{"title":"Where to Start","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eYour first steps into fine ink and paper. A selection built for discovering fountain pens with confidence — shimmer-free inks that are easy to maintain, paired with papers that bring out every tone.\u003c\/p\u003e","products":[{"product_id":"ferris-wheel-press-porcelain-past-shading","title":"Ferris Wheel Press \"Porcelain Past\" High Shading Ink (10ml\/38ml)","description":"\u003ch2 data-path-to-node=\"7\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"7\"\u003eA Nostalgic Ode to Elegance\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"8\"\u003eStep into the refined grace of a bygone era with \u003cb data-index-in-node=\"49\" data-path-to-node=\"8\"\u003ePorcelain Past\u003c\/b\u003e. Part of the \u003cb data-index-in-node=\"77\" data-path-to-node=\"8\"\u003eLa Belle Époque Collection\u003c\/b\u003e, this ink captures the delicate, quiet beauty of antique fine china and overcast Parisian skies. Its signature \u003cb data-index-in-node=\"215\" data-path-to-node=\"8\"\u003eNimbus Blue\u003c\/b\u003e tone is both calm and muted, offering a sophisticated alternative to traditional blues for the discerning writer.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"9\"\u003eArtistry in Shading\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"10\"\u003eAs a \u003cb data-index-in-node=\"5\" data-path-to-node=\"10\"\u003eStandard Ink (No Shimmer)\u003c\/b\u003e, Porcelain Past relies on its exceptional \u003cb data-index-in-node=\"73\" data-path-to-node=\"10\"\u003eShading\u003c\/b\u003e characteristics to tell a story. With every stroke, the ink reveals a beautiful gradient from soft, misty azure to a deeper, rain-cloud grey. This dynamic depth makes it ideal for expressive journaling, sketching, and professional correspondence that requires a touch of poetic soul.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"11\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"11\"\u003eDesigned for Every Journey\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eCrafted with the signature reliability of Ferris Wheel Press, this ink ensures a smooth and consistent flow in all fountain pens. Whether you are using the iconic \u003cb data-index-in-node=\"163\" data-path-to-node=\"12\"\u003e38ml glass bottle\u003c\/b\u003e with its jewelry-inspired brass nut or the portable \u003cb data-index-in-node=\"233\" data-path-to-node=\"12\"\u003e10ml miniature pot\u003c\/b\u003e, Porcelain Past brings the timeless elegance of the Belle Époque directly to your desk.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"13\"\u003eProduct Specifications\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,0,0\"\u003eInk Tone\u003c\/b\u003e: Nimbus Blue (Muted, Sophisticated Blue-Grey)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,1,0\"\u003eCharacteristics\u003c\/b\u003e: High Shading, Calm, Muted (Standard Ink)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,2,0\"\u003eShimmer\u003c\/b\u003e: None (No Shimmer)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,3,0\"\u003eCollection\u003c\/b\u003e: La Belle Époque Collection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,4,0\"\u003eVolume Options\u003c\/b\u003e: 10ml Miniature Bottle \/ 38ml Glass Bottle\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"14,5,0\"\u003eOrigin\u003c\/b\u003e: Made in UK\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cblockquote data-path-to-node=\"16\"\u003e\n\u003cp data-path-to-node=\"16,0\"\u003eBased in \u003cb data-index-in-node=\"9\" data-path-to-node=\"16,0\"\u003eGatineau, Quebec\u003c\/b\u003e, Shosai provides curated stationery to enthusiasts across the \u003cb data-index-in-node=\"88\" data-path-to-node=\"16,0\"\u003eNational Capital Region (Ottawa-Gatineau)\u003c\/b\u003e and throughout \u003cb data-index-in-node=\"145\" data-path-to-node=\"16,0\"\u003eCanada\u003c\/b\u003e.\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Ferris Wheel Press","offers":[{"title":"10ml","offer_id":48031665881313,"sku":"INK-10-ED2601","price":7.99,"currency_code":"CAD","in_stock":true},{"title":"38ml","offer_id":48031665914081,"sku":"INK-38-ED2601","price":31.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/FWP-PorcelainPastSurreal.jpg?v=1772391005"},{"product_id":"yamamoto-paper-ro-biki-note-basic-series-2mm-grid-ga017","title":"Yamamoto Paper RO-BIKI Note Basic Series — 2mm Squared Grid","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA size that's neither pocket notebook nor full notepad\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eYamamoto didn't land on 91 × 210mm by accident. The 91mm width is close to a standard pocket notebook — narrow enough to carry without printing on a bag. The 210mm length matches the long edge of A5 paper — generous enough for real writing space rather than just quick notes. The result is a shape that splits the difference: something you can hold and write with one hand, standing up, while still having enough vertical room to actually get something down, whether you're at a desk, outdoors, or jotting notes with the notebook resting on your palm.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe finest grid in the Basic Series lineup\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAmong Yamamoto's ruling options — plain, 5mm reticle, 4.5mm cross grid, 6mm ruled — this 2mm square grid is the tightest and most technical. It's built less for casual daily writing and more for situations where precision actually matters: detailed diagrams, small technical sketches, architectural notation, or any layout where a looser grid would leave too much guesswork. The grid sits quietly enough not to compete with what you draw over it, but it's there when you need to keep something exactly aligned.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow the binding actually behaves\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eYamamoto calls this method \"thread binding with glue\" — visible stitching along the spine reinforced with a layer of adhesive underneath, rather than a binding that hides the thread. The result opens to roughly 180° at the throat, meaning the notebook lies genuinely flat rather than needing to be held open, which matters more on a fine 2mm grid than it would on a wider ruling, since precise work benefits from a stable, flat surface.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eCover and everyday use\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe wax-treated cover here runs in a deep rust-brown, and develops the same creasing and gradual darkening as every other RO-BIKI Note with handling. Sixty pages of New Chiffon Cream paper, around 80g\/m², take fountain pen ink cleanly. It fits the RO-BIKI Canvas Cover or a regular-size Traveler's Notebook — not passport-size.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), rust-brown, plain\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 91 × 210mm\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 2mm squared grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA017\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: New Chiffon Cream writing paper, approx. 80g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread binding with glue reinforcement, opens to approx. 180°\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits regular-size Traveler's Notebook covers and RO-BIKI Canvas Cover\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual \u003cstrong\u003eservice — English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48039145636065,"sku":"YP-GA017","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/5320673_3.jpg?v=1772504068"},{"product_id":"yamamoto-paper-ro-biki-note-basic-series-5mm-reticle-ga018","title":"Yamamoto Paper RO-BIKI Note Basic Series — 5mm Reticle","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe reticle that's lighter than a grid, but not quite a dot\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eYamamoto's Basic Series comes in a handful of ruling styles, and this one — 5mm reticle — sits in an odd, useful middle ground. It's not a solid grid like the 4.5mm version, and it's not a plain dot grid either. Each intersection is marked with a small dot and a fine cross rather than a printed line, so the page carries just enough structure to keep handwriting level and diagrams aligned, without the visual weight of an actual grid pattern underneath everything you write.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy this particular ruling shows up in a lot of \"favourite notebook\" lists\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAmong people who've tried several RO-BIKI ruling variants, the 5mm reticle comes up disproportionately often as the one they keep going back to — it's unobtrusive enough for plain handwriting, but structured enough to sketch a quick chart or keep a list of items lined up without a ruler. If you've found dot grids too vague and full grids too busy, this sits in the gap between the two.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe cover, and what happens to it\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe wax-treated cover here runs in a warm tan-beige rather than the darker olive-brown of the 4.5mm grid version — over time it develops the same creasing, scuffing, and gradual darkening as every RO-BIKI cover, so the lighter starting tone means the aging is more visually apparent early on than it is on a darker colourway.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBuilt the same way as the rest of the Basic Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of New Chiffon Cream paper, around 80g\/m², resist bleed-through well across fountain pens, dip pens, ballpoint, and pencil. The thread-and-glue binding lets the notebook lie close to flat, and at 91 × 210mm it fits the same systems as the rest of Yamamoto's long-format notebooks: the RO-BIKI Canvas Cover, or a regular-size (not passport-size) Traveler's Notebook.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), tan-beige, plain\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 91 × 210mm\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm reticle (dot + fine cross grid)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA018\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: New Chiffon Cream writing paper, approx. 80g\/m², fountain pen friendly, resists bleed-through\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched with glue reinforcement, opens near-flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits regular-size Traveler's Notebook covers and RO-BIKI Canvas Cover\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual \u003cstrong\u003eservice — English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48039199473889,"sku":"YP-GA018","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/5320682_3.jpg?v=1772505081"},{"product_id":"yamamoto-paper-ro-biki-note-basic-series-4-5mm-grid-ga021","title":"Yamamoto Paper RO-BIKI Note Basic Series — 4.5mm Crossed Grid","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe notebook the entire RO-BIKI line started from\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBefore Yamamoto Paper built out the Museum, Shape, and Map series, there was just this — the Basic Series, released in 2010, no illustrated cover, no borrowed artwork, just a plain waxed kraft-style cover in a muted olive-brown and a genuinely useful grid inside. Everything else in the RO-BIKI catalogue is a variation built on top of what this notebook established first.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA grid that isn't quite a grid\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMost gridded notebooks give you a flat lattice of identical lines. This one uses a 4.5mm square pattern with small cross marks at each intersection instead of solid lines — a lighter touch that suggests structure without boxing you in. It reads more like faint guide points than a rigid grid, which makes it genuinely useful for bullet journaling, diagramming, or sketching layouts where you want alignment without the page feeling ruled.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe same aging, minus the picture\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe waxed cover develops the same creases, scuffs, and gradual darkening as every other RO-BIKI Note, but without a printed illustration competing for attention, the aging itself becomes the main visual interest — this is the version of the notebook where the wear pattern is the whole point, not a texture layered over someone else's artwork.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat's inside\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of New Chiffon Cream paper, around 80g\/m², handle fountain pens, dip pens, ballpoint, and pencil without much show-through. The binding is thread-stitched with glue reinforcement at the spine, letting the notebook open close to 180° flat — useful when you're actually drawing a layout across the gutter rather than staying on one side of the page.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSizing and what it pairs with\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 91 × 210mm, it's the same long, narrow shape as Yamamoto's Map Series notebooks, and fits the same systems: Yamamoto's own RO-BIKI Canvas Cover, regular-size Traveler's Notebook covers, and similar long-format organizers. It's built for regular-size TN covers, not passport-size.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), plain, no illustration\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 91 × 210mm\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 4.5mm crossed grid (reticle)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA021\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: New Chiffon Cream writing paper, approx. 80g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched with glue reinforcement, opens near-flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits regular-size Traveler's Notebook covers and RO-BIKI Canvas Cover\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003e\n\u003cstrong\u003eBilingual\u003c\/strong\u003e service \u003cstrong\u003e— English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48040605188321,"sku":"YP-GA021","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/6196539_1.jpg?v=1772537435"},{"product_id":"yamamoto-paper-ro-biki-note-map-series-star-map-ga036","title":"Yamamoto Paper RO-BIKI Note Map Series — Star Map","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA shape built for lists, not for prose\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMost notebooks are sized to look good closed. This one is sized to be useful open. At 91 × 210mm, it's noticeably longer and narrower than a passport-size notebook — closer to a bookmark than a book — which turns out to be an unusually good shape for the kind of writing that doesn't need a full page: packing lists, grocery runs, a running to-do, or short lines of poetry where a wide page would just leave awkward empty space on either side.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe cover, without a specific painting behind it\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eUnlike Yamamoto's Museum Series, this cover doesn't reproduce a particular artwork — it's an original star map design, dense with constellation lines and star clusters across a dark navy ground, printed under the same wax finish used across the RO-BIKI line. The wax still creases and scuffs with handling the same way it does on every other RO-BIKI cover, so the star field slowly picks up a texture of its own the longer you carry it.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBlank pages, on purpose\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages sit inside, plain rather than ruled or dotted, on New Chiffon Cream writing paper around 80g\/m². No grid, no lines — just paper suited to fountain pens, dip pens, ballpoint, or pencil, left open for whatever format you actually want to use: a list, a quick sketch, a few lines of handwriting practice. The binding is thread-stitched with a saddle stitch, strong enough to survive being flipped open and closed constantly, which matters more on a notebook built for quick, repeated use than on one meant to be written in once a week.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhere it actually fits\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis size is designed first for Yamamoto's own RO-BIKI Canvas Cover, but it also fits inside a regular-size Traveler's Notebook, a Yubokumin planner, a Writer's Organiser, or a Roterfaden Taschenbegleiter — worth knowing if you already run one of those systems and want a slimmer insert dedicated to lists rather than full notebook use. Note that it's built for \u003cem\u003eregular\u003c\/em\u003e-size TN covers, not passport-size — the width doesn't match a passport-size cover the way Yamamoto's Museum Series notebooks do.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), original star map design\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 91 × 210mm\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, plain (blank)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA036\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: New Chiffon Cream writing paper, approx. 80g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits regular-size Traveler's Notebook covers and RO-BIKI Canvas Cover\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003e\n\u003cstrong\u003eBilingual\u003c\/strong\u003e service \u003cstrong\u003e— English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48040685142241,"sku":"YP-GA036","price":11.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/6196555_2.jpg?v=1772537828"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-flower-ga041","title":"Yamamoto Paper RO-BIKI Note Museum Series — Flower (Mignon)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA bouquet with a warning built into it\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis edition of Yamamoto Paper's RO-BIKI Note Museum Series carries \u003cem\u003eStill Life with Flowers and a Watch\u003c\/em\u003e, painted sometime around 1660–1679 by Abraham Mignon, now held in the Rijksmuseum in Amsterdam. At first glance it's simply an overflowing arrangement of tulips, roses, poppies, anemones, and irises against a dark background — the kind of lush, layered bouquet Dutch Golden Age painters were known for. Look closer and the composition includes an open pocket watch on a blue ribbon, plus snails, caterpillars, and a dragonfly working their way through the petals. In Dutch still life painting, that combination is a deliberate vanitas — flowers already past their peak, insects that will eventually consume them, and a watch marking time passing regardless. It's a memento mori dressed up as a flower arrangement.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA German painter working in the Dutch tradition\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMignon was born in Frankfurt, apprenticed to still-life painter Jacob Marrel as a child, and later trained under Jan Davidsz de Heem — one of the most technically accomplished still-life painters of the era. That lineage shows in the confident, almost theatrical use of dark backgrounds to make the brighter petals push forward, a technique de Heem's students carried forward across the Dutch Golden Age.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow the wax cover interacts with a painting about decay\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEvery RO-BIKI Note cover develops creases, scuffs, and darkening with handling — the same aging Yamamoto builds into the wax paper across the whole line. On a painting that's explicitly about impermanence and the passage of time, that physical aging isn't just incidental; it echoes the same idea the original composition was making three and a half centuries ago.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe notebook itself\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of 5mm dot grid sit on chiffon cream writing paper around 75g\/m², thread-stitched with a saddle stitch so it opens flat, sized at 88 × 125mm to match a Japanese passport. It takes fountain pen ink cleanly and fits passport-size Traveler's Notebook covers as a refill, or works completely fine with no cover at all.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), Abraham Mignon's \u003cem\u003eStill Life with Flowers and a Watch\u003c\/em\u003e (c. 1660–1679), Rijksmuseum collection\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA041\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003e\n\u003cstrong\u003eBilingual\u003c\/strong\u003e service \u003cstrong\u003e— English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48040690286817,"sku":"YP-GA041","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/7851512_5.jpg?v=1772538833"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-blau-ga043","title":"Yamamoto Paper RO-BIKI Note Museum Series — Blau (Kandinsky)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe one Museum Series cover that isn't a picture of anything\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEvery other notebook in Yamamoto's Museum Series puts something recognizable on the cover — a canal, a garden, a river crossing. This one is different. It carries \u003cem\u003eIn Blue\u003c\/em\u003e (Im Blau), painted in 1925 by Wassily Kandinsky, one of the artists generally credited with founding abstract art as a movement. There's no landscape or figure to identify here — just geometric forms, biomorphic shapes, and a blue field that Kandinsky arranged according to color theory and musical structure rather than anything observed from life. The original hangs in the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy abstraction changes what aging looks like\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEvery RO-BIKI Note cover develops creases and scuffing with use — that's built into the wax paper Yamamoto uses across the entire line. On a landscape or a portrait, that wear reads as patina layered over a recognizable scene. On a Kandinsky composition built from flat color and hard geometry, the same creasing behaves more like it's part of the composition itself — a crease running through a triangle looks almost intentional, the way it wouldn't on a woodblock print of a river crossing.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat's inside, apart from the cover\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of 5mm dot grid sit on chiffon cream writing paper, roughly 75g\/m², selected by a company that ran a paper wholesale business for decades before ever printing a notebook cover. It takes fountain pen ink cleanly, and the thread-stitched saddle binding lets it open flat rather than fighting you at the spine — worth knowing if you sketch as often as you write in it.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePassport-sized, and useful beyond just being small\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 88 × 125mm, it matches a Japanese passport and slides into a passport-size Traveler's Notebook cover as a refill, or works completely fine on its own with no cover at all. If you're already collecting other Museum Series notebooks, this is the one that reads noticeably different on a shelf next to the rest.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), Wassily Kandinsky's \u003cem\u003eIn Blue\u003c\/em\u003e (1925), Kunstsammlung Nordrhein-Westfalen collection, Düsseldorf\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA043\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual\u003cstrong\u003e service — English and French\u003c\/strong\u003e\n\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48040847016161,"sku":"YP-GA043","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/7851543_1.jpg?v=1772544033"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-tokaido-ga042","title":"Yamamoto Paper RO-BIKI Note Museum Series — Tokaido (Hokusai)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA woodblock print from a series most people only know one image from\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMost people who've never studied ukiyo-e still recognize \u003cem\u003eThe Great Wave\u003c\/em\u003e — it's the most famous image from Hokusai's \u003cem\u003eThirty-Six Views of Mount Fuji\u003c\/em\u003e, but the series runs to thirty-six prints, most far less known outside Japan. This edition of the RO-BIKI Note Museum Series carries a different one: \u003cem\u003eFuji Seen from Kanaya on the Tokaido\u003c\/em\u003e, from around 1830–1832, now held in the collection of the Yamanashi Prefectural Museum. It shows travelers fording the Oi River near the Kanaya post station on the Tokaido road, hauling baggage and each other across the current on their backs, with Mount Fuji rising in the distance behind them.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy a woodblock print survives the wax treatment well\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eYamamoto prints this cover directly from the woodblock composition, then applies its usual wax finish over both the front and back panel. Woodblock printing already works in flat, bold color fields rather than fine gradients, which means the creasing and scuffing that comes with daily carry tends to read as texture within the print rather than damage to it — closer to how an actual centuries-old print picks up wear than how a photograph would.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe Yamanashi museum behind it\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Yamanashi Prefectural Museum, where this print is held, focuses specifically on materials connected to Mount Fuji — which was registered as a UNESCO World Heritage site in 2013 — alongside work from Hokusai's contemporary Hiroshige, who painted his own \u003cem\u003eThirty-Six Views of Fuji\u003c\/em\u003e around the same period. It's a narrower, more specialized collection than the encyclopedic museums the rest of the Museum Series draws from, which suits a print that's itself part of a tightly focused single-subject series.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBuilt the same way as the rest of the RO-BIKI line\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eUnderneath the cover art, the notebook matches the rest of the series: 60 pages of 5mm dot grid on chiffon cream writing paper around 75g\/m², thread-stitched with a saddle stitch so it lies flat rather than springing shut, sized at 88 × 125mm to match a Japanese passport. It also fits passport-size Traveler's Notebook covers as a refill, or works fine with no cover at all.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), Hokusai's \u003cem\u003eFuji Seen from Kanaya on the Tokaido\u003c\/em\u003e (c. 1830–1832), Yamanashi Prefectural Museum collection\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA042\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual service — English and French\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48041135866081,"sku":"YP-GA042","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/10146253_1.jpg?v=1772556506"},{"product_id":"yamamoto-paper-ro-biki-note-shape-series-flying-birds-ga082","title":"Yamamoto Paper RO-BIKI Note Shape Series — Flying Birds","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA print technique doing the work, not a painting\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMost of Yamamoto Paper's RO-BIKI Note covers borrow their imagery from somewhere else — museum paintings, maps, textures. Shape Series does the opposite: it's built entirely around a printing technique Yamamoto developed in-house. Before waxing, the cover is printed with two distinct zones — areas that get a white undercoat first, and areas that don't. Once the wax finish is applied over both, the undercoated sections stay opaque while the bare sections turn semi-transparent, letting the deep forest-green base color show through. The flying birds motif exists specifically to show off that contrast: a flock of pale silhouettes cutting across a solid, matte-green field.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat that means as the cover ages\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBecause the birds are defined by transparency rather than ink density, the way this cover wears in is a little different from a straightforward printed design. Creases and scuffs from handling interact with both the opaque and translucent zones, so the contrast between the \"solid\" birds and the visible-through areas shifts slightly over months of carry — less like a photograph fading, more like a woodblock print picking up wear in its grain.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe rest of the notebook, same DNA as the Museum Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eUnderneath the cover technique, the specs match the rest of the RO-BIKI Note lineup: 60 pages of 5mm dot grid on chiffon cream writing paper around 75g\/m², thread-stitched with a saddle stitch so it opens flat, sized at 88 × 125mm to match a Japanese passport. It takes fountain pen ink cleanly, which matters here as much as it does on any RO-BIKI cover — Yamamoto built its reputation as a paper wholesaler before it ever printed a cover.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhere it fits if you already run a notebook system\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt passport size, it slides into a passport-size Traveler's Notebook cover as a refill, or works completely on its own with no cover at all. The muted, almost military green reads less \"collectible art piece\" and more \"notebook you'd actually reach for daily\" — a reasonable pairing if you want something plainer-looking sitting next to a Museum Series notebook in the same TN system.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish) with white-undercoat contrast printing, Flying Birds motif\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA082\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual service — English and French\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48041375072481,"sku":"YP-GA082","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/11070630_1001.jpg?v=1772560778"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-venice-ga050","title":"Yamamoto Paper RO-BIKI Note Museum Series — Venice (Canaletto)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA view of Venice painted for a British consul, now sized for a coat pocket\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis edition of Yamamoto Paper's RO-BIKI Note Museum Series carries Canaletto's \u003cem\u003eThe Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right\u003c\/em\u003e across its wax paper cover. Canaletto painted it as part of a series of twenty panoramic Venice views commissioned by Joseph Smith, the British consul in Venice at the time and one of the artist's most important patrons — the kind of documentary-precision cityscape that made Canaletto's work popular with wealthy British visitors doing the Grand Tour. The vantage point closely matches what you'd see today standing on the Accademia Bridge, looking down the canal toward the Campo della Carità.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePrecision on the cover, imperfection with use\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCanaletto was known for near-architectural accuracy — straight lines, exact proportions, careful light. That's an interesting contrast to what happens to this notebook once you start carrying it: the wax-treated paper cover creases, scuffs, and darkens with handling, the same way it does across the rest of the RO-BIKI line. A perfectly composed 18th-century cityscape slowly acquiring a texture of daily use is part of the appeal — the notebook stops looking like a printed reproduction and starts looking like something you actually own.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat's inside, beyond the cover\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of 5mm dot grid sit on chiffon cream writing paper, roughly 75–80g\/m², chosen by a company that ran a paper wholesale business for decades before making notebooks — it takes fountain pen ink cleanly, without heavy feathering, and dries fast enough for note-taking on the move. The binding is thread-stitched with a saddle stitch, so the notebook opens flat rather than fighting you at the spine.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePassport-sized, and passport-compatible\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 88 × 125mm, this matches the footprint of a Japanese passport and slides into a passport-size Traveler's Notebook cover as a refill, if you already run that system. It also holds up perfectly well on its own — no cover required — for anyone who wants a compact travel notebook with a bit more visual history behind it than a plain kraft insert.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), Canaletto's \u003cem\u003eThe Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right\u003c\/em\u003e — Metropolitan Museum of Art collection\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA050\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75–80g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan (2025 edition)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eBilingual service — English and French\u003c\/strong\u003e\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48041418752225,"sku":"YP-GA050","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/13107131_1002.jpg?v=1772562706"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-garden-ga052","title":"Yamamoto Paper RO-BIKI Note Museum Series — Garden (Monet)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe garden Monet rented, now on the cover of a notebook you can actually use\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis edition of Yamamoto Paper's RO-BIKI Note Museum Series carries Claude Monet's \u003cem\u003eThe Artist's Garden at Vétheuil\u003c\/em\u003e (1881) across its wax paper cover. Monet painted it during the years he was renting a house in Vétheuil, a village on the Seine northwest of Paris — the canvas shows the garden he was cultivating there, all loose brushwork and sunlit color rather than tight botanical detail, which is part of why Impressionist garden scenes translate so well onto a small, tactile object like this rather than staying flat on a museum wall.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe cover ages the way the paint does\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWax-treated paper is the material Yamamoto uses across every notebook in the RO-BIKI line, and it behaves the same way here: stiff and smooth when new, then increasingly creased, scuffed, and darkened with handling. On a garden scene built from short, layered brushstrokes, that aging effect echoes the texture of the painting itself in a way it wouldn't on something flatter or more graphic — the notebook and the artwork end up wearing in together.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePaper that holds up to real fountain pen use\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSixty pages of 5mm dot grid sit inside, printed on chiffon cream writing paper around 75–80g\/m² — chosen specifically because Yamamoto has decades of experience as a paper wholesaler before they ever made notebooks themselves, and it shows in how cleanly the paper takes fountain pen ink without heavy feathering. The binding is thread-stitched with a saddle stitch, so pages lie flat rather than springing back, which is worth knowing if you plan to sketch or write across a full spread rather than one page at a time.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSmall enough to disappear into a coat pocket\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 88 × 125mm — the same footprint as a Japanese passport — this is built for carrying, not sitting on a shelf. It also fits passport-size Traveler's Notebook covers as a refill, so if you're already running that system, this works as a more visually distinctive alternative to a plain kraft insert, or perfectly well on its own with no cover at all.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (ro-BIKI finish), Claude Monet's \u003cem\u003eThe Artist's Garden at Vétheuil\u003c\/em\u003e (1881)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eProduct code: GA052\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: chiffon cream writing paper, approx. 75–80g\/m², fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan (2025 edition)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual service — English and French\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48041437429985,"sku":"YP-GA052","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/13107206_1002.jpg?v=1772563528"},{"product_id":"yamamoto-paper-ro-biki-note-museum-series-bouquet-of-flowers-ga051","title":"Yamamoto Paper RO-BIKI Note Museum Series — Bouquet of Flowers (Van Gogh)","description":"\u003ch2 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eA notebook that carries a museum piece in your pocket\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe RO-BIKI Note Museum Series takes actual paintings from museum collections around the world and prints them across a passport-sized wax paper cover — the idea being a kind of \"world museum tour\" you carry notebook by notebook. This edition reproduces Vincent van Gogh's \u003cem\u003eBouquet of Flowers in a Vase\u003c\/em\u003e (1890), held today in the collection of The Metropolitan Museum of Art in New York. It's one of the loosely-brushed still lifes van Gogh painted in his final year, built around the blue-and-ochre palette and the thick, almost brick-like layering of paint he was working with near the end of his life in Auvers.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy wax paper, specifically\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe cover isn't printed on card stock — it's wax-treated paper, the same finish Yamamoto uses across the RO-BIKI line. It starts smooth and slightly stiff, and with handling it creases, scuffs, and softens the way leather does, so the painting on the front picks up a texture of use rather than staying flat and glossy. A notebook you've actually carried for six months looks different from one still in shrink wrap — that's intentional, not a flaw.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBuilt for actual writing, not just display\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eInside are 60 pages of 5mm dot grid on roughly 75g\/m² ivory writing paper, finished to take fountain pen ink cleanly with minimal feathering and reasonably fast dry time — this isn't a novelty notebook that only looks good closed. The pages are thread-bound with saddle stitching, so the notebook opens flat rather than fighting you at the spine, which matters more than it sounds when you're sketching or writing across a two-page spread.\u003c\/p\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWorks as a Traveler's Notebook passport refill\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 88 × 125mm, this matches standard passport-size Traveler's Notebook dimensions almost exactly, so it slides into a passport-size TN leather cover the same way an official TN refill would — a lower-cost, wax-paper alternative if you're already running that system and want something with more visual character than a plain kraft insert. It also works perfectly well on its own, without any cover at all, for anyone who just wants a compact, pocket-sized notebook for travel or daily notes.\u003c\/p\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eDetails\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eCover: wax-treated paper (RO-BIKI finish), Van Gogh's \u003cem\u003eBouquet of Flowers in a Vase\u003c\/em\u003e (1890), Metropolitan Museum of Art collection\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eSize: 88 × 125mm (passport size)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePages: 60, 5mm dot grid\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProduct code: GA051\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePaper: approx. 75g\/m² ivory writing paper, fountain pen friendly\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eBinding: thread-stitched, saddle stitch, lies flat\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eFits passport-size Traveler's Notebook covers as a refill\/insert\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal\"\u003eBilingual service — English and French\u003c\/h3\u003e","brand":"Yamamoto Paper","offers":[{"title":"Default Title","offer_id":48041447915745,"sku":"YP-GA051","price":8.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/13107210_1002.jpg?v=1772563939"},{"product_id":"dominant-industry-takasago-note-premium-japanese-paper-notebook","title":"Dominant Industry - Takasago Note (Notebook) | Mitsubishi Premium Paper","description":"\u003ch2 data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eThe Excellence of Mitsubishi Takasago Premium Paper\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe \u003cb data-path-to-node=\"16\" data-index-in-node=\"4\"\u003eDominant Industry Takasago Note\u003c\/b\u003e is a specialized writing tool designed for ink enthusiasts. Featuring the prestigious \u003cb data-path-to-node=\"16\" data-index-in-node=\"122\"\u003eTakasago Premium Paper\u003c\/b\u003e by Mitsubishi Paper Mills, this notebook is engineered to showcase the full personality of your fountain pen inks.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eSuperior Ink Performance: Sheen \u0026amp; Shading\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eWith a weight of \u003cb data-path-to-node=\"18\" data-index-in-node=\"17\"\u003e87.5g\/m²\u003c\/b\u003e, Takasago Premium paper is renowned for its high ink resistance and smooth texture. It is specifically formulated to enhance:\u003c\/p\u003e\n\u003cp data-path-to-node=\"19,0,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"19,0,0\" data-index-in-node=\"0\"\u003eSheen:\u003c\/b\u003e Inks with high sheen remain on the surface, creating a brilliant metallic finish.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19,1,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"19,1,0\" data-index-in-node=\"0\"\u003eShading:\u003c\/b\u003e The controlled absorption rate allows for beautiful color transitions and depth.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19,2,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"19,2,0\" data-index-in-node=\"0\"\u003eMinimal Ghosting:\u003c\/b\u003e Its density ensures that even wet-writing pens show very little show-through or feathering.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eFunctional Layouts for Every Purpose \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"21\"\u003eTo accommodate different writing styles, the Takasago Note is available in three distinct cover colors and page layouts:\u003c\/p\u003e\n\u003cp data-path-to-node=\"22,0,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"22,0,0\" data-index-in-node=\"0\"\u003eIvory (Plain):\u003c\/b\u003e A warm, cream-toned paper ideal for sketching, mind mapping, and unconstrained creative writing.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22,1,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"22,1,0\" data-index-in-node=\"0\"\u003eGray (8mm Lined):\u003c\/b\u003e Designed for organized journaling and professional note-taking with a comfortable line height.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22,2,0\" style=\"padding-left: 40px;\"\u003e\u003cb data-path-to-node=\"22,2,0\" data-index-in-node=\"0\"\u003eBlack (5mm Grid):\u003c\/b\u003e The preferred choice for technical layouts, bullet journaling, and precision writing.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"23\"\u003e\u003cb data-path-to-node=\"23\" data-index-in-node=\"0\"\u003eCraftsmanship and Durability \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"24\"\u003eEach notebook features a minimalist, durable cover and a binding that allows it to lay flat, providing a seamless writing experience from edge to edge. Whether you are using a glass pen or a broad-nib fountain pen, the Takasago Note is the ultimate canvas for your ink collection.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Blank","offer_id":48604187328737,"sku":"Blank","price":38.99,"currency_code":"CAD","in_stock":true},{"title":"Grid 5mm","offer_id":48604187361505,"sku":"Grid 5mm","price":38.99,"currency_code":"CAD","in_stock":true},{"title":"Line 8mm","offer_id":48604187394273,"sku":"Line 8mm","price":38.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_c8ea4ac3-f9c0-41c7-a785-8978e0184c4e.png?v=1772748292"},{"product_id":"dominant-industry-mm-pad-nib-thickness-line-width-gauge","title":"Dominant Industry - MM PAD | Nib Thickness \u0026 Line Width Measuring Tool","description":"\u003ch2 data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003ePrecision Nib Measurement at Your Fingertips \u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"18\"\u003eThe \u003cb data-path-to-node=\"18\" data-index-in-node=\"4\"\u003eDominant Industry MM-PAD\u003c\/b\u003e is a specialized diagnostic tool designed for fountain pen users to accurately identify the line width of their nibs. This transparent pad allows for instant comparison between your written samples and standardized thickness guides.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eComprehensive Thickness Guides \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eThe MM-PAD features two columns of precision-printed guides to help you find the exact thickness of your fountain pen nib in millimeters (MM):\u003c\/p\u003e\n\u003cul data-path-to-node=\"21\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"21,0,0\"\u003e\u003cb data-path-to-node=\"21,0,0\" data-index-in-node=\"0\"\u003eRange:\u003c\/b\u003e 0.20, 0.25, 0.30, 0.40, 0.50, 0.60, 0.70, 0.80 mm.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"21,1,0\"\u003e\u003cb data-path-to-node=\"21,1,0\" data-index-in-node=\"0\"\u003eExtended Range:\u003c\/b\u003e 0.90, 1.00, 1.20, 1.50, 1.70, 1.90, 2.00, 3.00 mm.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"22\"\u003e\u003cb data-path-to-node=\"22\" data-index-in-node=\"0\"\u003eTransparent Design for Easy Overlay \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"23\"\u003eCrafted from clear material, the MM-PAD is meant to be placed directly over your writing. By overlaying the white guides onto your ink strokes, you can visually confirm the true output of your nib, making it an essential tool for cataloging pens or testing new inks.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"24\"\u003e\u003cb data-path-to-node=\"24\" data-index-in-node=\"0\"\u003eIntegrated 80mm Metric Ruler \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-path-to-node=\"25\"\u003eAlong the bottom edge, the pad includes an \u003cb data-path-to-node=\"25\" data-index-in-node=\"43\"\u003e80mm ruler\u003c\/b\u003e for quick measurements of your writing samples or stationery. Whether you are a calligrapher or a casual writer, this tool provides the technical data needed to understand your writing instruments' performance.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48049920147681,"sku":"MM PAD","price":15.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/5_66af48b8-545f-437d-9bd8-df12aa071c43.png?v=1772759253"},{"product_id":"dominant-industry-standard-100-base-black-fountain-pen-ink","title":"Dominant Industry Standard 100 Base Black — Deep Black, Black Sheen Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 100 Base Black — Deep Black, Black Sheen Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDominant Industry Standard 100 Base Black\u003c\/strong\u003e is a 25ml fountain pen ink and the defining entry in Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character over decorative effects. Base Black delivers exactly what its name promises: a deep, saturated, pure black that is among the darkest and most fully chromatic black fountain pen inks available. It is a black without meaningful colour bias — no blue, no red, no warm or cool tint — paired with a notable high black sheen that adds a sophisticated reflective quality to the written page under directional light.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer line, distinct from the Pearl Collection and the Painter Series. Where the Pearl Collection focuses on metallic shimmer particle suspension, the Standard Series delivers pure colour depth, expressive shading, and in some entries — including Base Black — a strong, well-developed sheen. Base Black is the foundational ink of the series: a pure, deep, high-quality black for everyday writing, journaling, correspondence, and any context where a reliable, beautiful black ink is the requirement. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 100 Base Black Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMost black fountain pen inks make compromises: they shade toward grey, tip toward blue or brown, or produce a flat, unremarkable page. Base Black does not. It is a pure, deeply saturated black that reads as black across all nib sizes and flow conditions, with no perceptible colour bias and no shading variation to dilute its intensity. The result is a black ink that is fully committed to being black — and that is rarer than it sounds.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe high black sheen is the ink's most distinctive characteristic. A black ink that sheens black — rather than the conventional red, green, or bronze — produces a sophisticated, monochromatic reflective quality that adds depth and visual interest to the written page without introducing colour. Under raking or directional light on smooth papers, the black sheen of Base Black produces a page quality that is genuinely distinctive: a deep, reflective black that rewards close attention. For writers who find coloured sheens distracting or who prefer a pure black aesthetic, Base Black offers a sheen effect that is entirely consistent with the ink's chromatic identity.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 100 Base Black is a deep, saturated, neutral black — a pure black with no meaningful bias toward blue, brown, or any other secondary hue. In the bottle, it presents as a dense, rich black with visible depth. On the page, it dries to a confident, fully saturated black that is highly legible and richly chromatic across all nib sizes. At fine nib sizes, it reads as a clear, precise black line; at medium to broad nib sizes, the full depth and saturation of the ink are most apparent. Some descriptions note a very subtle grey undertone in diluted or wet areas, but under normal writing conditions the ink reads as a pure, deep black.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to minimal. Base Black exhibits no meaningful tonal variation between lighter and denser areas of each stroke — the colour reads as a consistent, even black across the full range of nib sizes and flow levels. Writers seeking an ink with tonal variation or colour layering will find Base Black focused elsewhere; the ink is optimised for chromatic consistency and depth rather than expressive shading.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHigh black sheen. The black sheen of Base Black is its most visually distinctive characteristic — a reflective surface quality that becomes clearly apparent on smooth papers under directional or raking light. Unlike the conventional coloured sheens of many fountain pen inks, the sheen of Base Black is black on black: a deep, monochromatic reflective quality that adds sophistication and depth to the written page without introducing any secondary colour. The sheen is most visible on Tomoe River, Rhodia, and other slow-absorbing smooth papers, and is most apparent at heavier ink deposits — broad nibs, stub nibs, and dip pen application. Some users on more absorbent papers report minimal sheen; the effect is most reliable and most dramatic on premium fountain pen papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWet. Standard 100 Base Black has a noticeably wet flow — smooth, generous, and well-lubricated across a range of pen and nib combinations. The wet flow contributes to the ink's full colour saturation on the page and makes it particularly comfortable for extended writing sessions. Writers who prefer drier inks may wish to pair Base Black with a drier-flowing pen.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 80 seconds on quality paper under normal conditions (medium nib on Rhodia) — notably longer than most fountain pen inks, a consequence of the wet flow and high ink saturation. Writers who work quickly or who handle pages immediately after writing should allow additional drying time. On more absorbent papers, dry time will be shorter.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 100 Base Black is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity. For archival applications, a pigment-based ink is recommended.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal feathering on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD). Some feathering and light bleed-through may occur on standard 20lb copy paper, consistent with the ink's wet flow. Show-through is moderate on thinner papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 100 Base Black\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 100 Base Black rewards smooth, slow-absorbing papers that allow the deep black saturation and black sheen to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Base Black's full depth and sheen; slow absorption allows the high saturation to develop fully on the surface; black sheen most dramatic and most visible here; the deep black base reads at maximum chromatic intensity\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; full black saturation clearly expressed; black sheen visible under directional light; a practical everyday option despite the 80-second dry time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports full colour development; reliable everyday pairing that brings out the ink's depth without the extreme slow-dry of Tomoe River\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full black saturation; sheen visible on cream-toned pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering and light bleed-through may occur, and the black sheen will be suppressed entirely on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation for showcasing the black sheen; more ink on the page allows the sheen to develop at its most visible and most dramatic; the full depth of the black base is most apparent at broader sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the black sheen dynamically; the broad strokes carry the sheen most visibly while the thin strokes demonstrate the ink's clean, pure black line quality\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the deep black base reads with excellent clarity and legibility at fine sizes; a very practical everyday pairing for writers who prioritise readability; sheen less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the deep black base remains legible and precise; sheen largely absent at this nib size; a good choice for writers who want a pure, clean black line without the sheen effect\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing for maximising sheen expression; high ink volume and wet flow ensure full saturation and consistent sheen development throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Base Black's wet flow and high saturation; the sheen is most spectacular in dip pen applications where ink loads are generous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 100 Base Black is pH neutral and safe for resin and celluloid pens. The wet flow makes regular pen cleaning advisable — flush every 4–6 weeks under normal use, or more frequently if the pen is left unused for extended periods. As a non-shimmer ink, Base Black does not carry the particle clogging risk of the Pearl Collection inks, and is generally low-maintenance.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and correspondence\u003c\/strong\u003e — the deep, pure black and wet, smooth flow make Base Black an exceptional everyday ink for writers who want a reliable, richly chromatic black for all writing contexts\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJournaling\u003c\/strong\u003e — the full black saturation and black sheen add visual richness to journal pages; particularly effective on smooth paper where the sheen develops under reading light\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the wet flow and high saturation make Base Black well-suited to broad-stroke calligraphic work; stub and italic nibs showcase the black sheen at its most dramatic\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eProfessional and business correspondence\u003c\/strong\u003e — the pure, neutral black reads as clean, formal, and professional across all paper types; a reliable choice for signatures, formal documents, and business writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the wet flow and high saturation make Base Black well-suited to linework, illustration, and any artistic application where a deep, pure black is required\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and study\u003c\/strong\u003e — the high legibility and consistent black line make Base Black a reliable choice for note-taking across all nib sizes; the wet flow rewards writers who cover large amounts of paper quickly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Where the Pearl Collection and Painter Series deliver shimmer and sheen through metallic particles, the Standard Series delivers pure colour — vivid, deep, and expressive. Standard 100 Base Black is the foundational entry in the series: a pure, deep black with a high black sheen and a wet, smooth flow that sets the quality standard for the line.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 100 Base Black\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep Black\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to minimal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eHigh black sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~80 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48083781484769,"sku":"SS-100","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_4d53dbd9-ae9e-45b2-9a9b-952627b08f39.png?v=1773502399"},{"product_id":"dominant-industry-standard-101-romania-red-fountain-pen-ink","title":"Dominant Industry Standard 101 Romania Red — Deep Red, Brown Sheen Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 101 Romania Red — Deep Red, Brown Sheen Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDominant Industry Standard 101 Romania Red\u003c\/strong\u003e is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Romania Red delivers a deep, saturated Christmas red — a fully chromatic, mature dark red that reads as rich and elegant on the page rather than bright or aggressive. It is a red ink for writers who want depth rather than vibrancy: a colour that evokes the specific quality of a deep, classic red — seasonal, formal, and quietly striking — paired with a medium brown sheen that adds a warm, sophisticated reflective quality under directional light.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series — alongside Standard 100 Base Black — Romania Red continues the series' commitment to pure colour depth without shimmer particle suspension. The deep red base is consistent and reliable across all nib sizes, with low shading that keeps the colour even and legible. The brown sheen is the ink's distinctive secondary characteristic: a warm, earthy reflective quality that appears on smooth papers at heavier ink deposits, adding visual depth without disrupting the ink's deep red character. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 101 Romania Red Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eRomania Red occupies a specific and distinctive position in the fountain pen red ink palette. Most red fountain pen inks fall into one of two categories: bright, vivid reds that prioritise saturation and visual impact, or muted, brownish reds that prioritise vintage character. Romania Red does neither. It is a deep, true red — saturated enough to read as clearly red rather than burgundy or rust, but dark and mature enough to avoid the aggressive brightness of fire-engine or coral reds. It is the red of a classic Christmas palette: rich, deep, and unmistakably festive without being garish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe brown sheen adds a further layer of character. Most red inks sheen orange, gold, or green; Romania Red's brown sheen is warmer and more earthy, producing a warm red-brown reflective quality at heavier ink deposits that deepens rather than transforms the ink's overall character. For writers who use red ink regularly — for annotation, correspondence, seasonal writing, or artistic work — Romania Red is a reliable, beautiful, and distinctive choice.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 101 Romania Red is a deep, saturated dark red — a rich, chromatic red that reads as dark and mature rather than bright or vivid. In the bottle, it presents as a deep Christmas red with clear depth and saturation. On the page, it dries to a confident, legible deep red that holds its colour energy well across nib sizes: richly coloured and fully saturated at medium to broad nib sizes, and still clearly readable as a deep red at fine sizes. Writers describe the base as deep red, Christmas red, dark red, or a deep wine-adjacent red — a colour that is fully committed to being red, but in a mature, elegant register rather than a bright or aggressive one.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Romania Red exhibits minimal tonal variation between lighter and denser areas of each stroke — a subtle deepening at pooling points and stroke edges that is present but not dramatic under normal writing conditions. Some descriptions note slightly more visible shading at broader nib sizes or on particularly smooth papers, but the overall colour reads as consistent and even. The brown sheen adds the primary secondary visual interest where shading does not.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium brown sheen. The brown sheen of Romania Red is its most visually distinctive secondary characteristic — a warm, earthy reflective quality that appears on smooth papers at heavier ink deposits under directional or raking light. Unlike the conventional gold or green sheens of many red fountain pen inks, Romania Red's brown sheen is deeper and warmer, producing a red-brown reflective quality that complements rather than contrasts the deep red base. The sheen is most visible on Tomoe River and other slow-absorbing smooth papers at broader nib sizes; on Rhodia and Leuchtturm it is present but requires directional light to appear at its best. Some writers on more absorbent papers report minimal sheen.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGood. Standard 101 Romania Red flows at a smooth, reliable rate through standard converters and cartridge-converter systems — well-balanced and consistent across a range of pen and nib combinations. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 30–40 seconds on quality paper under normal conditions (medium nib) — a practical dry time for everyday use across most writing contexts.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 101 Romania Red is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean across a range of fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 101 Romania Red\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 101 Romania Red rewards smooth, slow-absorbing papers that allow the deep red saturation and brown sheen to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Romania Red's full depth and brown sheen; slow absorption allows the high saturation to develop fully on the surface; brown sheen most dramatic and most visible here; the deep red base reads at maximum chromatic intensity\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; full red saturation clearly expressed; brown sheen visible under directional light; a practical everyday option with the 30–40 second dry time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full red saturation; brown sheen visible on cream-toned pages under directional light\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports full colour development; reliable everyday pairing that brings out the ink's deep red depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the brown sheen will be suppressed on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation for showcasing the brown sheen; more ink on the page allows the sheen to develop at its most visible; the full depth and saturation of the deep red base is most apparent at broader sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the brown sheen dynamically in broader strokes; particularly effective for calligraphic work, seasonal correspondence, and festive lettering\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the deep red base reads with excellent clarity and legibility at fine sizes; a very practical everyday pairing for annotation, editing, and correspondence; sheen less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the deep red base remains legible and precise; sheen largely absent at this nib size; a good choice for fine annotation work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing for maximising sheen expression; high ink volume and consistent flow ensure full saturation and consistent sheen development\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Romania Red's deep, saturated character; sheen most apparent in dip pen applications; particularly effective for seasonal calligraphy and card writing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 101 Romania Red is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSeasonal and Christmas writing\u003c\/strong\u003e — the deep Christmas red is a natural choice for Christmas cards, holiday correspondence, festive journaling, and any seasonal writing where a rich, classic red makes an impression\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAnnotation and editing\u003c\/strong\u003e — the deep, legible red reads clearly at all nib sizes and is a reliable choice for marking up documents, annotating text, and editorial work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday red ink\u003c\/strong\u003e — Romania Red's mature, deep character makes it a practical everyday red for writers who use red ink regularly and want a colour that is rich and distinctive without being aggressive or tiring\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and decorative lettering\u003c\/strong\u003e — the brown sheen and deep red create a warm, richly chromatic page quality; stub and italic nibs bring out the ink's full character; particularly effective for seasonal and occasion-specific calligraphic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal writing\u003c\/strong\u003e — the deep, elegant red suits personal letters, cards, and any writing context where a warm, richly coloured ink adds character and distinction\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the deep red photographs richly under natural light; the brown sheen is most apparent in macro shots on Tomoe River under directional light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 101 Romania Red is the second entry in the series, following Standard 100 Base Black, and continues the series' commitment to pure, deeply saturated colour with distinctive sheen character.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 101 Romania Red\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep Christmas Red\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium brown sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~30–40 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48084593148129,"sku":"SS-101","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_6e8f41a5-54d4-42e1-bef1-7d434bf2d2ae.png?v=1773515801"},{"product_id":"dominant-industry-standard-102-citrus-yellow-fountain-pen-ink","title":"Dominant Industry Standard 102 Citrus Yellow — Bright Yellow, Mild Sheen Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 102 Citrus Yellow — Bright Yellow, Mild Sheen Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 102 Citrus Yellow is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Citrus Yellow delivers a vivid, warm sunshine yellow — a fully saturated, energetic yellow with warm orange and green undertones that give it a lively, dimensional character on the page. It is a yellow ink that commits fully to being yellow: bright, cheerful, and warm, in a colour that evokes fresh citrus, morning sunlight, and the specific visual energy of a saturated, warm yellow palette.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series — alongside Standard 100 Base Black and Standard 101 Romania Red — Citrus Yellow continues the series' commitment to pure colour depth without shimmer particle suspension. The bright sunshine yellow base deepens slightly on drying, with warm orange and green undertones that add tonal complexity without muting the ink's essential brightness. Low to moderate shading adds a pleasing gradient from lighter yellow in thin strokes to a deeper, warmer orange-yellow at pooling points. A mild sheen adds a subtle reflective quality on smooth papers. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 102 Citrus Yellow Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eYellow fountain pen inks occupy a notoriously difficult colour space: too pale and they become illegible; too bright and they read as highlighter rather than writing ink. Citrus Yellow resolves that tension with a fully saturated warm yellow that is bright enough to be visually striking but dark enough to be genuinely legible across a range of paper and nib combinations. It is not a pale pastel yellow, not a cool or greenish yellow, and not a flat or corporate yellow — it is a warm, vivid, citrus-inflected sunshine yellow with the specific chromatic energy of the fruit it is named after.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe orange and green undertones deepen as the ink dries, producing a yellow that is richer and more complex than it appears in the bottle — a quality that rewards close attention on the written page. Combined with the low to moderate shading and mild sheen, Citrus Yellow produces a page quality that is animated and lively, consistent with its citrus inspiration. For writers who find most yellow inks either too pale or too aggressive, Citrus Yellow occupies a well-calibrated middle position.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 102 Citrus Yellow is a bright, warm sunshine yellow — a vivid, fully saturated yellow with warm orange undertones and subtle green depths that give it a lively, multi-tonal character on the page. In the bottle, it presents as a clear, vivid yellow. On the page, it dries to a warm, richly saturated yellow that deepens slightly from its wet state, with the orange and green undertones becoming more apparent as the ink settles. At medium to broad nib sizes, the full warmth and saturation of the colour are most apparent; at fine sizes, it reads as a bright, clear yellow. Writers describe the base as sunshine yellow, citrus yellow, warm yellow, or a bright yellow-orange — a colour that is energetic, warm, and unmistakably citrus-inspired.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow to moderate. Citrus Yellow exhibits a visible tonal gradient between lighter and denser areas of each stroke — a pleasing transition from a brighter, lighter yellow in hairline strokes to a warmer, deeper orange-yellow at pooling points and stroke edges. The shading is one of the ink's most characterful qualities, adding tonal depth and visual interest to the warm base without producing strong colour separation. On Tomoe River, the shading is most expressive; on Rhodia and similar papers, it is more subtle. Medium to broad nibs and stub nibs bring out the full shading range most effectively.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMild. Citrus Yellow develops a subtle reflective quality on smooth papers under directional light — a gentle sheen that adds a soft luminosity to the written line without producing a strong or coloured reflective edge. Some reviewers rate the sheen as minimal or absent on certain papers; others note it clearly on Tomoe River and similar slow-absorbing surfaces. The sheen is not a defining characteristic of the ink but contributes to its overall visual liveliness on premium papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAverage to medium-dry, well-lubricated. Standard 102 Citrus Yellow flows at a consistent, smooth rate — neither particularly wet nor scratchy, with good lubrication that makes it comfortable for extended writing sessions. Writers who prefer wetter inks may wish to pair Citrus Yellow with a more generous feed.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 20–40 seconds on quality paper under normal conditions, depending on nib size and paper absorbency. Broad nibs may require 30 seconds or more. A practical dry time for most writing contexts.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 102 Citrus Yellow is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 102 Citrus Yellow\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 102 Citrus Yellow rewards smooth, slow-absorbing papers that allow the warm yellow saturation and shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Citrus Yellow's full shading range and mild sheen; slow absorption allows the orange and green undertones to develop on the surface; shading most expressive here; full warmth and saturation most apparent\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; bright yellow saturation clearly expressed; shading visible at broader nib sizes; a practical everyday option\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full yellow saturation; the warm colour reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development; reliable everyday pairing that preserves the ink's warmth and brightness\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed on fast-absorbing surfaces. Note that yellow inks may appear lighter on highly absorbent papers.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page brings out the full warmth, saturation, and shading gradient; the orange and green undertones are most apparent at broader sizes; the mild sheen develops most visibly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the shading gradient dynamically and gives the warm yellow a lively, expressive character; particularly effective for artistic and calligraphic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the bright yellow base reads with good clarity at fine sizes; a useful choice for highlighting, note-taking, and any application where a bright, legible yellow is needed; shading less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — functional for precise annotation and highlighting; the yellow remains legible; shading and sheen largely absent; a practical choice where precision is required\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures full colour saturation and consistent shading expression throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Citrus Yellow's warm, expressive character; generous dip pen flow brings out the shading gradient fully; particularly effective for illustrated lettering and warm-toned artistic work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 102 Citrus Yellow is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and highlighting\u003c\/strong\u003e — the bright, vivid yellow is a natural choice for highlighting key passages, annotating notes, and adding visual emphasis to written material; particularly effective alongside darker inks in multi-colour note-taking systems\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJournaling and personal writing\u003c\/strong\u003e — the warm, energetic yellow adds visual joy and brightness to journal pages; particularly effective for headers, decorative elements, and any writing context where a warm, lively colour is the goal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and decorative lettering\u003c\/strong\u003e — the shading gradient and warm saturation create a lively, dimensional page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for spring and summer-themed decorative work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArtistic and illustrated writing\u003c\/strong\u003e — compatible with dip pens and brush application; the warm yellow and shading add citrus-inspired brightness to illustrated pages and mixed media work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSeasonal writing\u003c\/strong\u003e — the warm sunshine yellow is a natural pairing for spring and summer seasonal writing, citrus-themed stationery, and any writing context where brightness and warmth are the goal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the warm yellow photographs vividly under natural light; the shading gradient is most dramatic on Tomoe River with broader nibs; the orange and green undertones are most apparent in macro photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 102 Citrus Yellow is the third entry in the series, following Standard 100 Base Black and Standard 101 Romania Red, and continues the series' commitment to vivid, deeply saturated colour with expressive character.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 102 Citrus Yellow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBright Sunshine Yellow \/ Warm Yellow-Orange\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate; orange-yellow deepening at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMild\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAverage to medium-dry; well-lubricated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~20–40 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48092511731937,"sku":"SS-102","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_ec8b1982-986a-4f3e-bdb5-620dfd4a32d5.png?v=1773687313"},{"product_id":"dominant-industry-standard-105-forest-fountain-pen-ink","title":"Dominant Industry Standard 105 Forest — Deep Forest Green, Red Sheen Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 105 Forest — Deep Forest Green, Red Sheen Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 105 Forest is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Forest delivers a deep, saturated forest green — a rich, dark hunter green with subtle blue-green undertones that give it a cool, dimensional depth on the page. It is a green ink for writers who want presence and restraint simultaneously: a colour that reads as dark and sophisticated rather than vivid or aggressive, with a medium shading that adds meaningful tonal variation and a low red sheen that introduces a warm, unexpected reflective quality under directional light.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series — alongside Standard 100 Base Black, Standard 101 Romania Red, and Standard 102 Citrus Yellow — Forest continues the series' commitment to pure colour depth without shimmer particle suspension. The deep forest green base is consistent and richly saturated across all nib sizes, with medium shading that reveals a meaningful tonal range from darker, denser green at pooling points to a slightly lighter green in thinner strokes. The low red sheen adds a warm chromatic counterpoint on smooth papers — a red-green complementary contrast that is subtle but distinctly present under good lighting. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 105 Forest Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eForest occupies a specific and well-defined position in the fountain pen green ink palette. Most dark green fountain pen inks shade toward either blue-green or yellow-green; Forest holds a centre position — a true dark forest green with blue-green undertones that reads as cool and dimensional without tipping into teal or hunter brown. It is the colour of deep woodland: saturated, shadowy, and alive.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe combination of medium shading and low red sheen is the ink's most distinctive technical characteristic. The shading provides tonal depth within the green spectrum — a visible, beautiful gradient from light to dark that makes every written stroke multi-dimensional. The red sheen introduces a chromatic surprise: a warm red-orange reflective quality that appears at heavier ink deposits on smooth papers, producing a complementary green-red contrast that is entirely consistent with the colour theory of forest light — the warm reddish-brown of fallen leaves and forest floor against the deep cool green of the canopy. For writers who want a dark green ink with genuine character and visual complexity, Forest is an exceptional choice.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 105 Forest is a deep, saturated forest green — a dark, rich green with blue-green undertones that give it a cool, dimensional depth. In the bottle, it presents as a deep, dark green with visible richness and saturation. On the page, it dries to a confident, legible dark green that holds its colour energy well across nib sizes: deeply saturated and richly coloured at medium to broad nib sizes, and still clearly readable as a dark green at fine sizes. Some descriptions note a blue-green or dark teal quality to the ink in certain lighting conditions, consistent with its cool undertones. Writers describe the base as deep forest green, hunter green, dark green, or a deep blue-green — a colour that is dark, sophisticated, and unmistakably forest-inspired.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium. Forest exhibits a clearly visible tonal gradient between lighter and denser areas of each stroke — a meaningful transition from a slightly lighter, cooler green in hairline strokes to a deeper, richer, darker green at pooling points and stroke edges. The shading is one of the ink's most rewarding characteristics, adding tonal depth and a beautiful dimensional quality to the dark base. Reviewers consistently describe the shading as beautiful and expressive. On premium papers with medium to broad nibs, the shading range is most apparent and most rewarding.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow red sheen. The red sheen of Forest is a warm, unexpected chromatic counterpoint to the cool deep green base — a reddish or warm-toned reflective quality that appears on smooth papers at heavier ink deposits under directional or raking light. The sheen is not dramatic or strongly coloured — it is low rather than high intensity — but it is clearly present on Tomoe River and similar slow-absorbing papers, particularly at broader nib sizes and in swab applications. On Rhodia, Leuchtturm, and similar papers, the red sheen is more subtle and requires directional light to appear clearly. The green-red complementary contrast produced by the ink's base colour and sheen is one of its most distinctive and characterful qualities.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGood. Standard 105 Forest flows at a smooth, reliable rate through standard converters and cartridge-converter systems — well-balanced and consistent across a range of pen and nib combinations. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 30 seconds on quality paper under normal conditions (medium nib) — a practical dry time for everyday use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 105 Forest is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 105 Forest\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 105 Forest rewards smooth, slow-absorbing papers that allow the deep green saturation, shading gradient, and red sheen to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Forest's full shading range and red sheen; slow absorption allows the deep green saturation to develop fully; shading most beautiful and most expressive here; red sheen most visible under raking light\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; deep green saturation clearly expressed; medium shading clearly visible at broader nib sizes; red sheen present but requires directional light; a practical everyday option\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full green saturation; shading visible; the dark green reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; reliable everyday pairing that brings out the ink's forest depth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur, the shading gradient will be suppressed, and the red sheen will not develop on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page brings out the full depth and shading gradient; the red sheen develops most visibly at heavier ink deposits; the blue-green undertones are most apparent at broader sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the medium shading dramatically; the contrast between lighter thin strokes and deeper broad strokes is one of the ink's most visually rewarding characteristics; particularly effective for expressive calligraphic and artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the deep green base reads with excellent clarity and legibility at fine sizes; a very practical everyday pairing for note-taking, correspondence, and professional writing; shading less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the deep green base remains legible and precise; shading and sheen largely absent; a reliable choice for fine annotation and precise writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures full colour saturation and consistent shading expression; red sheen most apparent with generous ink volume\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Forest's deep, expressive character; shading and red sheen most spectacular in dip pen applications; particularly effective for nature-inspired illustration and forest-themed artistic work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 105 Forest is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and correspondence\u003c\/strong\u003e — the deep, sophisticated forest green makes Forest an exceptional everyday ink for writers who want a dark, distinctive green that is legible, well-behaved, and visually rich\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNature writing and journaling\u003c\/strong\u003e — the deep forest green is a natural choice for nature journals, botanical writing, outdoor observation notes, and any writing context where the colour of woodland and forest is directly relevant\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the medium shading and red sheen create a richly layered, dimensional page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for nature-themed and autumn-inspired calligraphic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eProfessional writing\u003c\/strong\u003e — the dark, sophisticated green reads as formal and distinctive across all paper types; a reliable and characterful choice for professional correspondence where a green ink is appropriate\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the medium shading and red sheen add forest depth and chromatic complexity to botanical illustration, nature-themed artwork, and mixed media work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the deep forest green photographs richly under natural light; the shading gradient is most dramatic on Tomoe River with broader nibs; the red sheen is most apparent in raking-light macro photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 105 Forest continues the series' commitment to vivid, deeply saturated colour with distinctive shading and sheen character.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 105 Forest\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDeep Forest Green \/ Hunter Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; visible tonal gradient, darker at pooling points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow red sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~30 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading and sheen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48097773355233,"sku":"SS-105","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_b04a376b-0549-44c3-b807-e5c44eacd76a.png?v=1773764136"},{"product_id":"dominant-industry-standard-108-maple-fountain-pen-ink","title":"Dominant Industry Standard 108 Maple — Terracotta Orange, Warm Shading Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 108 Maple — Terracotta Orange, Warm Shading Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 108 Maple is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Maple delivers a warm, saturated terracotta orange — a rich, earthy red-orange that evokes the specific colour of autumn maple foliage at peak season: not a flat or corporate orange, but a colour that moves between red-orange, warm terracotta, and deep clay-orange depending on the ink density and nib size. It is an autumn ink in the fullest sense — warm, alive, and deeply seasonal — with a low to moderate shading that is one of the ink's most celebrated characteristics, revealing a beautiful gradient from pale warm orange in thin strokes to a deeper, richer red-brown at pooling points.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series — and one of the most popular entries in the line — Maple combines a fully saturated warm terracotta base with expressive shading that rewards premium paper and broader nibs. The shading is the ink's defining quality: a visible, beautiful transition from lighter orange to darker red-brown that gives every written stroke a multi-tonal, seasonal richness. There is no shimmer and no significant sheen — the colour and shading carry the full visual complexity of this ink, and they are more than sufficient. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 108 Maple Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMaple is one of the most precisely calibrated autumn inks in the fountain pen palette. It sits at the intersection of orange and red-brown — warm enough to read clearly as orange, deep enough to carry genuine earthy warmth — at a colour temperature that is specifically evocative of maple foliage rather than generic autumn or pumpkin orange. The slight pink-red tilt of the base colour distinguishes it from purely orange inks like standard tangerine or amber; it reads as terracotta rather than traffic cone, clay rather than crayon.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is what elevates Maple from a well-formulated orange ink to an exceptional one. Most orange fountain pen inks shade within the orange spectrum — a gradient from pale to saturated orange. Maple shades across a wider range: from a warm pale orange in hairline strokes to a genuine red-brown at pooling points, producing a tonal variation that encompasses much of the warm side of the colour wheel within a single stroke. Reviewers consistently describe the shading as beautiful and surprising — more expressive than expected from the colour description alone. For writers who use autumn inks regularly, Maple is frequently cited alongside Diamine Autumn Oak as a reference point in the category, with a distinctly more red-pink character that makes it visually distinctive.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 108 Maple is a warm, saturated terracotta orange — a rich, earthy red-orange with a slight pink-red tilt that gives it a warm, living quality rather than a flat or graphic character. In the bottle, it presents as a vivid warm orange-red with clear depth and saturation. On the page, it dries to a confident, legible terracotta orange that holds its colour energy well: richly coloured and fully expressive at medium to broad nib sizes, and still clearly readable as a warm orange at fine sizes. Writers describe the base as terracotta orange, warm red-brown, autumn orange, or maple red — a colour that is warm, earthy, and unmistakably seasonal.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow to moderate, with a wide tonal range. Maple's shading is its most celebrated characteristic — a clearly visible and beautiful tonal gradient that transitions from a lighter, warmer orange in hairline strokes to a deeper, richer red-brown at pooling points and stroke edges. The shading range is wider than most orange inks, encompassing a full warm spectrum from pale golden-orange to deep terracotta red-brown. Reviewers consistently note that the shading exceeds expectations — more expressive and more beautiful than the colour description alone suggests. On premium papers with medium to broad nibs, the full shading range is most apparent; stub and italic nibs bring out the gradient most dramatically.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to negligible. Maple does not develop a significant traditional metallic sheen on smooth papers. The visual complexity of the ink comes entirely from the warm terracotta base and the expressive shading gradient — a combination that produces a richly seasonal result without a sheen component. Some Standard Series inks may develop faint sheen on certain papers, but Maple's reviewers consistently focus on the colour and shading rather than any reflective quality.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAverage to wet, smooth and comfortable. Standard 108 Maple flows at a consistent, generous rate — well-lubricated and smooth across a range of pen and nib combinations. The wetter flow contributes to the ink's expressive shading by depositing more ink on the page at pooling points.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 20 seconds on quality paper under normal conditions (medium nib on Rhodia) — notably fast for a moderately wet ink, making Maple a practical choice for everyday use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 108 Maple is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 108 Maple\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 108 Maple rewards smooth, slow-absorbing papers that allow the warm terracotta saturation and shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Maple's full shading range; slow absorption allows the full tonal gradient from pale orange to deep red-brown to develop on the surface; shading most beautiful and most expressive here; the warm terracotta base reads at maximum chromatic depth\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; warm orange saturation clearly expressed; shading clearly visible at broader nib sizes; the fast 20-second dry time makes this a particularly practical everyday pairing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full terracotta saturation; shading visible; the warm colour reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; a reliable everyday pairing that brings out the ink's autumnal warmth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation for showcasing the full shading gradient; more ink on the page allows the tonal range from pale orange to deep red-brown to develop at its most expressive; the warm terracotta reads with full chromatic depth at broader sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the shading gradient most dramatically; the contrast between lighter thin strokes and deeper pooling points is Maple's most visually rewarding characteristic; particularly effective for seasonal calligraphic and artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the warm terracotta reads with excellent clarity and legibility at fine sizes; a practical everyday pairing for correspondence, note-taking, and professional writing; shading less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the warm orange base remains legible and precise; shading largely absent; a reliable choice for fine annotation work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures consistent shading expression and allows the full tonal range to develop throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Maple's warm, expressive character; the shading gradient is most spectacular in dip pen applications; particularly effective for autumn-themed calligraphy, botanical illustration, and seasonal artistic work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 108 Maple is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAutumn and seasonal writing\u003c\/strong\u003e — the warm terracotta orange is a natural choice for autumn journaling, harvest correspondence, Thanksgiving writing, and any seasonal context where a warm, richly coloured orange-red makes an impression; a natural companion to Standard 101 Romania Red and Pearl 024 October Leaves within the Dominant Industry range\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJournaling and personal writing\u003c\/strong\u003e — the warm, expressive terracotta suits reflective personal writing where a richly coloured, visually complex ink adds depth and seasonal warmth to the page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the shading gradient and warm saturation create a beautiful, multi-tonal page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for autumn-themed and harvest-inspired decorative work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNature writing and botanical illustration\u003c\/strong\u003e — the earthy terracotta orange is a natural choice for nature journals, botanical writing, and any artistic context where the colours of autumn foliage are directly relevant\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and personal letters\u003c\/strong\u003e — the warm, distinctive terracotta suits personal letters, cards, and seasonal correspondence where a warm, earthy ink adds character and seasonal resonance\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the warm terracotta photographs richly under natural light; the shading gradient is most dramatic on Tomoe River with broader nibs; the red-brown pooling is most apparent in swab photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 108 Maple is one of the most popular entries in the series — a warm terracotta orange with expressive shading that has established itself as a reference point in the autumn fountain pen ink category.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 108 Maple\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTerracotta Orange \/ Warm Red-Brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow to moderate; wide tonal range, pale orange to deep red-brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to negligible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAverage to wet; smooth and well-lubricated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~20 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48098012823777,"sku":"SS-108","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_e32e3d94-a7ac-45ea-9c2e-3a16b9be271c.png?v=1773770131"},{"product_id":"dominant-industry-standard-109-earl-grey-tea-fountain-pen-ink","title":"Dominant Industry Standard 109 Earl Grey Tea — Warm Burnt Orange, Medium Shading Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 109 Earl Grey Tea — Warm Burnt Orange, Medium Shading Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 109 Earl Grey Tea is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Despite its name — which suggests the grey-blue of a classic tea blend — Earl Grey Tea delivers a vivid, warm burnt orange: a richly saturated medium red-orange that reads as energetic, warm, and unmistakably autumnal on the page. It is the colour of strongly brewed black tea in a clear glass, or of deep amber in afternoon light — not the tea leaf itself, but the warm, glowing liquid it produces, at once familiar and unexpected.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series — and one of the series' most pleasantly surprising entries — Earl Grey Tea combines a fully saturated warm orange-red base with medium shading that reveals a natural, well-controlled gradient from lighter orange in thin strokes to a deeper, richer red-orange at pooling points. There is no shimmer and no significant sheen — the colour and shading carry the full visual complexity of the ink with a warm, restrained elegance. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 109 Earl Grey Tea Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEarl Grey Tea is one of the Standard Series' most characterful misdirections: the name promises grey and delivers orange, and the surprise is entirely pleasant. The warm burnt orange base occupies a specific position in the fountain pen orange palette — more red and deeper than a standard amber or tangerine, with a saturated, glowing warmth that recalls the specific colour of brewed black tea rather than citrus fruit or pumpkin. Writers who expect grey will find vivid orange; writers who seek vivid orange will find a colour with more depth, warmth, and red character than most.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe medium shading is the ink's most technically expressive characteristic. It is not extreme — reviewers describe it as restrained rather than dramatic, a shading that adds tonal depth and visual interest without dominating the ink's warm character. The gradient from lighter orange in fine strokes to deeper red-orange at heavier deposits is natural and well-controlled, producing a shading effect that rewards attention on the written page without demanding it. For writers who find Standard 108 Maple's terracotta slightly too earthy, Earl Grey Tea's cleaner, brighter orange-red sits in a complementary but distinct position within the autumn ink palette.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 109 Earl Grey Tea is a warm, saturated burnt orange — a medium red-orange with clear energy and warmth that reads as vivid and alive on the page. In the bottle, it presents as a deep, rich orange with a red tilt and clear saturation. On the page, it dries to a confident, legible warm orange-red that holds its colour energy well across nib sizes: richly saturated and fully expressive at medium to broad nib sizes, and still clearly readable as a warm orange at fine sizes. Writers describe the base as burnt orange, warm orange, medium red-orange, or a deep amber-red — a colour that is warm, saturated, and entirely consistent with the specific visual quality of brewed black tea held up to warm light.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium, restrained and natural. Earl Grey Tea exhibits a clearly visible but well-controlled tonal gradient between lighter and denser areas of each stroke — a natural transition from a lighter, warmer orange in hairline strokes to a deeper, richer red-orange at pooling points and stroke edges. The shading is described by reviewers as restrained — more controlled and less dramatic than some orange inks — but genuinely present and rewarding on premium papers with broader nibs. At broader nib sizes and in swab applications, the shading range from lighter orange to deeper red-orange is most apparent. The shading adds tonal depth and visual interest to the warm base without producing strong colour separation or distracting from the ink's overall warm character.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to negligible. Earl Grey Tea does not develop a significant traditional metallic sheen on smooth papers. Some descriptions suggest faint red or orange sheen may appear on certain papers under directional light, but it is not a defining characteristic of the ink and is not noted by the majority of reviewers. The visual complexity of the ink comes from the warm orange base and the medium shading.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGood, well-lubricated. Standard 109 Earl Grey Tea flows at a smooth, reliable rate — well-balanced and consistent across a range of pen and nib combinations. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 40 seconds on quality paper under normal conditions (medium nib on Rhodia) — a practical dry time for everyday use, consistent with other Standard Series inks at similar saturation levels.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 109 Earl Grey Tea is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 109 Earl Grey Tea\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 109 Earl Grey Tea rewards smooth, slow-absorbing papers that allow the warm orange saturation and shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Earl Grey Tea's full shading range; slow absorption allows the full tonal gradient from pale warm orange to deep red-orange to develop on the surface; shading most expressive here; the warm burnt orange base reads at maximum chromatic depth\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; warm orange saturation clearly expressed; shading clearly visible at broader nib sizes; a practical everyday option with the 40-second dry time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full orange saturation; shading visible; the warm colour reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; a reliable everyday pairing that brings out the ink's warm, autumnal character\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page allows the full shading range to develop; the warm burnt orange reads with full chromatic depth at broader sizes; the medium shading is most visible and most expressive\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the shading gradient naturally and gives the warm orange a lively, dimensional character; particularly effective for seasonal calligraphic and artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the warm burnt orange reads with excellent clarity and legibility at fine sizes; a practical everyday pairing for correspondence, note-taking, and professional writing; shading less visible but ink performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the warm orange base remains legible and precise; shading largely absent; a reliable choice for fine annotation work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures consistent shading expression and full colour saturation throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Earl Grey Tea's warm, expressive character; the shading gradient develops most naturally in dip pen applications; particularly effective for warm-toned artistic work and autumn-inspired calligraphy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 109 Earl Grey Tea is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and correspondence\u003c\/strong\u003e — the warm, saturated burnt orange makes Earl Grey Tea a distinctive and characterful everyday ink; vivid enough to stand apart from generic orange inks, warm enough to suit a wide range of writing contexts\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAutumn and seasonal writing\u003c\/strong\u003e — the warm orange-red is a natural choice for autumn journaling, seasonal correspondence, and any writing context where a warm, vivid orange adds seasonal richness; pairs naturally with Standard 108 Maple and Pearl 024 October Leaves within the Dominant Industry range for a warm autumn ink collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTea and food writing\u003c\/strong\u003e — the tea-inspired name and warm amber-orange colour make Earl Grey Tea a distinctive choice for tea journals, food writing, recipe annotation, and any context where the colour and warmth of brewed tea is directly evocative\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the medium shading and warm saturation create a natural, dimensional page quality; stub and italic nibs bring out the ink's tonal range; particularly effective for warm-toned seasonal and occasion-specific calligraphic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJournaling and personal writing\u003c\/strong\u003e — the warm, distinctive orange suits expressive personal writing where a vivid, warm colour adds energy and seasonal resonance to the page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the warm burnt orange photographs richly under natural light; the shading gradient is most visible on Tomoe River with broader nibs; the red-orange character is most apparent in macro photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 109 Earl Grey Tea is one of the series' most characterful and pleasantly surprising entries — a warm burnt orange with medium shading whose colour entirely belies its name, in the best possible way.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 109 Earl Grey Tea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWarm Burnt Orange \/ Medium Red-Orange\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; restrained gradient, pale orange to deep red-orange\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to negligible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGood; well-lubricated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~40 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48100668670177,"sku":"SS-109","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_c18dfa24-d47f-4fa4-a33e-7d6673d344b3.png?v=1773777439"},{"product_id":"dominant-industry-standard-114-downpour-fountain-pen-ink","title":"Dominant Industry Standard 114 Downpour — Smoky Grey-Violet, Medium Shading Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 114 Downpour — Smoky Grey-Violet, Medium Shading Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 114 Downpour is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Downpour delivers a smoky, atmospheric grey-violet — a medium grey with a clear violet undertone that gives it a cool, dimensional quality on the page. Named for the Korean 호우 (hōu — heavy rain, downpour), the ink captures the specific visual quality of a rain-heavy sky: the cool, diffuse grey of storm clouds with the subtle violet of light filtered through deep overcast, atmospheric and unmistakably moody.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series, Downpour is one of the most versatile and wearable inks in the line — a grey that reads as grey in most contexts but reveals its violet character on closer inspection or under certain lighting conditions. The medium shading adds a natural tonal depth that makes every stroke multi-dimensional, from lighter grey in thin strokes to a deeper grey-violet at pooling points. There is no shimmer and no significant sheen — the colour and shading carry the full atmospheric character of this ink with the quiet restraint of rainfall itself. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 114 Downpour Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGrey fountain pen inks occupy a deceptively wide colour space. Pure cool greys read as clean and corporate; warm greys read as aged or sepia; blue-greys read as nautical or clinical. Downpour occupies a rarer position: a violet-grey that is grey enough to be versatile and professional, but violet enough to carry genuine chromatic depth and atmospheric character. It is not a grey with a hint of purple — it is a grey with a deliberate violet personality, most visible in the medium shading that reveals deeper violet-grey tones at heavier ink deposits.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Korean name 호우 (downpour) provides the most precise description of the ink's visual atmosphere. This is not the light grey of mist or fog, nor the blue-grey of a clear winter sky — it is the specific grey of a heavy, overcast sky before a downpour, charged with moisture and violet light. For writers who want a grey ink that goes beyond simple neutrality, Downpour offers a grey with genuine mood and tonal complexity.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 114 Downpour is a medium grey-violet — a smoky, atmospheric grey with a clear violet undertone that gives it a cool, dimensional depth on the page. In the bottle, it presents as a medium grey with a subtle violet quality. On the page, it dries to a confident, legible grey that reads as neutral in most everyday writing contexts but reveals its violet character on closer inspection, under directional light, or at heavier ink deposits. Writers describe the base as dove grey, grey-violet, smoky violet-grey, or a cool grey with purple undertones — a colour that is calm, atmospheric, and quietly distinctive.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium, natural and atmospheric. Downpour exhibits a clearly visible tonal gradient between lighter and denser areas of each stroke — a natural transition from a lighter, cooler grey in hairline strokes to a deeper, more violet-toned grey at pooling points and stroke edges. The shading is one of the ink's most characterful qualities: it is in the deeper shaded areas that the violet undertone is most apparent, giving the ink a dimensionality that a flat grey would lack. The shading reads as natural and wave-like rather than dramatic or extreme, consistent with the ink's atmospheric character. On premium papers with medium to broad nibs, the full shading range and the violet character are most apparent.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to negligible. Downpour does not develop a significant traditional metallic sheen on smooth papers. Some descriptions suggest a very faint red or violet sheen may appear under specific conditions, but it is not a defining characteristic and is not noted by the majority of reviewers. The visual complexity of the ink comes from the grey-violet base and the natural medium shading.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGood, average flow. Standard 114 Downpour flows at a smooth, reliable, well-balanced rate through standard converters and cartridge-converter systems. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 20 seconds on quality paper under normal conditions (medium nib on Rhodia) — notably fast, making Downpour one of the most practical Standard Series inks for everyday use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 114 Downpour is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 114 Downpour\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 114 Downpour rewards smooth, slow-absorbing papers that allow the grey-violet character and shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Downpour's full shading range and violet character; slow absorption allows the full tonal gradient from pale grey to deep grey-violet to develop on the surface; shading most expressive and violet undertone most apparent here\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; grey-violet character clearly expressed; shading clearly visible at broader nib sizes; the fast 20-second dry time makes this a particularly practical everyday pairing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full grey-violet saturation; shading visible; the cool grey reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; a reliable everyday pairing that preserves the atmospheric, smoky character of the base colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed, reducing the ink's atmospheric dimensionality on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page allows the full shading range to develop and the violet undertone to become most apparent; the atmospheric grey-violet reads with full chromatic depth at broader sizes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the shading gradient and the violet depth most effectively; the contrast between lighter thin strokes and deeper violet-grey pooling points is the ink's most atmospheric quality; particularly effective for expressive writing, journaling, and artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the grey-violet reads with excellent clarity and legibility at fine sizes; a very practical everyday pairing for note-taking, correspondence, and professional writing; shading less visible but violet undertone still present\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the grey base remains legible and precise; shading and violet character largely absent; a clean, neutral grey line\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures consistent shading expression and allows the full violet character to develop throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Downpour's atmospheric, moody character; the shading gradient and violet depth are most apparent in dip pen applications; particularly effective for atmospheric illustration and rain-themed artistic work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 114 Downpour is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and professional correspondence\u003c\/strong\u003e — the neutral, versatile grey-violet reads as clean and professional across all paper types; distinctive enough to be characterful, neutral enough to be widely appropriate; an excellent choice for writers who want something more interesting than a pure grey without sacrificing readability\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJournaling and reflective writing\u003c\/strong\u003e — the atmospheric, moody grey-violet is a natural choice for personal journals, reflective writing, and any context where a cool, introspective colour adds depth and mood to the page; particularly effective for rainy-day writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and annotation\u003c\/strong\u003e — the legible grey-violet is practical for note-taking and annotation across all nib sizes; reads clearly alongside darker inks in multi-colour systems while maintaining its own distinct chromatic identity\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the medium shading and grey-violet depth create a dimensional, atmospheric page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for atmospheric and weather-themed decorative work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the medium shading and violet depth add atmospheric quality to grey-toned illustration, rain-themed artwork, and mixed media work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the smoky grey-violet photographs with a cool, atmospheric quality under natural light; the shading gradient and violet depth are most apparent on Tomoe River under directional light; macro photography reveals the violet character most clearly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 114 Downpour is one of the series' most atmospheric entries — a smoky grey-violet with medium shading that captures the specific visual quality of a heavy, overcast sky charged with the violet light of an approaching downpour.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 114 Downpour\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSmoky Grey-Violet \/ Dove Grey with violet undertone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; natural gradient, pale grey to deep grey-violet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to negligible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGood; average flow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~20 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48100695933153,"sku":"SS-114","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_c45f9278-51a7-46ae-8386-ab033140e1c7.png?v=1773796083"},{"product_id":"dominant-industry-standard-115-lake-fountain-pen-ink","title":"Dominant Industry Standard 115 Lake — Clear Blue-Green, Medium Shading Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 115 Lake — Clear Blue-Green, Medium Shading Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 115 Lake is a 25ml fountain pen ink from Dominant Industry's Standard Series — a line of richly formulated, non-shimmer inks built for writers who prioritise colour depth, ink quality, and expressive character. Lake delivers a clear, vivid blue-green — a bright, medium-saturation colour that evokes the specific quality of still mountain lake water: clear, luminous, and refreshing, with a calm elegance that reads as neither purely blue nor purely green but as the specific chromatic quality that exists precisely at their intersection. It is a colour that is simultaneously cool and alive, serene and saturated, and entirely consistent with its natural inspiration.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of Dominant Industry's Standard Series, Lake is one of the line's most characterfully natural entries — a blue-green that achieves clarity and brightness without shimmer particle effects, relying entirely on the purity and saturation of the dye base and a medium shading that reveals a beautiful tonal gradient from lighter blue-green in thin strokes to a deeper, richer teal at pooling points. There is no shimmer and no significant sheen under normal writing conditions — the colour and shading carry the full visual character of Lake with a clean, natural elegance. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 115 Lake Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBlue-green is a colour space that many fountain pen inks attempt but few navigate well. Teal inks often tip toward either blue or green and lose their chromatic balance; turquoise inks can read as too vivid or too tropical; aqua inks often sacrifice saturation for freshness. Lake holds its centre position with unusual precision — a true blue-green that reads as both simultaneously, with a medium saturation that is vivid enough to be visually striking but calm enough to suit extended writing and professional use.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe medium shading distinguishes Lake from flatter blue-green inks. Within the blue-green colour space, shading typically produces a visible gradient from a lighter, clearer blue-green in hairline strokes to a deeper, more teal-leaning colour at pooling points — a natural expression of the colour's depth that rewards premium paper and broader nibs. For writers who want a blue-green ink that is beautiful to look at, practical to use, and genuinely expressive on the page, Lake is a precision-calibrated, versatile choice.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 115 Lake is a clear, vivid blue-green — a medium-saturation colour that sits precisely at the intersection of blue and green, with neither hue dominating. In the bottle, it presents as a bright, clear blue-green with a refreshing, luminous quality. On the page, it dries to a confident, legible blue-green that holds its colour energy well across nib sizes: vivid and fully saturated at medium to broad nib sizes, and still clearly readable as a bright blue-green at fine sizes. Writers describe the base as clear blue-green, bright blue-green, lake blue, or a refreshing elegant teal — a colour that is natural, luminous, and evocative of still, clear water.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMedium, natural and expressive. Lake exhibits a clearly visible tonal gradient between lighter and denser areas of each stroke — a natural transition from a lighter, clearer blue-green in hairline strokes to a deeper, richer, more teal-leaning colour at pooling points and stroke edges. The shading is described as beautiful by reviewers — a quality that adds tonal depth and visual interest to the bright base without disrupting its essential clarity and freshness. On premium papers with medium to broad nibs, the full shading range is most apparent and most rewarding; stub and italic nibs bring out the gradient most dramatically.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to negligible under normal writing conditions. Lake does not develop a significant traditional metallic sheen in everyday use. Some descriptions note that a faint sheen may appear if ink is allowed to pool heavily on smooth papers, but under normal writing conditions the sheen is not present or not noticeable. The visual character of Lake comes from the clear blue-green base and the medium shading.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAverage, medium wetness. Standard 115 Lake flows at a smooth, consistent, well-balanced rate through standard converters and cartridge-converter systems. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApproximately 40 seconds on quality paper under normal conditions (medium nib on Rhodia) — a practical dry time for everyday use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 115 Lake is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 115 Lake\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 115 Lake rewards smooth, slow-absorbing papers that allow the bright blue-green saturation and shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Lake's full shading range; slow absorption allows the full tonal gradient from pale blue-green to deep teal to develop on the surface; shading most beautiful and most expressive here; the clear blue-green base reads at maximum chromatic depth\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; bright blue-green saturation clearly expressed; shading clearly visible at broader nib sizes; a practical everyday option with the 40-second dry time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full blue-green saturation; shading visible; the cool colour reads well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; a reliable everyday pairing that preserves the clear, refreshing character of the base colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page brings out the full blue-green saturation and shading gradient; the teal depth at pooling points is most apparent at broader sizes; the clear blue-green reads with full chromatic presence\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the shading gradient most effectively; the contrast between lighter thin strokes and deeper teal pooling points gives the ink a natural, water-like expressiveness; particularly effective for nature-inspired calligraphic and artistic work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the clear blue-green reads with excellent clarity and legibility at fine sizes; a practical everyday pairing for correspondence, note-taking, and professional writing; shading less visible but colour performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the blue-green base remains legible and precise; shading largely absent; a clean, clear blue-green line\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures full colour saturation and consistent shading expression throughout long writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Lake's clear, expressive natural character; the shading gradient is most dramatic in dip pen applications; particularly effective for water-themed illustration, nature writing, and botanical artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 115 Lake is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and correspondence\u003c\/strong\u003e — the clear, vivid blue-green makes Lake a distinctive and practical everyday ink; fresh and characterful enough to stand apart from standard blue or green inks, calm enough to suit professional and everyday writing contexts\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNature writing and journaling\u003c\/strong\u003e — the lake-inspired blue-green is a natural choice for nature journals, outdoor observation notes, travel writing, and any writing context where the colour of clear water is directly evocative\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and annotation\u003c\/strong\u003e — the vivid, legible blue-green reads clearly alongside darker inks in multi-colour note-taking systems; a practical and visually distinctive annotation colour\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the medium shading and bright saturation create a natural, dimensional page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for water-themed and nature-inspired decorative work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the medium shading adds natural depth to water-themed illustration, coastal and landscape artwork, and botanical mixed media\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the clear blue-green photographs vividly under natural light; the shading gradient is most dramatic on Tomoe River with broader nibs; the teal depth at pooling points is most apparent in swab photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 115 Lake is one of the series' most naturally evocative entries — a clear, vivid blue-green with medium shading that captures the specific visual quality of still, clear mountain lake water.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 115 Lake\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eClear Blue-Green \/ Medium Teal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium; natural gradient, pale blue-green to deep teal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to negligible under normal use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAverage; medium wetness\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~40 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad and stub recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48100709695713,"sku":"SS-115","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_c352b900-5464-4bc2-aa00-4a84238eabd8.png?v=1773797137"},{"product_id":"dominant-industry-standard-124-painter-olive-grove-fountain-pen-ink","title":"Dominant Industry Standard 124 Olive Grove — Warm Olive Green, Expressive Shading Fountain Pen Ink (25ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eDominant Industry Standard 124 Olive Grove — Warm Olive Green, Expressive Shading Fountain Pen Ink (25ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry Standard 124 Olive Grove is a 25ml fountain pen ink from the Painter Series — Dominant Industry's art-historical sub-series dedicated to inks inspired by the works of the great painters, here appearing in the Standard line rather than the Pearl Collection. Pearl 124 draws its palette from Vincent van Gogh's \u003cem\u003eThe Olive Trees\u003c\/em\u003e series — the luminous, dynamic paintings of olive groves near Saint-Rémy-de-Provence that Van Gogh produced in 1889, capturing the specific quality of Mediterranean olive foliage: warm, alive, and textured with the same turbulent energy that defines his greatest work. The ink translates that quality directly: a warm, saturated olive green with sepia and brown undertones, alive with the specific warmth of sunlit olive leaves, and an expressive shading that is among the most celebrated in the Standard Series.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAs a Painter Series entry in the Standard line, Olive Grove is the Painter Series without shimmer — pure colour, pure depth, pure painterly character. The warm olive green base shifts through a wide tonal range as ink density increases — from a brighter, more luminous green in fine strokes to a richer, warmer, earthier olive at pooling points — producing a shading gradient that reviewers consistently describe as gorgeous, immaculate, and genuinely painterly. There is no shimmer and no significant sheen — the colour and shading carry the full visual depth of this ink, and they do so with the specific warmth and vitality of Van Gogh's olive grove palette. The bottle is 25ml glass.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes Standard 124 Olive Grove Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOlive green is a colour space that rewards complexity. Flat olive inks read as dull or military; overly warm olive inks read as brown; overly cool olive inks lose the specific earthy warmth that makes olive green distinctive. Olive Grove navigates the colour with Van Gogh's characteristic precision and vitality — a warm, saturated olive that is bright enough to read as genuinely green, deep enough to carry earthy warmth, and alive enough to suggest the specific quality of sunlight on moving foliage rather than a static colour chip.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe shading is what makes Olive Grove exceptional. In a colour space where shading typically produces a gradient within the olive spectrum, Olive Grove shades across a wider range — from bright, luminous green in hairline strokes to a warm, earthy, sepia-tinged olive at pooling points — encompassing the full warm-green spectrum within a single written stroke. Reviewers describe it as among the finest shading in the Standard Series, entirely consistent with Van Gogh's approach to the olive grove: a colour that moves, shifts, and reveals its full depth only in motion.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 124 Olive Grove is a warm, saturated olive green — a rich, earthy green with warm brown and sepia undertones that give it a luminous, textured quality on the page. In the bottle, it presents as a vivid, warm olive green with visible depth. On the page, it dries to a confident, legible warm olive that holds its colour energy well: richly textured and fully expressive at medium to broad nib sizes, and still clearly readable as a warm green at fine sizes. Writers describe the base as warm olive green, earthy green, luminous olive, or a bright green with sepia warmth — a colour that is warm, alive, and unmistakably Van Gogh-inspired.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExpressive, wide-range, and painterly. Olive Grove's shading is its defining characteristic and one of the most celebrated in the Standard Series — a clearly visible, beautiful tonal gradient that transitions from a brighter, more luminous green in hairline strokes to a deeper, richer, warmer olive-brown at pooling points and stroke edges. The shading range is wide: from bright, airy green to a warm, earthy, sepia-tinged olive, encompassing the full warm-green spectrum within each stroke. Reviewers consistently describe the shading as gorgeous, immaculate, and genuinely surprising — more expressive and more beautiful than the colour description alone suggests. On premium papers with medium to broad nibs and stub nibs, the full shading range is most apparent and most rewarding.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone to negligible. Olive Grove does not develop a significant traditional metallic sheen on smooth papers. The visual complexity of the ink comes entirely from the warm olive base and the expressive shading gradient. No reviewers note a significant sheen effect; the focus is entirely on the colour depth and shading quality.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSmooth, consistent, and juicy. Standard 124 Olive Grove flows at a generous, well-lubricated rate — smooth and satisfying across a range of pen and nib combinations. The generous flow contributes to the ink's expressive shading by depositing more ink on the page at pooling points. pH neutral and safe for all pen materials.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eModerate, practical for everyday use. Olive Grove dries at a reasonable rate on quality papers — consistent with other Standard Series inks at similar flow levels.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow. Standard 124 Olive Grove is a water-based dye ink with no meaningful water resistance. It will run or fade when exposed to moisture and is not suitable for documents requiring archival longevity.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on fountain-pen-friendly papers. Some feathering may occur on standard absorbent papers.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of Standard 124 Olive Grove\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 124 Olive Grove rewards smooth, slow-absorbing papers that allow the warm olive saturation and expressive shading gradient to develop fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Olive Grove's full shading range; slow absorption allows the full tonal gradient from bright luminous green to deep earthy olive-brown to develop on the surface; shading most gorgeous and most expressive here; the warm olive base reads at maximum chromatic depth\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable results; warm olive saturation clearly expressed; shading clearly visible at broader nib sizes; a practical everyday option\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full olive saturation; shading visible; the warm colour reads particularly well on cream-toned pages\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading expression; a reliable everyday pairing that brings out the painterly warmth of the base colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers (standard copy paper). Feathering may occur and the shading gradient will be suppressed on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium to Broad nibs\u003c\/strong\u003e — the primary recommendation; more ink on the page activates the full shading range from bright green to earthy olive-brown; the warm olive reads with full chromatic depth and the shading is most spectacular\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub or Italic nibs\u003c\/strong\u003e — the variation between thick and thin strokes showcases the expressive shading gradient most dramatically; the contrast between bright thin strokes and deep earthy pooling points is Olive Grove's most painterly quality; particularly effective for calligraphic and artistic work inspired by Van Gogh's loose, expressive style\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — the warm olive reads with excellent clarity and legibility at fine sizes; a practical everyday pairing; shading less visible but colour performs cleanly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the warm olive base remains legible and precise; shading largely absent; a reliable choice for fine annotation work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures full colour saturation and consistent shading expression; the generous flow of this ink benefits from eyedropper volume\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — exceptionally well-suited to Olive Grove's painterly, expressive character; the shading gradient and warm earthy depth are most spectacular in dip pen applications; particularly effective for botanical illustration, landscape art, and Van Gogh-inspired expressive artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStandard 124 Olive Grove is pH neutral and safe for resin and celluloid pens. As a non-shimmer ink, it does not carry particle clogging risk and is low-maintenance. Flush every 4–6 weeks under normal use.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt-historical and Van Gogh-inspired writing\u003c\/strong\u003e — the direct connection to Van Gogh's \u003cem\u003eThe Olive Trees\u003c\/em\u003e makes Olive Grove a compelling choice for art history enthusiasts, Van Gogh admirers, and anyone drawn to the warm, expressive palette of Post-Impressionist painting; a natural companion to Standard 032 Starry Night for those building a Van Gogh ink collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNature writing and botanical journaling\u003c\/strong\u003e — the warm olive green and expressive shading are a natural choice for nature journals, botanical writing, garden observation, and any writing context where the colour and warmth of Mediterranean foliage is directly relevant\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and expressive lettering\u003c\/strong\u003e — the gorgeous shading and warm saturation create a genuinely painterly page quality; stub and italic nibs bring out the ink's full tonal range; particularly effective for nature-themed and botanical decorative work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArt and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the expressive shading and warm olive depth add painterly richness to botanical illustration, landscape artwork, and Van Gogh-inspired mixed media\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEveryday writing and correspondence\u003c\/strong\u003e — the warm, distinctive olive green makes Olive Grove a characterful everyday ink; earthy enough to be distinctive, legible enough to be practical\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — the warm olive photographs richly under natural light; the shading gradient is most dramatic on Tomoe River with broader nibs; the earthy olive-brown pooling is most apparent in swab photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Painter Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Painter Series is Dominant Industry's art-historical sub-series — a group of inks inspired by the works of the great painters of the Western tradition. Each Painter Series ink translates the colour language of a specific painting or artistic period into a fountain pen ink with shimmer, sheen, and tonal complexity. Standard 124 Olive Grove is the Painter Series entry in the Standard line — drawing from Vincent van Gogh's \u003cem\u003eThe Olive Trees\u003c\/em\u003e (1889), it captures Van Gogh's warm, expressive olive palette through pure colour depth and shading alone, without shimmer particle effects. The Painter Series Pearl Collection entries — Pearl 026 through Pearl 032 — deliver their art-historical inspiration through shimmer and sheen; Olive Grove delivers its through the colour itself.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Standard Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Standard Series is Dominant Industry's non-shimmer ink line — a range of richly formulated dye-based inks focused on colour depth, expressive character, and ink quality without metallic particle suspension. Standard 124 Olive Grove is one of the series' most celebrated entries — a warm olive green with expressive, wide-range shading that has established itself as one of the finest shading inks in the Dominant Industry catalogue.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDominant Industry is a South Korean fountain pen ink brand known for its Pearl Collection shimmer inks and a broad catalogue of richly formulated colours. Founded on a commitment to high-quality ink production, Dominant Industry has built a strong international following among fountain pen enthusiasts, calligraphers, and stationery collectors. Their inks are manufactured in South Korea and distributed through curated stationery retailers worldwide.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard Series — Painter Series\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eStandard 124 Olive Grove\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInspiration\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVincent van Gogh, \u003cem\u003eThe Olive Trees\u003c\/em\u003e (1889)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBottle\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e25ml glass bottle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWarm Olive Green \/ Earthy Green with sepia undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eExpressive; wide tonal range, bright green to earthy olive-brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone to negligible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFlow\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSmooth, generous, well-lubricated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eModerate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003epH\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNeutral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePen Safety\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for resin and celluloid pens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eAll nib sizes; broad, stub, and dip pen recommended for shading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48100727619809,"sku":"SS-124","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_de64f51f-5755-4d02-88a8-40f36d5984dd.png?v=1773797890"},{"product_id":"pilot-kakuno-clear-fountain-pen","title":"Pilot Kakuno Clear — Transparent Demonstrator Fountain Pen (EF \/ F \/ M)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003ePilot Kakuno Clear — Transparent Demonstrator Fountain Pen (EF \/ F \/ M)\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Pilot CON-40 Converter is not included with this pen and must be purchased separately — \u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/shosai.ca\/products\/pilot-con-40-converter-fountain-pen\/\"\u003eavailable here\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Pilot Kakuno Clear is a fully transparent demonstrator fountain pen — a pen designed from the outset to show its ink. The Kakuno is one of Pilot's most beloved entry-level fountain pens, widely praised for its approachable design, reliable performance, and genuine writing quality at an accessible price point. The Clear variant takes the Kakuno's established platform and removes every visual barrier between writer and ink: the body, grip, and cap are all fully transparent colourless resin, giving an unobstructed view of the ink cartridge, feed, and ink flow at all times. Available in three nib sizes — Extra Fine (EF), Fine (F), and Medium (M) — the Kakuno Clear is the definitive entry point for new fountain pen writers, and one of the most satisfying ink showcase tools available at any price.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno line was designed by Pilot to make fountain pen writing accessible without compromising on the quality that defines the brand. The hexagonal pencil-shaped body prevents desk rolling; the triangular grip guides new writers into the correct hand position naturally; the snap cap opens and closes without ceremony; and the smiling face engraved on the nib ensures the correct writing angle every time. The Clear variant adds one further dimension: every ink loaded into the pen becomes a visual experience, with colour, shading, and shimmer visible through the transparent body from cap to barrel. The body is made from 85% recycled plastic resin. Each pen includes one Pilot black ink cartridge; compatible with Pilot cartridges and the CON-40 and CON-70 converters.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy the Kakuno Clear\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear occupies a unique position: it is simultaneously the best beginner fountain pen for new writers and the best ink demonstrator at its price point for experienced collectors. For new writers, the transparent body demystifies the fountain pen — showing exactly how ink flows from reservoir to nib, how ink volume decreases with use, and how different inks behave inside the pen. For ink enthusiasts and collectors, the fully transparent body transforms every ink into a display piece: vivid colours read at full saturation through the clear resin; shading gradients are visible in the ink column itself; and shimmer particles catch light as they move through the barrel, creating a visual effect that no opaque pen can replicate.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe smiling face on the nib is both a design signature and a functional guide — always oriented upward during writing, it confirms correct nib angle without requiring the writer to think about it. For left-handed writers, new writers, and anyone building a fountain pen habit, this single detail removes one of the most common sources of early frustration. The Kakuno Clear is, in short, a pen that does everything it promises: writes reliably, shows its ink beautifully, and makes fountain pen writing immediately approachable and immediately rewarding.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Specifications\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBody and Design\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear body is hexagonal in cross-section — a pencil-shaped profile that sits naturally in the hand, prevents the pen from rolling off desks and flat surfaces, and gives the pen a clean, understated visual identity. The body, grip section, and cap are all fully transparent colourless resin (85% recycled plastic), with no colour decoration or opaque elements. The result is a complete, unobstructed view of the ink inside the pen at all times — colour, fill level, feed saturation, and ink flow all visible through the clear body.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe cap snaps onto the barrel securely and posts firmly at the back of the pen during writing. The grip section is triangular — a gentle three-sided profile that guides the fingers into a correct writing position naturally, without requiring conscious effort. This is particularly valuable for new writers establishing hand position and for younger writers developing their grip.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eNib\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno nib is a steel alloy nib with a smiling face engraved at the base — Pilot's signature design element for the Kakuno line, oriented to face upward during correct writing, providing a constant visual confirmation of nib angle. The nib is smooth, consistent, and reliable across all three size variants:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEF (Extra Fine)\u003c\/strong\u003e — the finest line width; ideal for small handwriting, detailed work, annotation, and writers who prefer a precise, controlled line; particularly effective on premium papers where fine-line shading is visible\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eF (Fine)\u003c\/strong\u003e — the most versatile size; a balanced everyday line width suitable for most handwriting styles and most paper types; the recommended starting point for new fountain pen writers\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eM (Medium)\u003c\/strong\u003e — a broader, wetter line; the most expressive writing experience of the three sizes; the recommended choice for showcasing ink shading and shimmer; broader strokes reveal the full tonal range of expressive inks\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFilling System\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear accepts Pilot proprietary ink cartridges (standard international short cartridge format is not compatible — Pilot cartridges only) and is compatible with the Pilot CON-40 squeeze converter and the Pilot CON-70 piston converter. The CON-70 is the recommended converter for ink demonstration purposes: its larger capacity fills the transparent barrel more fully, maximising the visual display of ink colour and shimmer. Each pen ships with one Pilot black ink cartridge.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno can also be converted to an eyedropper filling system by sealing the grip section threads with silicone grease or heat-set adhesive — a modification popular among ink enthusiasts who want maximum ink capacity and the most dramatic shimmer display. Eyedropper conversion is not an official Pilot configuration and is done at the user's discretion.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDimensions and Weight\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eMeasurement\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTotal length (posted)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e131mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMaximum body diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGrip diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e10.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWeight (full pen)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 11g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe Kakuno Clear as an Ink Showcase\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear's fully transparent body makes it one of the most effective ink showcase tools available at any price point. Every visual property of a fountain pen ink is amplified and made directly visible through the clear resin:\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eColour\u003c\/strong\u003e — the ink's true base colour is fully visible through the transparent body without distortion; vivid inks read at full saturation; subtle inks show their true depth; colour shifts under different lighting conditions are directly observable in the barrel\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e — ink shading is visible both in the barrel (where concentration differences between the top and bottom of the ink column are apparent) and on the page, where the full tonal gradient of expressive inks is most visible with the M nib on quality papers\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e — the transparent body catches and refracts light at different angles, making metallic sheen effects at stroke edges and pooling points more apparent and more dramatic than in opaque pens; the Kakuno Clear is a frequently recommended showcase pen specifically for inks with red, gold, or green sheen\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e — shimmer particles move visibly through the transparent barrel as the pen is used, creating a visual effect — shimmer catching light as it flows through the ink reservoir — that is unique to demonstrator-style pens; the Kakuno Clear is widely used in the fountain pen community specifically as a shimmer ink display tool\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eA note on shimmer inks:\u003c\/strong\u003e The Kakuno's feed and grip section are not designed for easy disassembly, and shimmer particles can accumulate in the feed channels with extended use. For short-term shimmer display the pen performs excellently; for regular shimmer ink use, flush thoroughly with water immediately after each session and allow the feed to soak. Some users convert the pen to eyedropper filling for shimmer use, which simplifies cleaning and maximises display capacity.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eNib Size Guide\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eNib\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eLine Width\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eBest For\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eEF (Extra Fine)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eVery fine\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSmall handwriting, detailed annotation, precise line work, Asian scripts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eF (Fine)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFine\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eEveryday writing, most handwriting styles, versatile daily use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eM (Medium)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium-broad\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eExpressive writing, ink shading showcase, calligraphy practice, wet flow preference\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Inks\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear performs well with all Pilot cartridge and bottled inks, and is compatible with most water-based fountain pen inks from other brands when used with a converter. Inks that particularly reward the transparent demonstrator format:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003ePilot Iroshizuku inks\u003c\/strong\u003e — the full Iroshizuku range showcases beautifully through the clear body; shading inks (Shin-kai, Fuyu-syogun) show tonal depth in the barrel; sheening inks (Kon-peki, Yama-budo, Asa-gao) catch light dramatically through the clear resin\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eShimmer inks\u003c\/strong\u003e — the transparent barrel makes shimmer particles visible in motion; particularly effective with fine shimmer inks at low particle concentration; see note on shimmer maintenance above\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eVivid saturated inks\u003c\/strong\u003e — highly saturated inks (Kon-peki, Asa-gao, Yama-budo) read at maximum chromatic depth through the clear body\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eWater-based dye inks generally\u003c\/strong\u003e — any well-behaved water-based ink performs reliably in the Kakuno; pigment inks are not recommended due to clogging risk in the non-disassemblable feed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Care and Maintenance\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Clear is low-maintenance under normal use with standard dye-based inks. Flush with cool water every 4–6 weeks or when changing inks. The grip section and feed are not designed for full disassembly — avoid forcing the grip section apart, as the pen is not intended to be user-disassembled. For shimmer inks, flush immediately after each session and soak the nib and grip section in cool water for 30–60 minutes to clear particle accumulation from the feed channels.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe transparent resin body may show minor surface scratches over time with regular use — this is normal for clear plastic demonstrator pens and does not affect writing performance.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Pilot\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePilot Corporation is one of Japan's oldest and most respected writing instrument manufacturers, founded in 1918 and producing fountain pens, inks, and writing instruments for over a century. The Kakuno line represents Pilot's commitment to making quality fountain pen writing accessible to new writers — a pen that does not compromise on writing performance while removing every barrier to entry. The Kakuno Clear is the Kakuno at its most expressive: the same reliable platform, now designed to show its ink as beautifully as it writes.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eModel\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKakuno Clear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Colour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eClear \/ Transparent (non-colour demonstrator)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Material\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTransparent resin (85% recycled plastic)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Shape\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eHexagonal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGrip\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTriangular, transparent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCap\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSnap cap, transparent, postable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Material\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSteel alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Sizes Available\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eEF (Extra Fine), F (Fine), M (Medium)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFilling System\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCartridge \/ Converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCompatible Cartridges\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot proprietary cartridges\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCompatible Converters\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot CON-40, Pilot CON-70\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIncluded\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOne Pilot black ink cartridge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTotal Length (posted)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e131mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMaximum Diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 11g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Pilot","offers":[{"title":"Extra Fine (EF)","offer_id":48106698834145,"sku":"FPKA1SR-NCEF-BG","price":21.99,"currency_code":"CAD","in_stock":true},{"title":"Fine (F)","offer_id":48106698866913,"sku":"FPKA1SR-NC-F-BG","price":21.99,"currency_code":"CAD","in_stock":true},{"title":"Medium (M)","offer_id":48106698899681,"sku":"FPKA1SR-NC-M-BG","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/FPKA1SR-EF-NC_2.jpg?v=1773868692"},{"product_id":"pilot-kakuno-madoromi-fountain-pen","title":"Pilot Kakuno Madoromi — Soft Colour Fountain Pen with Gold-Plated Nib (F \/ M)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003ePilot Kakuno Madoromi — Soft Colour Fountain Pen with Gold-Plated Nib (F \/ M)\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Pilot CON-40 Converter is not included with this pen and must be purchased separately — \u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/shosai.ca\/products\/pilot-con-40-converter-fountain-pen\/\"\u003eavailable here\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Pilot Kakuno Madoromi is a soft-colour fountain pen from Pilot's Kakuno line — one of Japan's most beloved entry-level fountain pen series, here presented in a new Madoromi colour collection with a meaningful upgrade: a gold-plated steel nib in place of the standard Kakuno's plain steel. Madoromi (まどろみ) is a Japanese word for a gentle, drowsy state between waking and sleep — the specific quality of soft morning light, quiet hours, and subdued, warm colour. The name translates directly into the pen's palette: five soft, muted tones — Pink, Brown, Blue, Ivory, and Light Blue — each a restrained, grown-up pastel that sits closer to the natural world than to a stationery display. The body is opaque resin in a smooth, rounded profile that departs from the standard Kakuno's hexagonal shape, giving the Madoromi a softer, more personal feel in the hand. Available in Fine (F) and Medium (M) nib sizes across most colours.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno line was designed by Pilot to make fountain pen writing genuinely accessible without compromising on quality. The Madoromi series carries that philosophy forward into a more refined aesthetic register: the gold-plated smiling face nib retains the Kakuno's characteristic writing angle guide while adding a warm metallic accent that complements the soft body colours; the snap cap and triangular grip section remain; and the overall writing experience — smooth, reliable, beginner-friendly — is fully consistent with the Kakuno platform. Each pen includes one Pilot black ink cartridge and is compatible with Pilot CON-40 and CON-70 converters.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes the Kakuno Madoromi Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe standard Kakuno is defined by its accessibility and its hexagonal pencil-shaped body. The Madoromi retains the accessibility — the smiling face nib, the triangular grip, the snap cap, the beginner-friendly writing experience — while stepping into a different visual and tactile register. The rounded body profile is softer and more personal than the hexagonal standard; the muted pastel colours are quieter and more considered than the standard Kakuno's brighter palette; and the gold-plated nib adds a warmth and refinement that elevates the pen from purely functional to genuinely beautiful as an object.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gold plating on the nib is cosmetic rather than material — the nib is steel alloy with a gold-coloured finish — but the visual effect is significant: the warm gold tone of the nib complements each of the Madoromi body colours in a specific way, and gives the pen a quality impression that belies its entry-level price. For writers who want a pen that is both approachable and aesthetically considered — a daily writing instrument that feels deliberate rather than default — the Kakuno Madoromi is a natural choice.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Collection\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Madoromi series is available in five soft, muted colours. Shosai currently stocks the following:\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eMadoromi Pink\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA soft, muted rose — warm and dusty rather than bright or sweet, closer to dried flower than fresh blossom. The pink reads as composed and grown-up, with a warmth that pairs naturally with the gold-plated nib. Available in F and M nib sizes.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eMadoromi Brown\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA warm greige or taupe — a soft grey-brown that sits between warm grey and muted brown, with the specific restraint of natural materials. Understated and versatile, the most neutral of the Madoromi colours and the most naturally professional. Available in F and M nib sizes.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eMadoromi Blue\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA soft slate blue — a muted, slightly grey blue that suggests early morning sky or washed denim, cooler and more composed than a standard blue. Sits comfortably in both professional and personal writing contexts. Available in F nib size only at Shosai.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eMadoromi Ivory \u003cem\u003e(currently unavailable)\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA soft warm white — creamy and quiet, the warmest and most neutral of the five colours.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eMadoromi Light Blue \u003cem\u003e(currently unavailable)\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA soft aqua or pale teal — lighter and cooler than Madoromi Blue, closer to still water or a clear winter sky.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Specifications\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBody and Design\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Madoromi body is a smooth rounded profile — a departure from the standard Kakuno's hexagonal cross-section, with a softer, more organic feel in the hand. The body and cap are opaque resin in the Madoromi palette colour; the grip section is a lighter translucent or white-toned resin that provides visual contrast with the body colour and maintains the triangular profile that guides writing position. The cap snaps onto the barrel securely and posts at the back of the pen during writing.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eNib\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Madoromi nib is a steel alloy nib with a gold-plated finish and the characteristic smiling face engraved at the base — Pilot's signature design element for the Kakuno line, oriented upward during correct writing to confirm nib angle. The gold-plated finish adds warmth and visual refinement without altering the writing characteristics of the steel nib. Smooth, consistent, and reliable in both available sizes:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eF (Fine)\u003c\/strong\u003e — a balanced everyday line width suitable for most handwriting styles and paper types; the recommended starting point for new fountain pen writers; available in Pink, Brown, and Blue\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eM (Medium)\u003c\/strong\u003e — a broader, wetter line with a more expressive writing feel; the recommended choice for writers who enjoy ink shading and a generous flow; available in Pink and Brown\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFilling System\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Madoromi accepts Pilot proprietary ink cartridges and is compatible with the Pilot CON-40 squeeze converter and the Pilot CON-70 piston converter. The CON-70 offers greater ink capacity and is recommended for writers who want longer writing sessions between refills. Each pen ships with one Pilot black ink cartridge.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDimensions and Weight\u003c\/h4\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eMeasurement\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTotal length (posted)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e131mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMaximum body diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGrip diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e10.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWeight (full pen)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 11g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eNib Size Guide\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eNib\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eLine Width\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eBest For\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eF (Fine)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFine\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eEveryday writing, most handwriting styles, versatile daily use; available in Pink, Brown, Blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eM (Medium)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium-broad\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eExpressive writing, ink shading, generous flow preference; available in Pink and Brown only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Inks\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Madoromi performs well with all Pilot cartridge and bottled inks, and is compatible with most water-based fountain pen inks from other brands when used with a converter. The soft Madoromi body colours pair particularly well with:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003ePilot Iroshizuku inks\u003c\/strong\u003e — the refined Iroshizuku palette complements the Madoromi's considered aesthetic; Yama-budo (fuchsia-purple) pairs naturally with Madoromi Pink; Fuyu-syogun (cool grey) or Shin-kai (smoky blue-black) with Madoromi Brown; Kon-peki (vivid cerulean) or Asa-gao (royal blue) with Madoromi Blue\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMuted, sophisticated ink colours\u003c\/strong\u003e — the Madoromi's restrained palette rewards inks that share its quiet character; dusty roses, warm greys, slate blues, and earthy tones read particularly well from this pen\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard dye-based inks\u003c\/strong\u003e — any well-behaved water-based ink performs reliably in the Kakuno; pigment inks are not recommended due to clogging risk in the non-disassemblable feed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Care and Maintenance\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Kakuno Madoromi is low-maintenance under normal use with standard dye-based inks. Flush with cool water every 4–6 weeks or when changing inks. The grip section and feed are not designed for full disassembly — avoid forcing the grip section apart. The opaque resin body is more scratch-resistant than the Clear variant and will maintain its appearance well under normal everyday use.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Pilot\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePilot Corporation is one of Japan's oldest and most respected writing instrument manufacturers, founded in 1918 and producing fountain pens, inks, and writing instruments for over a century. The Kakuno Madoromi represents the Kakuno platform at its most refined: the same approachable, reliable writing experience that has made the Kakuno line beloved worldwide, now in a colour collection and with a nib finish designed for writers who want a daily fountain pen that is as considered in appearance as it is in performance.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSeries\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eKakuno Madoromi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Colours Available\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePink (SP), Brown (GY), Blue (SV), Ivory (SL)\u003cem\u003e, Light Blue (WT)\u003c\/em\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Material\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOpaque resin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eBody Shape\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eRounded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGrip\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTriangular, translucent\/white\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCap\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSnap cap, opaque in body colour, postable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Material\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSteel alloy with gold-plated finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNib Sizes Available\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eF (Fine), M (Medium)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eFilling System\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCartridge \/ Converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCompatible Cartridges\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot proprietary cartridges\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eCompatible Converters\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003ePilot CON-40, Pilot CON-70\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eIncluded\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOne Pilot black ink cartridge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eTotal Length (posted)\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e131mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMaximum Diameter\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eApproximately 11g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJapan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eIvory and Light Blue currently unavailable at Shosai — contact us to be notified when stock arrives.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping available\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 \u003cstrong\u003eService bilingue — français et anglais\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Pilot","offers":[{"title":"Blue \/ Fine (F)","offer_id":48107921801441,"sku":"PFKA1-PWKF-BG","price":43.99,"currency_code":"CAD","in_stock":true},{"title":"Blue \/ Medium (M)","offer_id":48107921834209,"sku":null,"price":43.99,"currency_code":"CAD","in_stock":false},{"title":"Brown \/ Fine (F)","offer_id":48107921866977,"sku":"PFKA1-GYF-BG","price":43.99,"currency_code":"CAD","in_stock":true},{"title":"Brown \/ Medium (M)","offer_id":48107921899745,"sku":null,"price":43.99,"currency_code":"CAD","in_stock":false},{"title":"Pink \/ Fine (F)","offer_id":48107921932513,"sku":"PFKA1-LPF-BG","price":43.99,"currency_code":"CAD","in_stock":true},{"title":"Pink \/ Medium (M)","offer_id":48107921965281,"sku":"PFKA1-LPM-BG","price":43.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/Madoromi_Lifestyle.jpg?v=1773943010"},{"product_id":"colorverse-no-79-coffee-break-fountain-pen-ink","title":"Colorverse No. 79 Coffee Break — Warm Cocoa Brown, Expressive Shading Fountain Pen Ink (30ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eColorverse No. 79 Coffee Break — Warm Cocoa Brown, Expressive Shading Fountain Pen Ink (30ml)\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eColorverse No. 79 Coffee Break is a 30ml fountain pen ink from the Joy in the Ordinary series — Colorverse's celebration of the quiet, everyday pleasures that anchor a writing life. Where most Colorverse series look outward to the cosmos for their palette, Joy in the Ordinary turns inward, finding colour in the domestic and familiar: the warmth of a cup of coffee, the unhurried rhythm of a break well taken. Coffee Break translates that moment directly into ink — a warm, medium brown with unmistakable yellow undertones and a shading gradient that moves from milky, pale biscuit through a smooth cocoa mid-tone to a richer, darker chocolate at the deepest pooling points. The effect is precisely what the name promises: the layered warmth of a real coffee stain, rendered in dye ink on the page.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAs a Joy in the Ordinary entry, Coffee Break carries no shimmer and no sheen — the colour and its shading do all the work, and they do it with the kind of quiet, satisfying character that makes an ink genuinely pleasant to live with day after day. The bottle is 30ml glass, accompanied by a colour card and illustrated stickers consistent with the Colorverse series format. Each bottle in the Colorverse catalogue carries a number, a name, and a story: No. 79 is Coffee Break, and it earns its place in the collection.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable at Shosai (shosai.ca) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhat Makes No. 79 Coffee Break Different\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBrown is one of the most difficult colour spaces in fountain pen ink. Reds read as rusty; cooler browns read as grey or flat; overly dark browns lose legibility; overly light browns disappear entirely on cream-toned paper. Coffee Break navigates the space with the specificity of its name — a warm, medium brown with clear yellow undertones that keep it from reading as red, grey, or muddy. It lands in the precise register of a coffee stain on a hotel notepad: familiar, warm, and more interesting than it first appears.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhat distinguishes Coffee Break within the crowded brown category is the quality and range of its shading. The tonal range is wider and more expressive than the base colour alone suggests — moving from a cool, milky pale brown in the lightest strokes to a warm, saturated chocolate at pooling points, with the full mid-range cocoa warmth in between. The result is an ink that rewards attention: flat and legible at fine nib sizes, layered and genuinely beautiful at medium to broad sizes, and frankly convincing as a coffee-stain effect at stub or flex nibs on premium paper. Reviewers describe the colour variation as being \"beyond compare\" for a brown ink, and the shading as creating a \"convincing coffee stain look\" — both of which are difficult achievements in a colour space that tends toward either monotony or muddy complexity.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Joy in the Ordinary series context matters here too. Coffee Break is not trying to evoke a dramatic natural phenomenon or a space mission; it is trying to evoke the precise feeling of a quiet moment, a warm cup, and a pen in hand. It succeeds at that register with unusual fidelity.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour Profile\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eColour\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo. 79 Coffee Break is a warm, medium brown with clear yellow undertones — a cocoa-register brown that sits comfortably between the reddish warmth of chestnut and the cooler neutrality of grey-brown, without reading as either. In the bottle, it presents as a rich, translucent amber-brown with a warm, inviting depth. On the page, it dries to a confident, legible warm brown that holds its character well across nib sizes and paper types: expressive and layered at medium to broad sizes, clean and readable at fine sizes, and never muddy or flat regardless of how it is used.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWriters and reviewers describe the base as warm cocoa brown, hotel-lobby coffee, coffee stain, a yellow-leaning medium brown, or a lovely warm brown with cocoa inspiration — a colour that is warm, approachable, and consistently more nuanced than a first glance suggests. The yellow undertones are subtle enough that the ink reads unmistakably as brown rather than tan or khaki, but present enough to keep the colour from ever reading as dull, red-brown, or grey. On cream-toned papers, the yellow warmth integrates particularly well; on bright white papers, the contrast between the warm brown and the white ground produces a clean, characterful page.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExpressive, layered, and genuinely active for a medium brown. Coffee Break shades across a pleasingly wide tonal range — from a cool, milky, pale biscuit in the finest hairline strokes to a warmer, richer chocolate brown at pooling points and stroke edges, with the warm cocoa base occupying the full mid-range between them. The light end is pale enough to read almost as dry grass or cream; the dark end deepens convincingly toward dark chocolate without losing the yellow warmth of the base colour. The full gradient — pale biscuit to warm cocoa to dark chocolate — is present within each stroke at medium and broader nib sizes, producing a page quality that reviewers consistently single out as Coffee Break's most appealing characteristic.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReviewers consistently describe the shading as a highlight: a colour that creates genuine variation with each stroke, produces a convincing coffee-stain layering effect at larger nib sizes, and rewards quality paper with a gradient that is more active than the low-shading designation sometimes applied to it would suggest. On Tomoe River and Rhodia with a medium, broad, or stub nib, the full shading range is most apparent and most rewarding. On standard papers, shading narrows but remains clearly visible and characterful.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Coffee Break does not develop a metallic sheen on any paper surface. No reviewers note any sheening effect under any conditions — the visual depth of the ink comes entirely from the warm brown base and its shading gradient. Writers who prefer clean, sheen-free browns will find Coffee Break a reliable and consistent choice.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNone. Coffee Break contains no shimmer particles. The ink is a pure dye formulation — the writing experience is clean, uninterrupted, and completely free of particle residue. No shimmer means no settling in the bottle, no particle buildup in pen feed channels, and no maintenance considerations beyond standard dye-ink care. Safe for all pens including vintage and fine-nibbed instruments.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSmooth to slightly wet and well-lubricated. Coffee Break flows generously across a range of pen and nib combinations, contributing to the ink's active shading by depositing more ink at pooling points and stroke edges. The flow is smooth and satisfying without being uncontrollably wet — consistent with Colorverse's standard formulation approach. pH 6.9 — effectively neutral, and safe for all pen materials including vintage rubber, modern resins, and metal components.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eModerate and practical for everyday use — approximately 10 to 40 seconds depending on pen wetness, nib size, and paper absorbency. On Rhodia with a medium nib, expect roughly 40 seconds; on more absorbent papers, considerably faster. The slightly wetter flow means dry time will be longer on the smoothest, slowest-absorbing papers such as Tomoe River; writers who prioritise fast dry time should account for this on premium papers.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWater Resistance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLow to moderate. Coffee Break is a water-based dye ink with no meaningful water resistance. Exposure to moisture will cause the colour to run or fade, and it is not suitable for documents requiring archival longevity or water resistance. For everyday journaling, correspondence, and note-taking, this is not a practical concern; for documents intended for long-term preservation or outdoor use, a water-resistant or pigment ink would be more appropriate.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFeathering and Bleed-Through\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMinimal on quality papers (Rhodia, Tomoe River, Clairefontaine, Midori MD, Leuchtturm1917). Well-behaved and clean on all fountain-pen-friendly papers. Some feathering may occur on standard absorbent copy paper, particularly at broader nib sizes; the slightly generous flow means this ink performs best on papers designed for fountain pen use.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHow to Get the Most Out of No. 79 Coffee Break\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCoffee Break rewards smooth, slow-absorbing papers that allow the warm brown saturation and shading gradient to develop fully on the surface:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTomoe River (52gsm or 68gsm)\u003c\/strong\u003e — the best paper for showcasing Coffee Break's full shading range; slow absorption allows the pale biscuit-to-chocolate gradient to develop fully on the surface; the yellow undertones of the base read at maximum warmth and depth; shading most expressive and most beautiful here; the ink's coffee-stain quality is most convincing on Tomoe River with a broad or stub nib\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRhodia \/ Clairefontaine\u003c\/strong\u003e — consistent, reliable, and practical results; warm cocoa saturation clearly expressed; shading clearly visible at medium and broader nib sizes; an excellent everyday option that brings out the full character of the ink without requiring special handling\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLeuchtturm1917\u003c\/strong\u003e — good overall performance; full brown saturation; shading visible and characterful; the warm yellow undertones read particularly well on cream-toned Leuchtturm pages; a natural pairing for bullet journaling and daily logging\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMidori MD Paper\u003c\/strong\u003e — smooth surface supports good colour development and shading visibility; the matte finish suits the understated warmth of Coffee Break well; a particularly pleasant pairing for journaling and extended writing sessions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStandard copy paper\u003c\/strong\u003e — functional at fine nib sizes; shading range narrows considerably; some feathering possible at broader sizes; Coffee Break remains legible and warm but loses most of its expressive character on highly absorbent surfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvoid highly absorbent papers for any nib wider than fine. The shading gradient will be suppressed and feathering will become more likely on fast-absorbing surfaces.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCoffee Break rewards wetter, broader nibs that deposit more ink on the page and allow the full shading gradient to express itself fully:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eStub and cursive italic nibs\u003c\/strong\u003e — the highest-contrast shading and the most convincing coffee-stain layering effect; the pale-to-chocolate gradient is most dramatic here; the variation between thick horizontal strokes and thin vertical strokes showcases the full tonal range within each letterform; the recommended choice for anyone who wants to experience Coffee Break at its most expressive\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eMedium and broad nibs\u003c\/strong\u003e — expressive shading clearly visible and active; warm cocoa base reads at full saturation; the recommended everyday choice for getting the most from this ink without requiring a specialist nib; shading is apparent and satisfying at medium widths on all recommended papers\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFine nibs\u003c\/strong\u003e — clean and readable; warm brown character remains present and distinctive; shading range narrows but the yellow undertones keep the colour from reading as flat or dull; a practical choice for everyday notes, annotations, and any writing context where legibility takes precedence over expressive shading\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eExtra-fine nibs\u003c\/strong\u003e — fully functional; the warm brown base remains legible and characterful; shading largely absent; a reliable choice for fine annotation, technical writing, or use in pens with very fine nibs where ink pooling is minimal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eEyedropper pens\u003c\/strong\u003e — an excellent pairing; high ink volume ensures full colour saturation and consistent shading expression throughout the fill; the generous flow of Coffee Break benefits from eyedropper volume, and the large ink capacity suits an ink this pleasant for extended everyday use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDip pens\u003c\/strong\u003e — well-suited to Coffee Break's warm, layered character; the shading gradient and warm brown depth are particularly appealing in dip pen applications; a natural pairing for journaling illustrations, hand-lettering, and any mixed-media work where the coffee-stain warmth is a compositional asset\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eColorverse No. 79 Coffee Break is pH 6.9 — effectively neutral — and safe for all pen materials including vintage rubber sacs, modern resins, celluloid, and metal components. As a pure dye ink with no shimmer particles, it carries no particle clogging risk and is low-maintenance across all pen types. Flush every 4–6 weeks under normal use, or when switching inks. Compatible with all standard converter and cartridge systems.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Uses\u003c\/h4\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling and personal writing\u003c\/strong\u003e — Coffee Break's warm, familiar register and expressive shading make it an ideal everyday journaling ink; it is characterful without being distracting, and the coffee-stain warmth suits the intimate, personal tone of journal writing particularly well\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCorrespondence and letter writing\u003c\/strong\u003e — the warm cocoa brown reads with a classic, unhurried quality that suits handwritten correspondence; distinctive enough to be memorable, legible enough to be practical, and warm enough to feel personal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNote-taking and study\u003c\/strong\u003e — the warm brown is easy to read and easy to live with over long writing sessions; at fine to medium nib sizes, Coffee Break is a characterful alternative to black or blue for students and note-takers who want something with more personality without sacrificing legibility\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eBullet journaling and planners\u003c\/strong\u003e — the Leuchtturm1917 pairing is particularly natural here; the warm brown reads well on cream pages, the shading adds visual interest to headers and titles, and the ink's everyday reliability suits the regular, structured use of a planner or bullet journal\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eCalligraphy and hand-lettering\u003c\/strong\u003e — Coffee Break's shading gradient and warm saturation produce a genuinely beautiful page quality at stub and italic nib sizes; particularly effective for warm, organic lettering styles and any lettering context where the coffee-stain warmth is a design asset\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSketching and illustration\u003c\/strong\u003e — compatible with dip pens and brush application; the warm brown and expressive shading add natural, organic warmth to ink sketching, line work, and mixed-media illustration; a natural choice for figure drawing, architectural sketching, and any illustration context where a warm earth-tone brown is useful\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFountain pen photography and swatching\u003c\/strong\u003e — Coffee Break photographs warmly and characterfully under natural light; the shading gradient is most dramatic on Tomoe River with a broad or stub nib; the pale-to-chocolate range is most apparent in side-by-side swatch photography with a generous ink load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout the Joy in the Ordinary Series\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eJoy in the Ordinary is a Colorverse series dedicated to the small, unhurried pleasures of everyday life — the moments that punctuate a writing day rather than define it. Where Colorverse's signature space-themed collections draw their palette from the cosmos, Joy in the Ordinary finds colour in the domestic and familiar: coffee, rest, warmth, the texture of a quiet afternoon. The series inks are pure dye formulations — no shimmer, no sheen — relying entirely on colour quality, shading character, and the specific emotional register of their subject matter to make their case. The result is a series that feels less like a collector's showpiece and more like a companion: inks that earn their place on the desk through daily use rather than occasional display. Coffee Break, as No. 79 in the Colorverse catalogue, sits within a broader numbered series that rewards exploration: each colour carries a story, and the stories accumulate.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAbout Colorverse\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eColorverse is a Seoul-based fountain pen ink studio dedicated to translating the wonder of the cosmos — and the quieter wonders of everyday life — into thoughtfully formulated, plant-based fountain pen inks. Founded in South Korea, Colorverse inks are made with plant-origin colorants and solvents, treated for hydration and antibacterial stability, and designed to maintain a neutral pH of 7–8 for safe, long-term use in all fountain pens. Distributed internationally and available in Canada through select retailers, each Colorverse ink carries a number, a name, and a story. Shop the full Colorverse collection at Shosai — Ottawa and Gatineau's home for Japanese and Korean stationery.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-border-300\/60 py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eColorverse\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eJoy in the Ordinary\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Name\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNo. 79 Coffee Break\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInspiration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eThe quiet pleasure of a coffee break\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSouth Korea\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e30ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBottle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eGlass bottle with colour card and illustrated stickers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eInk Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWater-based dye ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBase Colour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eWarm medium brown with yellow undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShading\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eExpressive; pale biscuit to dark chocolate gradient\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eSheen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFlow\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSmooth to slightly wet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDry Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e~10–40 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eWater Resistance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eLow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003epH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e6.9 (neutral)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePen Safety\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eSafe for all pen materials including vintage rubber and celluloid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003e\u003cstrong\u003eNib Compatibility\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-border-300\/30 py-2 pr-4 align-top\"\u003eMedium, broad, and stub recommended; EF and F functional but shading minimal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Colorverse","offers":[{"title":"Default Title","offer_id":48109764215009,"sku":"79","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_fe3710d4-90d2-4d5f-ae68-d39bd72874a6.png?v=1773950556"},{"product_id":"pilot-con-40-converter-fountain-pen","title":"Pilot CON-40 Converter — Twist-Action Piston Converter for Pilot Fountain Pens (0.4ml)","description":"\u003ch2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003ePilot CON-40 Converter — Twist-Action Piston for Pilot Fountain Pens\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Pilot CON-40 is Pilot's most widely compatible fountain pen converter — a twist-action piston converter designed to let cartridge\/converter-compatible Pilot and Namiki pens draw directly from bottled ink. It replaces the older CON-20 and CON-50 with improved backward compatibility, a more robust seal, and an agitator bead system that meaningfully improves ink flow consistency. If you own a Pilot fountain pen and want to use bottled ink, the CON-40 is the standard starting point — and for the majority of Pilot owners, it is the only converter they will ever need.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eDesign and Materials\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 is built from chemical-resistant resin with a stainless steel twist mechanism and a clear barrel that allows the remaining ink level to be monitored at a glance. The construction is compact and well-fitted to the Pilot connection standard, with a seal that is notably tighter and more reliable than international-standard converters of comparable size.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe defining internal feature is a set of four metal agitator beads. These small steel balls serve two practical functions: they break the surface tension of pooled ink inside the converter, preventing the ink from adhering to the barrel walls, and they help maintain flow consistency when the pen is in use. The agitator beads are particularly valuable with shimmer inks, pigment-based inks, or any ink whose particles or pigments tend to settle — a brief shake before writing redistributes the contents and ensures consistent delivery from the first stroke. They also make the CON-40 visually distinctive in use, with an audible click when the converter is shaken.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eCapacity and Dimensions\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCapacity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~0.4 ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~60 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~7.2 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eFill Mechanism\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eTwist-action piston (rotate tail knob to fill)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eChemical-resistant resin + stainless steel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eAgitator Beads\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e4 metal beads (internal)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eConnection Standard\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ePilot proprietary\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAt 0.4 ml, the CON-40 is a small-capacity converter by any measure — deliberately so. The limited capacity makes it the natural choice for anyone who rotates through multiple inks frequently, for those who ink a pen specifically for a session rather than for extended daily use, or for pens in lower-rotation secondary positions. For writers who need maximum capacity and plan to stay with a single ink for extended periods, the CON-70 (push-button mechanism, ~1.1 ml) is the higher-capacity alternative — though the CON-40 fits in all pens that accept the CON-70.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eCompatibility\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 is compatible with the majority of current Pilot and Namiki fountain pens that accept cartridge\/converter systems. It is Pilot's most universally compatible converter across their current lineup.\u003c\/p\u003e\n\u003ch5 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eConfirmed Compatible Models\u003c\/h5\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Metropolitan \/ MR\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Kakuno\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Explorer\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Vanishing Point \/ Capless \/ Decimo\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Custom 74, Custom 91, Custom Heritage 91\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Falcon (Elabo)\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Grance\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot E95s\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Prera\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003ePilot Pluminix\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003eMost current Namiki pens\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 uses Pilot's proprietary connection standard and is not cross-compatible with international-standard converters or non-Pilot pens. Pilots that accept the CON-40 will not accept standard European or TWSBI-style converters, and vice versa.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA note on the Vanishing Point \/ Capless series: the CON-40 is specifically recommended for the Capless family, where the narrow barrel geometry and the hooded nib mechanism make the CON-40's compact dimensions and reliable seal particularly well-suited. Vanishing Point users frequently identify the CON-40 as their preferred option over the higher-capacity CON-70.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFilling Technique\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 fills by twist-action piston: submerge the nib and feed fully in the ink bottle, twist the tail knob counterclockwise to expel air, then clockwise to draw ink up. For maximum fill, expel all air before submerging, keep the nib fully submerged through the entire intake stroke, and repeat the expel-and-draw cycle once or twice before withdrawing from the bottle. Wiping the exterior of the nib and section before capping prevents ink transfer to cap and pocket.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 is straightforward to clean: draw clean water through the converter by the same twist-action fill method, expel, and repeat until the water runs clear. The agitator beads assist in dislodging settled ink during cleaning. No disassembly is required for routine maintenance.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy the CON-40\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eConverter choice within the Pilot ecosystem is essentially a decision between the CON-40 and the CON-70. The CON-70 offers nearly three times the ink capacity and a push-button fill mechanism; the CON-40 offers a more compact form factor, a tighter seal (particularly relevant in the Capless \/ Vanishing Point), and lower replacement cost. For pen owners who rotate inks regularly — and particularly for those exploring the range of bottled inks available from brands like Pilot Iroshizuku, Dominant Industry, Ferris Wheel Press, or Colorverse — the CON-40's smaller capacity is more of a practical convenience than a limitation. Less residual ink when switching colours; faster rinse cycles; lower waste per rotation.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 is also simply durable. Users routinely report years of trouble-free use with minimal maintenance. At its price point, it is an uncomplicated and reliable piece of infrastructure for any Pilot fountain pen collection.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePen Maintenance Notes\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe CON-40 is safe for all fountain pen inks, including pigment-based inks, iron gall inks, and shimmer inks — within the standard care guidelines for those ink types. Flush the converter when switching inks or after extended storage. The chemical-resistant resin construction tolerates the full range of fountain pen ink pH values without degradation.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ePilot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCON-40 (Converter-40)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eTwist-action piston converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCapacity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~0.4 ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~60 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~7.2 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eBody Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eChemical-resistant resin (clear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eMechanism Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eStainless steel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eAgitator Beads\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e4 internal metal beads\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eConnection Standard\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ePilot proprietary (not international standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eJapan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eReplaces\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCON-20, CON-50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eShosai (shosai.ca) is a fine stationery boutique serving the Ottawa–Gatineau National Capital Region. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e📍 In-store pickup: Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🛵 Local delivery: Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🚚 Canada-wide shipping available\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🇫🇷 Service bilingue — français et anglais\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for writing instruments and accessories that go beyond the ordinary.\u003c\/p\u003e","brand":"Pilot","offers":[{"title":"Default Title","offer_id":48556794740961,"sku":null,"price":10.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/IMG_7448.heic?v=1781491009"},{"product_id":"dominant-industry-keyno-stationery-no-001-serenity-fountain-pen-ink","title":"Dominant Industry Keyno Stay.tionery No. 001 Serenity – 25ml Fountain Pen Ink","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThere's a story behind this bottle, and it starts somewhere that doesn't exist. Hotel Keyno is a fictional retreat, tucked into the mountains of a faraway, peaceful island — the kind of place Dominant Industry imagined when they set out to build their first fountain pen brand. Every release carries a room number and a mood. Room 001 is Serenity: the room for the days you need to unwind, to take your time, to find a stillness that belongs entirely to you.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eSerenity No. 001\u003c\/strong\u003e is a 25ml fountain pen ink made in small batches in Paju, South Korea, formulated as the companion ink to Dominant Industry's Keyno Stay.tionery No. 001 Serenity fountain pen — though it stands perfectly well on its own in any fountain pen, dip pen, or glass pen.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAvailable at \u003cstrong\u003eShosai\u003c\/strong\u003e (\u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.shosai.ca\"\u003eshosai.ca\u003c\/a\u003e) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eThe Colour\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAs It Flows\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSerenity begins as a \u003cstrong\u003esoothing, gentle aqua-teal blue\u003c\/strong\u003e, with the cool clarity of sea glass. It's an easy, calm colour on the page — the kind that doesn't demand attention so much as invite you to slow down and look closer.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eAs It Dries\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis is where Serenity does something more interesting. Formulated with advanced pigment-and-dye blending techniques, the ink undergoes what Dominant Industry describes as a \"noticeably sensual\" transformation as it dries: the aqua-teal deepens, revealing soft undertones of sea-glass green shifting into deeper navy and moodier, darker shadows. The overall effect has been compared to sunlight scattering across a misty, sub-zero lake — colour that separates and layers rather than settling into one flat tone.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSerenity shows \u003cstrong\u003ehigh, elegant shading\u003c\/strong\u003e, with genuine colour separation visible even at moderate nib sizes. On premium, low-absorbency papers such as Tomoe River, and with medium or stub nibs, the shading becomes especially pronounced — the ink's full tonal range, from pale aqua to deep navy, unfolds clearly within a single stroke.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShimmer \u0026amp; Sheen\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSerenity carries \u003cstrong\u003eno shimmer\u003c\/strong\u003e — no metallic or mica particles. Its visual interest comes entirely from its colour depth and shading rather than added sparkle, keeping the ink understated and elegant on the page.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eFormula \u0026amp; Compatibility\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSerenity is a \u003cstrong\u003edye-based ink using advanced dye-and-pigment blending techniques\u003c\/strong\u003e, pH-neutral and safe for resin and celluloid fountain pens. It is non-waterproof, with a smooth, well-lubricated flow suited to most fountain pens, as well as dip pens and glass pens.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eGetting the Best Results\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Paper\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSerenity's shading and colour separation are most visible on \u003cstrong\u003epremium, low-absorbency papers\u003c\/strong\u003e such as Tomoe River, where the ink has room to develop its full tonal range as it dries.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eRecommended Nibs\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eMedium or stub nibs\u003c\/strong\u003e bring out the most dramatic shading, laying down enough ink for the aqua-to-navy transition to unfold clearly across each stroke.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAbout Keyno Stay.tionery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eKeyno Stay.tionery\u003c\/strong\u003e is Dominant Industry's fountain pen brand, born from the idea that a pen and its ink should be designed together, in harmony, rather than as separate products. The concept centres on Hotel Keyno, an imagined retreat where every room holds its own story and emotional atmosphere — each pen and ink release corresponds to a \"key number\" and a feeling. No. 001 Serenity is the line's meditation on stillness and quiet reflection.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eDominant Industry is a South Korean ink studio based in Paju, long known for small-batch, specialty fountain pen and calligraphy inks. Keyno Stay.tionery marks the brand's expansion from ink-making into hardware — pens engineered specifically to bring out the character of their inks, continuing the same philosophy of colour with genuine depth and presence that runs through all of Dominant Industry's work.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eLine\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eKeyno Stay.tionery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNo. 001 Serenity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eSouth Korea (Paju)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDye-based fountain pen ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eBase Colour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eAqua-Teal Blue, deepening to Navy\/Sea-Glass Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNot a primary feature\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eHigh, with pronounced colour separation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNon-waterproof\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNib Compatibility\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMost fountain pens; medium\/stub recommended for full shading effect\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCompanion Pen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDominant Industry Keyno No. 001 Serenity Fountain Pen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eShosai\u003c\/strong\u003e (\u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.shosai.ca\"\u003eshosai.ca\u003c\/a\u003e) is a fine stationery boutique serving the \u003cstrong\u003eOttawa–Gatineau National Capital Region\u003c\/strong\u003e. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🇨🇦 \u003cstrong\u003eBilingual service\u003c\/strong\u003e — English and French\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48634473218273,"sku":"DI-KS-001","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_b92c8733-4a6a-4cbe-86b9-6365a3dd4a2e.png?v=1783568507"},{"product_id":"dominant-industry-keyno-no-014-cherishment-fountain-pen-ink","title":"Dominant Industry Keyno Stay.tionery No. 014 Cherishment – 25ml Fountain Pen Ink","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eRoom 014 at Hotel Keyno is described as a place of gentle waiting — the quiet anticipation before something good happens, the moments worth holding onto properly rather than letting slip past. Cherishment is Dominant Industry's attempt to put that feeling into a bottle, and by most accounts, it succeeds.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eCherishment No. 014\u003c\/strong\u003e is a 25ml fountain pen ink from Dominant Industry's Keyno Stay.tionery line, made in small batches in Paju, South Korea. It was formulated as the companion ink to the Keyno No. 014 Cherishment fountain pen, though it writes beautifully in any fountain pen, dip pen, or glass pen.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAvailable at \u003cstrong\u003eShosai\u003c\/strong\u003e (\u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.shosai.ca\"\u003eshosai.ca\u003c\/a\u003e) in Gatineau \/ Ottawa — with in-store pickup (J9J 0K6) and Canada-wide shipping.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eThe Colour\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eBase Tone\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCherishment is a \u003cstrong\u003edusty rose-mauve\u003c\/strong\u003e — a soft, cool-toned pink carrying a distinctly grey, almost violet undertone. It isn't a bright or candy-sweet pink; it reads closer to a faded, vintage rose, romantic rather than playful. Thin strokes stay in a delicate, dreamy pale pink; the ink genuinely reads darker and more legible on the page than most inks in this tonal family, which is part of why it works so well for daily writing rather than just decoration.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eShading\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis is where Cherishment does its best work. It shows \u003cstrong\u003estrong, polychromatic shading\u003c\/strong\u003e — a real range from light cherry-blossom pink through to a deeper, richer maroon or berry-rose wherever ink pools or concentrates, often with a faint grey-violet edge at the darkest points. The effect is most dramatic with broad or medium nibs, or anywhere the ink has room to pool slightly, giving ordinary handwriting a genuinely layered, painterly quality.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eSheen \u0026amp; Shimmer\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCherishment has \u003cstrong\u003eno sheen and no shimmer\u003c\/strong\u003e. It's a standard dye-based ink, and its entire visual character comes from tone and shading rather than added sparkle or edge effects — a deliberate choice that keeps the colour feeling emotional rather than showy.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eInk Properties at a Glance\u003c\/h3\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFlow \u0026amp; Dry Time\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCherishment has a \u003cstrong\u003esmooth, well-lubricated flow\u003c\/strong\u003e suited to fountain pens, with a notably fast dry time — around 5 seconds on Rhodia paper, making it forgiving for quick writers and left-handers alike.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eFormula \u0026amp; Safety\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA \u003cstrong\u003edye-based ink\u003c\/strong\u003e, pH-neutral and safe for resin and celluloid fountain pens. Water resistance is moderate — not waterproof, but holds up reasonably well with only slight ink movement under a water test.\u003c\/p\u003e\n\u003ch4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003ePaper Performance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCherishment shows \u003cstrong\u003eno feathering or bleed-through\u003c\/strong\u003e on premium papers such as Tomoe River and Rhodia, letting the full shading range develop cleanly across each stroke.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eRecommended Uses\u003c\/h3\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eDaily journaling\u003c\/strong\u003e — a genuinely legible pink with enough depth to read comfortably over long entries\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLetters and correspondence\u003c\/strong\u003e — a romantic, nostalgic tone suited to handwritten notes and cards\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSwatching and shading demonstrations\u003c\/strong\u003e — one of the more dramatic shading inks in its colour family, rewarding broad or medium nibs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003ePair It With the Cherishment Pen\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eCherishment ink was designed alongside the Keyno No. 014 Cherishment fountain pen, which uses a genuine ebonite feed built to draw out exactly this kind of tonal range. Reviewers have specifically noted how well the pen's feed showcases shading inks like this one — the pairing draws out more colour separation than either piece delivers entirely on its own.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAbout Keyno Stay.tionery\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eKeyno Stay.tionery\u003c\/strong\u003e is Dominant Industry's fountain pen brand, built around the idea that pen and ink should be designed together. The concept centres on Hotel Keyno, an imagined retreat where every room holds its own story and emotional atmosphere. No. 014 Cherishment, the first release in the line, is dedicated to gentle anticipation and the moments worth preserving.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAbout Dominant Industry\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eDominant Industry is a South Korean ink studio based in Paju, long known for small-batch, specialty fountain pen and calligraphy inks. Their bottles are famously shaped like lightbulbs, reflecting the brand's broader goal of capturing light itself in colour.\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eProduct Specifications\u003c\/h3\u003e\n\u003cdiv class=\"overflow-x-auto w-full px-2 mb-6\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eSpecification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eBrand\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDominant Industry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eLine\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eKeyno Stay.tionery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eInk Name\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNo. 014 Cherishment\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eSouth Korea (Paju)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eVolume\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e25ml\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eInk Type\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDye-based fountain pen ink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eBase Colour\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDusty Rose-Mauve, grey\/violet undertone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eShimmer\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eSheen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eShading\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eStrong, polychromatic (pale pink to deep maroon\/berry-rose)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDry Time\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e~5 seconds (Rhodia)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eWater Resistance\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eModerate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCompanion Pen\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDominant Industry Keyno No. 014 Cherishment Fountain Pen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003ch3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"\u003eAvailable at Shosai — Ottawa–Gatineau\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eShosai\u003c\/strong\u003e (\u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.shosai.ca\"\u003eshosai.ca\u003c\/a\u003e) is a fine stationery boutique serving the \u003cstrong\u003eOttawa–Gatineau National Capital Region\u003c\/strong\u003e. We carry a curated selection of premium fountain pen inks, papers, and writing instruments from the world's most respected stationery brands.\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e📍 \u003cstrong\u003eIn-store pickup:\u003c\/strong\u003e Gatineau, QC — J9J 0K6\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🛵 \u003cstrong\u003eLocal delivery:\u003c\/strong\u003e Available in the Ottawa–Gatineau area\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🚚 \u003cstrong\u003eCanada-wide shipping\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body whitespace-normal break-words pl-2\"\u003e🇨🇦 \u003cstrong\u003eBilingual service\u003c\/strong\u003e — English and French\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhether you are new to fountain pens or a seasoned collector, Shosai is your local destination for inks that go beyond the ordinary.\u003c\/p\u003e","brand":"Dominant Industry","offers":[{"title":"Default Title","offer_id":48636471541985,"sku":null,"price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0806\/8032\/1249\/files\/1_0a5b7b10-dd83-490e-aaa6-866c47b8c34e.png?v=1783642157"}],"url":"https:\/\/shosai.ca\/collections\/where-to-start.oembed?page=2","provider":"Shosai","version":"1.0","type":"link"}