — a colour that is consistently described as walnut brown, chestnut brown, earthy brown, warm brown, and autumn brown.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colour reads particularly beautifully on cream and ivory papers, where the warmth of the ink is complemented by the warmth of the paper surface, producing a combination that belongs naturally to the tradition of manuscript and letter writing — a colour that makes handwriting look like it was always meant to be this shade. At fine nib sizes, it reads as a clean, warm brown suitable for everyday correspondence and journaling; at broader nib sizes on quality papers, the shading reveals a deeper, richer dimension that adds considerable tonal interest.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium to strong, and among the most characterful qualities of Ochiguriiro. The dye formulation produces a shading range that moves expressively from a softer, lighter warm-brown at the thinnest stroke areas to a deeper, richer chestnut-brown at pooling points and stroke endings — a gradient that mirrors the natural tonal range of a fallen chestnut, from the lighter outer surface to the deeper, richer colour at the heart of the nut. The shading gradient is clearly visible on quality papers with medium to broad or stub nibs, and most dramatic on Tomoe River and similar slow-absorbing surfaces.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is both tonal and chromatic — moving not only from light to dark but from a slightly cooler, greyer brown toward a warmer, more purely chestnut-brown register, giving the ink a two-dimensional tonal depth that makes the colour feel genuinely alive on the page. The shading is effective across nib sizes; at broader widths the full range is most apparent, but even fine nibs show meaningful variation.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow — a faint black sheen visible at pooling points and in swab applications under certain lighting conditions. In everyday writing at fine to medium nib sizes, the sheen is not prominently visible. When present, the black sheen adds a subtle depth to the heaviest ink deposit areas — a dark surface complexity against the warm brown base that adds sophistication without altering the ink's fundamental earthy character. Writers who specifically seek sheen inks should note that Ochiguriiro's primary visual interest is in its colour and shading; the low black sheen is a complementary quality.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Ochiguriiro is a pure dye ink with no shimmer or metallic particles of any kind. Its visual complexity comes from its colour, shading, and minimal black sheen. No particle clogging risk; no maintenance beyond standard dye ink care; compatible with all pen types including vintage instruments.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Type\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePure dye-based ink, produced in collaboration with a traditional Kyoto ink workshop using traditional Japanese dyeing techniques. Not pigment-based; contains no iron gall and no shimmer particles. Low water resistance — water wash removes almost all colour, leaving only a faint ghosting. The flow is notably wetter than many other inks in the Kyo No Oto series, making Ochiguriiro particularly comfortable and practical for everyday fountain pen use. Dry time ranges from approximately 5 seconds on fast-absorbing papers to approximately 40 seconds on slow-absorbing papers such as Rhodia with a medium nib.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eProperty\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWarm chestnut-brown; slightly unsaturated; earthy, walnut-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; light warm-brown to deep chestnut-brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow; faint black sheen at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWet to moderate; wetter than most Kyo No Oto inks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 5–40 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFeathering \/ Bleed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow on fountain pen-friendly papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCompatible Tools\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFountain pens; dip pen and water brush use also possible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBest Papers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTomoe River, Rhodia, Clairefontaine; cream and ivory papers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Ochiguriiro\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOchiguriiro's shading is surface-dependent. Slow-absorbing, smooth papers give the dye time to pool and develop its full tonal range. The ink reads particularly warmly on cream and ivory papers where the paper warmth complements the ink's earthy character.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the definitive paper for Ochiguriiro's shading; the slow absorption allows the full shading range to develop from light warm-brown to deep chestnut; the black sheen is most visible here; the recommended choice for journaling and any use where the ink's full character is the priority\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — excellent everyday performance; shading clearly visible and well-developed; note the longer dry time of approximately 40 seconds on Rhodia with a medium nib; a reliable and practical daily choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCosmo Air Light\u003c\/strong\u003e — smooth surface gives clean colour development and visible shading; a natural pairing for loose sheet writing and correspondence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eYamamoto Ro-biki Notebook\u003c\/strong\u003e — the wax-finished surface slows absorption and supports strong shading development; a rewarding pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCream and ivory papers\u003c\/strong\u003e — Ochiguriiro reads with particular warmth and beauty on cream and ivory paper surfaces; the combination of warm ink and warm paper belongs naturally to the tradition of handwritten correspondence and journal-keeping; highly recommended for letters and personal writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; shading visible and present; a practical choice for bullet journaling and daily use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional for basic legibility; shading reduced; not recommended for the full visual experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOchiguriiro's wetter-than-usual flow for the Kyo No Oto series means it performs comfortably across the full nib size range. The shading develops naturally with the ink's own generous flow without requiring the deliberate technique that drier inks sometimes demand.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the widest shading gradient and the most expressive results; the contrast between the lighter warm-brown thin strokes and the deeper chestnut pooling points is most apparent at stub and italic widths; the black sheen is most visible here; the recommended choice for maximum visual expression\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — shading clearly visible and well-developed; the warm-brown to chestnut gradient is most rewarding at these widths; the recommended everyday choice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — shading clearly present; the warm chestnut-brown reads as a clean, characterful writing colour at fine sizes; the wetter flow makes Ochiguriiro comfortable at fine nib sizes where drier brown inks can sometimes feel scratchy\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional for legibility; shading reduced but present; the colour reads as a clean, warm brown; the ink's wetter flow makes it more comfortable at extra-fine sizes than many Kyo No Oto inks\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pen and water brush\u003c\/strong\u003e — well-suited for calligraphic and illustrative use; the water-solubility and earthy warmth of the colour make it a natural choice for botanical illustration, landscape sketching, and watercolour-style journaling\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOchiguriiro is a pure dye ink with no shimmer particles or pigment solids — low-maintenance and safe for all pen types including vintage instruments. Flush every 4–6 weeks under normal use, or when changing inks. Compatible with all pen materials including vintage rubber sacs, celluloid, and ebonite. No special maintenance considerations beyond standard dye ink care.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday journaling and long-form writing\u003c\/strong\u003e — the warm chestnut-brown base, expressive shading, and comfortable wet flow make Ochiguriiro one of the most practical and satisfying everyday journaling inks in the Kyo No Oto series; a colour that is warm and legible across all nib sizes, and that improves with every page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAutumn and winter seasonal writing\u003c\/strong\u003e — the chestnut colour and earthy warmth make Ochiguriiro a natural seasonal choice for autumn and winter writing; a colour that belongs to the season of fallen leaves, firelight, and the particular beauty of the Japanese autumn forest floor\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal letters\u003c\/strong\u003e — the warm, earthy brown is well-suited to personal correspondence, particularly on cream or ivory paper; a colour that communicates warmth, groundedness, and the kind of considered taste that chooses brown over black for a handwritten letter\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese aesthetic and wabi-sabi writing\u003c\/strong\u003e — the direct connection to the Heian period ochiguriiro colour concept and the ink's earthy, natural palette make it a natural choice for writers engaged with Japanese aesthetics; a colour that embodies the wabi-sabi ideal of finding beauty in natural, impermanent things\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWatercolour-style journaling and illustration\u003c\/strong\u003e — the water-solubility and warm earthy tone make Ochiguriiro well-suited to watercolour-style wash techniques; diluted washes produce a beautiful warm-brown range ideal for landscape sketching, botanical illustration, and mixed-media journaling\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the shading gradient from light warm-brown to deep chestnut photographs beautifully on Tomoe River under natural light; the warm colour reads with particular beauty on cream paper; a compelling addition to any ink swatch collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGift for fountain pen enthusiasts\u003c\/strong\u003e — the Kyoto craft workshop collaboration, the ochiguriiro colour tradition, the expressive shading, and the ink's warm, grounded character make it a story-rich and genuinely distinctive gift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Kyo No Oto Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKyo No Oto (京のおと) — \"sounds of Kyoto\" — is TAG Stationery's most collaborative series: each ink produced in partnership with a traditional Kyoto craft workshop, connecting the contemporary fountain pen ink format to the city's centuries-old craft heritage. Where the Kyo Iro series captures the visual colours of specific Kyoto places and phenomena, the Kyo No Oto series draws from the deeper traditions of Kyoto craft — the dyeing techniques, colour concepts, and material culture that have defined the city's aesthetic identity for centuries. Ochiguriiro (KO-0110) draws from the traditional Japanese colour vocabulary of the natural world, translating the specific warm brown of fallen chestnuts into a fountain pen ink that carries the earthiness, warmth, and quiet beauty of the autumn forest floor.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout TAG Stationery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTAG Stationery (京都TAG文具店), also known as Takeda Jimuki, is a Kyoto-based Japanese stationery brand with a philosophy rooted in the intersection of traditional craft and contemporary writing culture. Their inks are produced with attention to both formulation quality and conceptual depth — each ink in the TAG catalogue carries a story, a reference, and a considered visual identity. The Kyo No Oto series represents their most craft-rooted work, produced in direct collaboration with traditional Kyoto workshops to create inks that are as connected to the city's heritage as they are to contemporary fountain pen culture. Shop the full TAG Stationery collection at Shosai — Gatineau–Ottawa's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eOchiguriiro\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTAG Stationery (京都TAG文具店) \/ Takeda Jimuki\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKyo No Oto (京のおと)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKO-0110\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFull Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOchiguriiro \/ 落栗色\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTraditional Japanese colour of fallen chestnuts; Heian period earth colour tradition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan (Kyoto) — produced with traditional Kyoto ink workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e40ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePure dye-based; traditional Kyoto dyeing techniques\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWarm chestnut-brown; slightly unsaturated; earthy, walnut-toned\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium to strong; light warm-brown to deep chestnut\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow; faint black sheen at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWet to moderate; wetter than most Kyo No Oto inks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~5–40 seconds (paper dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage instruments\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected Japanese and Korean stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Shosai","offers":[{"title":"Default Title","offer_id":48293943017697,"sku":"KO-0110","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/2_f2d673e2-01ce-4904-ac01-04cdfaa58f01.png?v=1778102289"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/collections\/TAG-STATIONERY_LOGO.jpg?v=1774022526","url":"https:\/\/shosai.ca\/collections\/tag-stationery-kyoto.oembed","provider":"Shosai","version":"1.0","type":"link"}